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NFL Draft 2020: NFL Media Deploys iPhone Production Kits, Coordinates 600+ Live Feeds To Bring Virtual Draft to Fans – Sports Video Group

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In absence of a physical Draft, NFL Media teams with ESPN to serve fans with unique experience

Each year, the NFL Draft production somehow gets even bigger and more complex than the year before. As the grandiose plans for the 2020 NFL Draft in Las Vegas came together at the beginning of March, NFL Media VP of Production Dave Shaw believed it could be the most challenging operation to date for the league’s media arm. Little did he know that the coronavirus-pandemic lockdown would wipe the slate clean and force his team to come up with a plan to create a virtual workflow for the Draft production that would entail managing hundreds of feeds from players, coaches, GMs, fans, and the commissioner across the country.

NFL Media’s Dave Shaw at his home workstation for the NFL Draft production

“When we first started planning for the Draft, obviously, it was going to be this massive event in Las Vegas unlike anything we’ve done before. And to see how this Draft has morphed into something totally different — but just as challenging and unique — has been really interesting,” says Shaw. “This has all come together in just a few weeks, and it’s truly unlike anything I’ve ever seen in my career. Everyone has come together to bring the [quality] level up as high as possible and make this happen for fans.”

NFL Media worked with the NFL’s IT team to develop custom iPhone 11 production kits deployed to nearly 200 homes of prospects, coaches, GMs, owners, and college coaches across the country. In addition, video feeds of more than 300 fans will be incorporated into the Draft telecast, and another 100 more will be featured in the NFL Draft-A-Thon social-media show.

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“In all, there is going to over 600 video feeds that will be on-air in some fashion at some point. And don’t forget, it’s all live,” says Shaw. “Typically, most of our infrastructure is behind the scenes so we can fix any issues without [the viewers] even knowing. But, right now, when something goes wrong, everybody can see it [on-air]. In the past, we were always so worried about having extra-redundant technical infrastructure, but now we’re dealing with all sorts of issues that wouldn’t have been imaginable a few months ago. It has been exciting but terrifying all at the same time.”

In the Field: 100+ iPhone Production Kits and an At-Home Podium for the Commish
NFL CIO Michelle McKenna
and the league’s IT team worked closely with NFL Media to deploy more than 100 video-production kits to 58 Draft prospects, all 32 NFL head coaches, 32 NFL general managers, eight owners, and six college coaches. Each kit comprises iPhone 11s (courtesy of Verizon Communications) with external boom microphone and tripod, Bose QuietComfort 20 noise-canceling headphones, and lighting kit.

The iPhone production kit for the NFL Draft was sent to players, coaches and GMs, and a handful of owners.

Players will have two iPhones — one “Interview” camera running Skype/FaceTime/Quicklink apps for TV interviews and the congratulatory “virtual hug” with the commissioner and one “Always On” camera running the Larix Broadcaster app and coordinated by Amazon Web Services, which will display players waiting to be drafted and their reaction once their name is called. Prospects have also been asked to get in touch with their internet provider to try to increase their bandwidth.

“We’re relying on people’s bandwidth at home: if you’ve got a player at his house about to be drafted and then someone at his home decides to go play a videogame, suddenly he’s got no bandwidth,” says Shaw. “So we’re trying to minimize as much risk as we can in those situations.”

The NFL is taking no chances with the “podium” for the Draft; Commissioner Roger Goodell will be connected via onsite satellite uplink as he announces each of the Day 1 and Day 2 picks from his home. A single broadcast camera will be used to cover Goodell’s pick announcements, and a second interview camera will be used for him to talk to the draftees (it will also serve as backup should the main camera go down).

The small crew at the commissioner’s house consists of a single camera operator in the room with Goodell, an audio operator in a separate room, an operator in the uplink truck, one IT person, and a handful of key NFL personnel — all separated by at least 6 ft., wearing masks, and having their temperature taken each time they enter the house. In addition, a virtual mosaic will be displayed on the backdrop monitor behind the commissioner as he announces the picks and will feature 320 live video feeds of hundreds of fans from around the country.

“The commissioner has all the players’ phone numbers, and, when a player is picked, he’s going to do a one-to-one FaceTime with them,” says Shaw. “After he makes the pick, he’ll do a hug via FaceTime from his home so we can still capture that emotional moment.”

Dawn Aponte, chief football administrative officer, and Dave Gardi, SVP. football operations, NFL, will be announcing the Day 3 picks on Saturday via an always-on camera managed by AWS (they will also serve as backup emcees should Goodell’s feed go down).

Crazy Coordination: Three Call Centers Managing 600+ Video Feeds
To coordinate the swath of feeds from around the country, NFL Media and ESPN have set up three “call centers” to handle three types of feeds.

Overview of the signal-flow scheme for the first-ever “virtual” NFL Draft

The Video Call Center is managing the “interview camera” feeds from the 58 prospects and ensuring that they are integrated into the coverage once they are picked.

Van Wager Sports & Entertainment (VWSE), which typically handles the in-venue production at the Draft, is managing the video feeds for all coaches, GMs, and owners.

And The Famous Group, which oversaw the NFL100 mixed-reality production at Super Bowl LIV, is deploying its VIXI technology to integrate hundreds of fan live feeds into the digital mosaic background behind Goodell. Contribution for the virtual mosaic is powered by LTN Global’s Live Video Cloud, which enables fans to seamlessly connect their video feed to the production chain, while receiving audio and video return from producers. LTN Live Video Cloud API driven workflows allow producers to route each fan’s reaction instantaneously to generate each team’s unique mosaic being presented behind the commissioner and reacting in real-time to draft picks.

The 199 camera feeds (not including fan cams handled by VIXI/LTN) are broken down into 79 feeds sent to ESPN, which is handling the actual production and integration of the live Draft telecast. However, since ESPN is also limited in the use of its facilities in Bristol due to the pandemic, NFL Media enlisted DTAGS and its control room in Tulsa, OK, to manage the central transmission. DTAGS has set up 16 circuits between Tulsa and Bristol: six from VCC, eight from VWSE, and two from VIXI/LTN. Should ESPN go dark for some reason, NFL Media has also established the infrastructure via DTAGs to provide Draft coverage using NFL Network’s own remote-studio resources. ESPN is also receiving the 58 always-on cameras from AWS.

NFL Media’s TOC is currently at DTAGS facility in Tulsa.

NFL Media has also arranged for several special live feeds that will be used leading up to picks from locations like Al Udeid Air Base in Qatar and St. Jude Children’s Research Hospital.

All NFL Media talent featured in the pre/post-Draft coverage throughout the week on NFL Network, as well as in the Draft telecast itself — including Kurt Warner, Michael Irvin, and Danielle Jeremiah — is being captured and transmitted via AzzurroCam remote-production systems.

In addition to the linear telecast, NFL Digital has also partnered with BC Live Production on the Draft-A-Thon, a live-streaming show for NFL Digital properties and social-media channels that will incorporate more than 100 video feeds. The fundraising-campaign show will be hosted by NFL Network’s Rich Eisen and Deion Sanders and feature a wide variety of athletes, celebrities, and personalities. ESPN will also have access to feeds from the Draft-A-Thon to integrate into the linear telecast. 

Beyond the Draft: How NFL Network Got Back on Air Live
Of course, the next three days are just the culmination of weeks of pre-Draft programming on NFL Network and NFL Digital platforms. And, before NFL Media could even think about the Draft, it had to get the NFL Network and NFL Digital operations back up and running after their Culver City, CA, studios were essentially shut down in mid March due to shelter-in-place orders.

In addition to working with DTAGS on the NFL Draft project, NFL Network is also running programming out of DTAGS’s Tulsa facility.

When the pandemic started,” says Shaw, “we pretty much shut down all our control rooms or studios, so we had to figure out the workflow to get our own network and shows back up live. I think our entire team deserves a lot of credit for finding creative ways to get us back up live.”

First, Brad Boim, senior director, asset management and post production, NFL Media, and his team created a cloud-based workflow that allowed remote editors to access virtual playout servers in AWS and produce content using BeBop Technology virtual-computer software. In addition, much of NFL Network’s talent already had AzzurroCam systems installed at their homes (and more have been installed in the weeks since). NFL Network combined this cloud-based postproduction and AzzurroCam to produce recorded editions of NFL Total Access, Path to the Draft, and NFL Mock Draft in early April.

“We were able to bring those those pieces together to get a few of our key shows back on-air,” says Shaw. “Then we started looking at how to get back live.”

NFL Media enlisted DTAGS and its control room in Tulsa, OK, to manage the central transmission for the NFL Draft,

Since then NFL Network’s marquee studio shows have gradually come back live on-air. Two weeks ago, NFL Now Live became the first show to get back live on NFL Network’s air, using a NewTek TriCaster at a producer’s home, AzzurroCams at talent’s home, and transmission via DTAGs. Last week, Good Morning Football went live using a decentralized workflow that featured talent on AzzurroCams, the director directing remotely from New York, and the transmission center at DTAG’s facility in Tulsa. The rest of the production and operations crew is also tied into the show via Zoom.

With this new workflow in place, NFL Network is rolling this week with live editions of Good Morning Football and NFL Draft Preview all week, as well as NFL Draft Kickoff and NFL Draft Recap Thursday-Sunday.

On the NFL Digital side, Senior Manager, Technical Production, Zack Sail and his team built out a production workflow using the vMix virtual-production system and StreamYard live-streaming studio software to handle their primary shows, including Around the NFL and Move the Sticks.

Shaw says getting the NFL Network and NFL Digital back up and running, as well as coordinating the most complex NFL Draft ever has been a true team effort. He specifically cites McKenna, Boim, and VP, Football Technology Solutions, John Cave on the league’s IT team, as well as VP, Engineering, Bruce Goldfeder; Director, Technical Operations, A.J Wainwright; Senior Remote Technical Operations Manager Bjorn EstlundChief Engineer Jim Naughton; as key to the monumental effort.

The NFL Draft begins at 8 p.m. tonight on ABC, ESPN, NFL Network, and ESPN Deportes.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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