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North Shore art institutions adjust to life without an audience – North Shore News

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Art institutions on the North Shore are bracing for what could be a longer than usual intermission during the ongoing COVID-19 crisis.

On one of the end of the North Shore, Deep Cove Stage Society has cancelled its April and June shows while on the other end, in West Vancouver, Kay Meek Arts Centre has suspended all its productions to at least the end of May.

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And every other arts centre in between on the North Shore has found itself in a similar bind.

“We’re still hopeful for October,” said Chris Stanley, director at large for Deep Cove Stage Society, about its presumptive fall production of The Strange Case of Dr. Jekyll and Mr. Hyde.

Lenore Swenerton, director of donor relations and audience development at Kay Meek, noted that up to a quarter of the arts facility’s revenue has traditionally come from its spring productions, which have in large measure been moved to September – although they’ve so far not been able to reschedule everything.

“We’re hoping that people will just transfer the ticket revenue over, but we’re still losing that cash flow now,” said Swenerton. “If people aren’t coming, they’re not engaged. And if they’re not engaged, then they’re not donating to us. … Even a small donation would make a huge difference to us.”

Nancy Cottingham Powell, executive director at North Van Arts, echoed Swenerton’s plea to effectively keep ticket revenue invested in the places on the North Shore that let artists, musicians and the creatively-inclined showcase their work.

“Don’t ask for a refund, if you can,” said Powell, pointing out that places like Kay Meek, Presentation House Theatre, Centennial Theatre, and numerous other North Shore venues both big and small depend on ticket sales to keep the lights on and the magic happening. “If you can financially pull it off, let them keep those ticket revenues.”

North Van Arts found itself in the eccentric situation of launching its vast North Shore Culture Compass last month, right before most public spaces and arts venues were forced to close due to social distancing requirements introduced by the province to combat the pandemic, said to Powell.

The North Shore Culture Compass, an online interactive tool, is especially pertinent now that people are stuck at home – photo North Van Arts

However, the Culture Compass – an interactive mapping tool which features more than 450 listings of local points of cultural and historic significance – has since become an online hotspot for people looking to engage with local culture from the safety of their homes, according to Powell, adding that the tool features many entertaining and captivating bits of local colour, history, and artistic exploration.

“We’ve transferred our messaging from ‘Go navigate North Shore culture’ to ‘Use this tool to discover North Shore culture,’” said Powell. “Apparently there was a goat craze in Lower Lonsdale in the early 1990s and everybody had pet goats. That was a real thing. Those are the fun things people can discover poking around.”

In addition to closing Lower Lonsdale’s CityScape Community Art Space to the public, North Van Arts has also cancelled what would have been its 21st annual Art in the Garden festival scheduled for the end of May as well as much of its ongoing arts education programming.

“We were super lucky we got the Art Crawl in, which was the first week of March,” noted Powell.

As the arts organization weathers the uncertainty of the pandemic, they’ve endeavoured to offer some online arts education opportunities where they can, she said, including a weekly pay-what-you-can online video session of songs, stories and family art activities hosted by North Van Arts’ own Joyelle Brandt.

“We’re also setting up online galleries,” said Powell. “Right away we identified that people were going to go stir crazy at home.”

Polygon Gallery has also been forced to shut its 25,000-square-foot facility at the edge of the North Vancouver waterfront for the time being.

As art institutions across the country are being forced to go dark for an indeterminate period of time right now, Polygon director Reid Shier said many organizations will be compelled to make some tough decisions.

With Polygon staff currently working remotely, Shier said his team are working hard to bring the public what arts and photographic programming they can, such as curating a weekly exhibition on Instagram and turning its monthly Kids First Saturdays into a weekly online affair which encourages youth to keep creating at home. There is also a Polygon Podcast, which focuses on artists and creators and their prominence in these times of uncertainty, in the works, according to Shier.

“Everybody’s kind of looking towards the fall as a date when at least we’ll have a better sense of what the future holds,” said Shier. “The way that artists are addressing these situations and challenges are vital for us.”

BlueShore Financial Centre for the Performing Arts at Capilano University has also cancelled or postponed the remainder of its upcoming slate of shows and events, with staff now looking towards the new season which starts this fall.

Fiona Black, director of programming at the centre, noted that, much like Kay Meek, they’re trying to reschedule as many events that have been cancelled as possible, such as the Delvon Lamarr Organ Trio who had been originally booked to play their brand of up-tempo funky jazz last month.

“We’ve managed to reschedule them for Nov. 27, 2020. We don’t have to wait another year for them,” said Black.

The Delvon Lamarr Organ Trio, originally slated to perform at BlueShore Financial Centre for the Peforming Arts last month, has been rescheduled to play in late November – photo Bebe Labree Besch

Swenerton also noted that, at an upcoming date, classical pianist Ian Parker has agreed to do an online concert at Kay Meek which will then be broadcast online live to audiences.

And it’s artistic and creative moments like this, and their importance to society at large, that have really come into focus while the pandemic has raged on, according to Black.

“This is a privilege that we kind of took for granted for a lot of our life – the ability to go out and attend shows. This has been a huge privilege to have lost,” said Black. “The need for it will be that much greater when we’re able to come together again.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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