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NOTL art museum showcasing women – Niagarathisweek.com

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Of the more than 500 artists in the RiverBrink Art Museum’s collection only 36 are women.

It’s a gap that director and curator Debra Antoncic identified years ago and has since been working to address. The Queenston art museum’s spring lineup will have a strong focus on female artists.

“We definitely are trying to be more inclusive,” said Antoncic. “And it isn’t just women artists, it’s artists of colour and Indigenous artists that we need to be paying attention to and be including their voices and their perspectives in what we showcase here.”

Genius Dog 336 x 280 - Animated


The collection is largely historical, developed over time by collector Samuel E. Wier, however the museum actively seeks exhibitions that respond to and spur dialogue with the historical collection, she said, bringing it to the present and building for the future.

“We also have to recognize how these other voices and perspectives have been excluded.”

A collection of landscapes painted by Clara Harris, a Toronto-based artist who was very active through the ‘30s and ‘40s, will be the first of the female-focused exhibitions, set to start Feb. 26.

Antoncic said this display was orchestrated through an art lender who contacted her after a 2014 exhibition showcased the then 35 women of the historical collection, recognizing the lack of female contributions. This lender had many of Harris’ works in her own collection and introduced the museum to local lenders to add to the showcase.

Harris is a great example of a Canadian female artist who worked in the margins of where the attention was at the time, said Antoncic.

Beginning March 15, RiverBrink will be part of Colour with a U Too, a juried exhibition of art quilts by members of the Studio Art Quilts Associates (SAQA).

The exhibition is part of a conference taking place in Toronto, then SAQA members will take day trips to the Homer Watson House & Gallery, in Kitchener, and to RiverBrink, in NOTL, to experience their displays.

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Hands-on art installation takes shape at college campus

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Artist Jill Price is showcasing some of her new art, called UN/making the Frame, at The Campus Gallery at Georgian College in Barrie.

Visitors will find in the printed handout that they are invited to “put on a suit, smell, water, zest, taste, move, touch, and rearrange elements in the space,” which helps illustrate “everyday performances that help to visualize how still-life paintings are neither two-dimensional nor still, and that the actions of humans matter.”

Price, a past instructor in Georgian College’s fundamental art and fine art programs, is an interdisciplinary artist and the recipient of several Queen’s University awards.

Genius Dog 336 x 280 - Animated

Her artwork has been shown may times overs the years going back to 2000 — in solo shows, as well as juried, group and invitational exhibitions across Ontario.

This particular exhibit “presents multiple assemblages that point to how a plastic garbage can or a ‘mere bowl of fruit’ whether painted or in the flesh, are all part of our animate and interconnected ecologies.”

“Embracing the ready-made for its potential to delineate space as well as bring attention to the accumulation and ‘liveliness’ of everyday objects.”

The arranging, placement and use of the objects is solely up to the viewer as they walk through the gallery.

There is also a stop-motion video screen that draws the visitor in to witness Price as she plays out the process of creating the pieces and documents the time, labour and the materials that were used in the artworks.

This whimsical and hands-on experience can be viewed at The Campus Gallery until Dec. 4.

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Art

Hands-on art installation takes shape at college campus

Published

 on

Artist Jill Price is showcasing some of her new art, called UN/making the Frame, at The Campus Gallery at Georgian College in Barrie.

Visitors will find in the printed handout that they are invited to “put on a suit, smell, water, zest, taste, move, touch, and rearrange elements in the space,” which helps illustrate “everyday performances that help to visualize how still-life paintings are neither two-dimensional nor still, and that the actions of humans matter.”

Price, a past instructor in Georgian College’s fundamental art and fine art programs, is an interdisciplinary artist and the recipient of several Queen’s University awards.

Her artwork has been shown may times overs the years going back to 2000 — in solo shows, as well as juried, group and invitational exhibitions across Ontario.

Genius Dog 336 x 280 - Animated

This particular exhibit “presents multiple assemblages that point to how a plastic garbage can or a ‘mere bowl of fruit’ whether painted or in the flesh, are all part of our animate and interconnected ecologies.”

“Embracing the ready-made for its potential to delineate space as well as bring attention to the accumulation and ‘liveliness’ of everyday objects.”

The arranging, placement and use of the objects is solely up to the viewer as they walk through the gallery.

There is also a stop-motion video screen that draws the visitor in to witness Price as she plays out the process of creating the pieces and documents the time, labour and the materials that were used in the artworks.

This whimsical and hands-on experience can be viewed at The Campus Gallery until Dec. 4.

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Ukrainian avant-garde art finds refuge from war in Madrid

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MADRID, Nov 29 (Reuters) – Ukrainian art has found a refuge in Madrid where a retrospective on the country’s avant-garde in the early 20th century is showing works little known to the general public while offering them a safe haven away from the bombs.

On Tuesday, the Spanish capital’s Thyssen-Bornemisza Museum inaugurated the exhibit “In the Eye of the Storm. Modernism in Ukraine, 1900-1930s”. It showcases a collection of about 70 artworks in various formats representing different trends, from figurative art to futurism and constructivism.

Genius Dog 336 x 280 - Animated

Aside from paying tribute to a little-known period in the history of Ukrainian art, the exhibition takes on particular relevance amid Russia’s ongoing invasion of the country.

“We wanted to do something in terms of showing Ukrainian art, but also taking Ukrainian art out of Ukraine and bringing it to Europe and to safety,” Katia Denysova, one of the exhibit’s three curators, told Reuters.

Denysova, who described her journey out of Ukraine as a “rollercoaster”, said that transporting the works through a country at war into the European Union ran into numerous challenges.

They included the temporary closure of borders in response to the impact of a stray missile on neighbouring Polish soil, which sparked fears of an escalation two weeks ago.

When the curators saw the works had made it to Spain safe and sound, they were “beyond delighted”, Denysova added.

She now hopes that Ukrainian avant-garde art will tell the public a story of creation and resistance.

“This is an integral part of our heritage, of our culture in Ukraine. This is what Ukrainians are fighting for right now.”

Reporting by Darío Fernández, Silvio Castellanos and Michael Gore; Editing by David Latona and Mark Heinrich

 

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