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Online art gallery offers artwork viewing from comfort of home – moosejawtoday.com

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Grasslands Gallery Online is showing a new virtual exhibit titled “Wintering” featuring 13 contemporary Saskatchewan artists. The gallery is available for viewing until March 26.

“The world seems noisy these days,” said Laureen Marchand, gallery director and exhibition curator. “Or maybe the world is always noisy and it’s just the cumulative effect of two years of pandemic and all the controversy that who-would-have-thought would spring up around it, but here at Grasslands Gallery Online, the need for reinvigoration and peace feels strong.”

Marchand is an artist herself who has been exhibiting for 35 years. She lives in the relatively remote South Saskatchewan community of Val Marie – the gateway to Grasslands National Park.

She started the gallery as a way of exhibiting her own and others’ art throughout the pandemic. It has gone so well that she plans on continuing.

“I think it enables Saskatchewan artwork to be more widely seen.”

“The gallery started with six artists, and I’m about to launch the 14th,” Marchand said. “I’ve deliberately done it slowly, because it’s a one-woman show, and I want to do a good job for everybody.”

She said the artists are all serious, professional artists from Saskatchewan. “They live all over the province,” she said, “they’re from Prince Albert, Saskatoon, Regina, Outlook, and Val Marie.”

The gallery has become an associate member of the Saskatchewan Professional Art Galleries Association (SaskGalleries). SaskGalleries is a non-profit that gives the following guarantees for customers of their affiliates:

  • The gallery represents professional artists whose art practice is their full-time job;
  • Pays the artists properly based on standard payment principles;
  • Prices the art fairly and in line with national standards;
  • Is knowledgeable about the art and artists they carry; and
  • Is an established business.

Marchand is proud of the website and its presentation. “When someone clicks on a particular artwork,” she explained, “there’s an option to… see what it would look like hung in a sample room. And all the rooms are different, they’re all chosen to show off each work.”

She can truly curate her exhibitions by setting up virtual rooms. The gallery’s rooms can be “walked” through, with works shown to scale and seen in order of their arrangement.

Exhibitions also do not have the space restrictions of real-world galleries. “Wintering” features four or five artworks from each of the 13 currently-affiliated artists.

“I like this particular gallery space because it has virtual windows with virtual light coming in,” Marchand said.

When artwork is purchased, the artists ship directly from their home studios. They take care to package the purchased work professionally and are reimbursed for their shipping costs. Because the artwork is transported only once, there is a reduced use of materials, carriers, and fuel.

Marchand said the feedback from buyers so far has been unanimously positive.

The latest exhibition is curated to “bring light,” including birds, flowers, a path in a meadow, a view into space, and views into pure colour.

“My intent with ‘Wintering’ was to provide a viewing experience to kind of counter both the physical cold and the (social) noisiness of this particular winter,” Marchand explained. “The responses have been that people experience a sense of peace when they walk through the exhibition.”

Take a look for yourself at grasslandsgallery.com.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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