Ont. school boards are trying to knock down the social media giants. Do their cases stand a chance? - CBC.ca | Canada News Media
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Ont. school boards are trying to knock down the social media giants. Do their cases stand a chance? – CBC.ca

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They were reckless and malicious, manipulating the brain neurochemistry of young students, getting them hooked on social media platforms, and, in doing so, causing widespread damage and disruption to the education system.

These are just some of the, as of yet, unproven allegations, made by four Ontario school boards in their recently filed statements of claim filed against social media giants Meta Platforms Inc., Snap Inc. and ByteDance Ltd, which operate the platforms Facebook and Instagram, Snapchat and TikTok respectively, seeking $4.5 billion in total damages.

The lawsuits, possibly the first of their kind in Canada, could take years to litigate, involve dozens of experts, thousands of documents and cost lots and lots of money.

And they may also encounter significant legal challenges. 

“I do think there are a number of hurdles they’re going to face,” said Josh Nisker, an injury malpractice lawyer based in Toronto.

Nisker, as both a parent and lawyer, said he does believe social media companies need to held accountable for their conduct.

“But having said that, I do have concerns about the viability of these claims in question, whether they will ultimately bring about the meaningful change we’re hoping for.”

WATCH | Social media giants ‘knowingly’ harming children, says TDSB chair: 

TikTok, Snapchat respond to Ontario school boards’ social media lawsuit

10 days ago

Duration 4:55

Four Ontario school boards are suing the makers of Facebook, Instagram, Snapchat and TikTok for $4.5 billion, alleging the way they designed their apps has negatively rewired the way children think, behave and learn while disrupting their education.

Who is owed the ‘duty of care’?

According to the statements of claim, the school boards allege that these social media companies, through their “unsafe and/or addictive products” have caused the students to suffer from a slew of mental health issues, including “behavioural dysregulation, learning and attention impairments.”

This has interfered with the school boards’ ability to educate children, something required by law, and caused “substantial damages,” the statements of claim say. Damages include, according to the lawsuit, a significant drain on school board resources and personnel in having to deal with the students’ mental health issues.

“The defendants have acted in a high-handed, reckless, malicious, and reprehensible manner without due regard for the well-being of the student population and the education system,” the statements of claim say.

Duncan Embury, a partner and head of litigation at Neinstein LLP, a Toronto-based firm representing the school board, told CBC News last week the named companies are “mainly responsible” for the social media products that kids use, and share common designs or algorithms that lead to “problematic use.” 

While Embury said he believes the lawsuit is the first of its kind in Canada, hundreds of school boards in the United States, along with some states, have launched similar lawsuits against social media companies.

But Nisker said there are some areas where he believes the school boards’ case could face challenges, including the legal concept known as “duty of care”  — the avoidance of acts that could cause harm.

There are many existing duties of care that have been recognized by Canadian courts. For example, a motorist owes a duty of care to other motorists, pedestrians and cyclists, meaning, they must avoid, through their actions, inflicting harm.

But in the school boards’ lawsuits, the question is whether the social media companies owe a duty of care to the school boards, and not the students who specifically used their products and may have suffered harm.

“While I’m sure the school boards lawyers will come up with some interesting, thoughtful and creative legal arguments, personally, I’m struggling to see how the court’s going to make that connection here,” Nisker said.

Defining damages

Another legal issue is damages — quantifiable harms that individuals suffer and which are compensated in law, Nisker said.

The lawsuits launched by Ontario school boards against the social media giants could take years to litigate, involve dozens of experts, thousands of documents and cost lots and lots of money. And they may also encounter significant legal challenges. (Sergey Causelove/Shutterstock)

In many cases that can be straightforward: an individual’s leg is broken after being hit by a car, and they suffer pain and suffering, lost wages and medical expenses, all related to being hit.

The party suing has to prove the damages they suffered were caused by the harms.

In the case against the social media companies, Nisker said he questions how the school boards will establish that the damages they allege were caused by social media were not caused by other factors, such as the impact of COVID-19 on students mental health, the impact of remote learning or just strained academic resources in general.

“I have no doubt that students are suffering, and I have no doubt that there have been strains on school boards and resources and on teachers,” he said.

“But the question will be, how do you quantify that? And is it caused by Facebook and TikTok and Snapchat, or is it something else?”

Proving what impact social media has on children will be at the heart of the case. The issue of teen mental illness and how it’s caused or impacted by social media was reignited recently with the release of U.S. social psychologist Jonathan Haidt’s new book: The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness.

Haidt argues, citing numerous studies, that the rise of “phone-based childhood” starting in the late 2000s and accelerating, when adolescents became addicted to their smartphones loaded with social media platforms, has led to an epidemic of mental health issues.

The book has sparked both support and criticism , over just how much these mental health issues are attributed to social media.

Linda Charmaraman, founder and director of the Youth Media & Wellbeing Research Lab at Massachusetts-based Wellesley College, said research has found that social media can be harmful, but not necessarily.

“It depends on when, why, and how kids and teens use it,” she wrote in an email to CBC News.

She said it’s hard to tease out the effects of social media on children because researchers can’t conduct a randomized controlled trial on this issue.

“Children’s lives are complex and many, many factors are involved that can’t be controlled for.”

She also cited the American Psychological Association health advisory of last year, to which she contributed, that found using social media is “not inherently beneficial or harmful to young people.

“In most cases, the effects of social media are dependent on adolescents’ own personal and psychological characteristics and social circumstances,” the advisory said.

Also last year, the U.S. Surgeon General sounded the alarm on social media and youth mental health, saying in an advisory that while it may offer some benefits, there are “ample indicators that social media can also pose a risk of harm to the mental health and well-being of children and adolescents.”

“We don’t have enough evidence to say it’s safe, and in fact, there is growing evidence that social media use is associated with harm to young people’s mental health,” U.S. Surgeon General Dr. Vivek Murthy said in a statement at the time of the advisory’s release.

WATCH |TikTok, Snapchat respond to Ontario school boards’ social media lawsuit: 

Social media giants ‘knowingly’ harming children, TDSB chair says in wake of lawsuit

11 days ago

Duration 5:53

Four of Ontario’s largest school boards, including the Toronto District School Board (TDSB), have launched lawsuits against social media giants behind Meta, Snapchat and TikTok for allegedly causing harm to students. Metro Morning host David Common spoke with TDSB chair Rachel Chernos Lin about the action.

Burden of proof

Brian Cameron, a personal injury lawyer at  Oatley Vigmond, said both sides will certainly employ lots of experts including neurocognitive scientists, neuropsychologists and pediatric neurologists.

But plaintiffs will also have the burden of proving how the social media companies intentionally get adolescents hooked on social media, he said

“It’s going to be the people who write the code,” he said. “It’s not about just a neuroccognitive reaction. [They] would have to prove, and they allege, that it was intentional. Now you get into computer coding.”

One of the biggest challenges facing the plaintiffs may have nothing to do with the law itself, but who they are challenging and the financial resources at their disposal.

“[The school board has] sued companies that collectively probably have a net worth higher than most countries,” Cameron said. 

As well, the case will stretch on for years, he predicted. 

“You start with a claim this long, the discovery process, is going to be years,” he said. “There’s different jurisdictions involved. In terms of complexity of litigation, I don’t think it gets more complex.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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