FLORENCE, Italy — The Uffizi Galleries, the most-visited museum in Italy, is open after three months of COVID-19 lockdown, delighting art lovers who don’t have to jostle with throngs of tourists thanks to new social distancing rules.
Uffizi director Eike Schmidt told The Associated Press on Wednesday that the government-ordered closure of museums during coronavirus containment measures meant 1 million fewer visitors and 12 million euros ($13.2 million) in less revenue for that period. Now, at most 450 people at one time are allowed in the Uffizi’s many galleries, chock full of some of the art world’s greatest masterpieces.
That means visitors no longer have to elbow their way to admire such masterpieces as Botticelli’s “Birth of Venus.”
First in line to enter was Laura Ganino. She was studying in Florence when the lockdown was declared in early March and now was finally about to leave the Tuscan city, since Italy on Wednesday dropped restrictions on travel between regions in the country.
Schmidt said tourists from overseas weren’t expected to come to Italy in large numbers likely before 2021. Ganino took advantage of the smaller number of visitors. Crowds, she said, pose “an obstacle between me and what I’m observing.”
Right behind her in line was Patrizia Spagnese, from Prato in Tuscany. With crowds, “I get distracted, I tend to tire easily,” she said, so with her husband she was eager to savour the beauties inside the Uffizi, which she had never seen in its entirety despite many times being in Florence.
Schmidt said social distancing heralds a new era in art experience. Without being surrounded by rushing crowds, art lovers can better “feel these emotions that these works of art always transmit,” he said.
Visitors to the highly popular Vatican Museums, which reopened two days earlier after lockdown, similarly could appreciate opportunities rarely available in the past. These include enjoying Michelangelo’s frescoed ceiling in the Sistine Chapels without many other tourists jockeying for a spot where they can crane their neck to observe the masterpiece overhead.
As an added bonus, the Vatican Museums visitors can now see work by Raphael which had long been attributed to that of his artistic workshop but that after several years of delicate cleaning and restoration, experts decided were really painted by him shortly before his death in 1520.
Two female figures, each with one breast bared and serving as allegorical representations of justice and friendship decorate one of the walls of the Hall of Constantine.
The Vatican had planned to unveil the ‘’re-discovery” of Raphael’s work at an international convention of art experts in April. But the coronavirus outbreak forced that plan to be scrapped.
Instead, rank-and-file art lovers who visited the rooms of the Vatican decorated by Raphael, one of the highlights of the Museums tour before they reach the Sistine Chapel, can now admire the feminine figures. Raphael painted the figures with oil-based paint, very unusual for mural painting at the time.
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Frances D’Emilio reported from Rome.
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Follow AP coverage of the pandemic at https://apnews.com/VirusOutbreak and https://apnews.com/UnderstandingtheOutbreak
Trisha Thomas And Frances D’Emilio, The Associated Press
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
