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Nunavummiut have to stay home, but their art continues to travel – Nunatsiaq News

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Restrictions due to the COVID-19 pandemic have greatly limited opportunities for travel from Nunavut over the last four months, but artwork created by Nunavummiut continues to reach a wide audience.

In certain cases, there’s an opportunity for those sheltering close to home to access those artworks virtually.

Take, for example, drawings showing life in an often-damaged environment in the North by Kinngait artist Qavavau Manumie, which are part of an exhibition that opened on June 5 at the Museum of Modern Art in Warsaw.

The exhibition, “The Penumbral Age: Art in the Time of Planetary Change,” runs until Sept. 13.

Manumie’s drawings, rendered in graphite, coloured pencil and ink on paper, often feature wildlife, such as a group of walrus, affected by climate change and the garbage that humans leave behind.

You don’t have to travel to Poland to see these drawings, as you can visit the exhibition online.

A cheerful emoji

Aija Komangapik’s cheerful Inuk emoji travelled far and wide in June, popping up on people’s cell phones on Twitter when they used certain hashtags celebrating Indigenous people.

The Quebec-based Inuk artist made good use of her time when the COVID-19 pandemic hit and her in-person classes at Bishop’s University in Sherbrooke, Que., were cancelled. Komangapik said she finally had time to go back to a bunch of art projects—including the emoji design.

“When you’re in school, you don’t really have time to do all the art you want to do,” she said.

“But during the pandemic, I had this big, creative explosion and did about 10 paintings.

Kinngait textiles

The surprise discovery of a crate full of forgotten printed textiles in a storage room at the Kenojuak Cultural Centre and Print Shop in Kinngait was the starting point for an exhibition at the Textile Museum of Canada in Toronto that began last December.

The exhibition, called Printed Textiles from Kinngait Studios, is currently closed to the public, but you can still have a virtual visit online.

The show presents the story of a group of Inuit artists who created a collection of bold graphic textiles in the 1950s and 1960s.

In the mid-1960s, the textiles were marketed by Arctic Co-operatives Ltd. across the country and were so popular that they were featured at Expo 67 in Montreal in 1967.

But in spite of that popularity, the textile-printing program in Kinngait came to an end in 1968.

This exhibition provides the visitor with an opportunity to see long-forgotten works by Kinngait artists, including Kenojuak Ashevak, Pitseolak Ashoona and Pudlo Pudlat.

A glass qajaq

You’ll have to travel to Ottawa to see the following work of art.

The Sivuniksattinu qajaq at the Ottawa Hospital took more than two years to complete. (Photo by Jim Bell)

Patients, visitors and staff at the Ottawa Hospital’s general campus are lucky enough to be able to see a physical representation of both Inuit ingenuity and artistry in the large waiting area adjacent to the main entrance.

Named “Sivuniksattinu,” or “For Our Future,” it’s a wooden-framed, glass-panelled qajaq, which was unveiled at a ceremony held early this year.

The production of the qajaq was very much a collaboration, starting with local elder David Erkloo, who repaired the wooden frame of the qajaq and provided guidance to Inuit artists Kaajuk Kablalik, Melissa Attagutsiak and Alexander Angnaluak, who, along with Ottawa-area glass artist Jennifer Anne Kelly, created the glass artwork on the qajaq.

The qajaq is intended to recognize the Inuit patients the hospital serves and it’s a symbol of reconciliation.

“The art piece is for everyone, even though it’s an Inuit piece, an Inuit symbol and an Inuit tool,” Kablalik told Nunatsiaq News.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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