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Opinion | How Changing One Law Could Protect Kids From Social Media – The New York Times

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Parenthood has always been fraught with worry and guilt, but parents in the age of social media have increasingly confronted a distinctly acute kind of powerlessness. Their kids are unwitting subjects in a remarkable experiment in human social forms, building habits and relationships in an unruly environment designed mostly to maximize intense engagement in the service of advertisers.

It’s not that social media has no redeeming value, but on the whole it is no place for kids. If Instagram or TikTok were brick-and-mortar spaces in your neighborhood, you probably would never let even your teenager go to them alone. Parents should have the same say over their children’s presence in these virtual spaces.

We may have the vague impression that that would be impossible, but it isn’t. There is a plausible, legitimate, effective tool at our society’s disposal to empower parents against the risks of social media: We should raise the age requirement for social media use, and give it real teeth.

It might come as a surprise to most Americans that there is an age requirement at all. But the Children’s Online Privacy Protection Act, enacted in 1998, prohibits American companies from collecting personal information from children under 13 without parental consent, or to collect more personal information than they need to operate a service aimed at children under 13. As a practical matter, this means kids under 13 can’t have social media accounts — since the business models of the platforms all depend on collecting personal data. Technically, the major social media companies require users to be older than 12.

But that rule is routinely ignored. Almost 40 percent of American children ages 8 to 12 use social media, according to a recent survey by Common Sense Media. The platforms generally have users self-certify that they are old enough, and they have no incentive to make it hard to lie. On the contrary, as a 2020 internal Facebook memo leaked to The Wall Street Journal made clear, the social media giant is especially eager to attract “tweens,” whom it views as “a valuable but untapped audience.”

Quantifying the dangers involved has been a challenge for researchers, and there are certainly those who say the risks are overstated. But there is evidence that social media exposure poses serious harms for tweens and older kids, too. The platform companies’ own research suggests as much. Internal documents from Facebook — now known as Meta — regarding the use of its Instagram platform by teens point to real concerns. “We make body image issues worse for one in three teen girls,” the researchers noted in one leaked slide. Documents also pointed to potential links between regular social media use and depression, self-harm and, to some extent, even suicide.

TikTok, which is also very popular with tweens and teens, has — alongside other social media platforms — been linked to body image issues as well, and to problems ranging from muscle dysmorphia to a Tourette’s-like syndrome, sexual exploitation and assorted deadly stunts. More old-fashioned problems like bullying, harassment and conspiracism are also often amplified and exacerbated by the platforms’ mediation of the social lives of kids.

Social media has benefits for young people, too. They can find connection and support, discover things and hone their curiosity. In responding to critical reports on its own research, Facebook noted that it found that by some measures, Instagram “helps many teens who are struggling with some of the hardest issues they experience.”

Restrictions on access to the platforms would come with real costs. But, as Jonathan Haidt of New York University has put it, “The preponderance of the evidence now available is disturbing enough to warrant action.” Some teen users of social media see the problem, too. As one of Meta’s leaked slides put it, “Young people are acutely aware that Instagram can be bad for their mental health yet, are compelled to spend time on the app for fear of missing out on cultural and social trends.”

That balance of pressures needs to change. And as the journalist and historian Christine Rosen has noted, preaching “media literacy” and monitoring screen time won’t be enough.

Policymakers can help. By raising the Children’s Online Privacy Protection Act’s minimum age from 13 to 18 (with an option for parents to verifiably approve an exemption for their kids as the law already permits), and by providing for effective age verification and meaningful penalties for the platforms, Congress could offer parents a powerful tool to push back against the pressure to use social media.

Reliable age verification is feasible. For instance, as the policy analyst Chris Griswold has proposed, the Social Security Administration (which knows exactly how old you are) “could offer a service through which an American could type his Social Security number into a secure federal website and receive a temporary, anonymized code via email or text,” like the dual authentication methods commonly used by banks and retailers. With that code, the platforms could confirm your age without obtaining any other personal information about you.

Some teens would find ways to cheat, and the age requirement would be porous at the margins. But the draw of the platforms is a function of network effects — everyone wants to be on because everyone else is on. The age requirement only has to be passably effective to be transformative — as the age requirement takes hold, it would also be less true that everyone else is on.

Real age verification would also make it possible to more effectively restrict access to online pornography — a vast, dehumanizing scourge that our society has inexplicably decided to pretend it can do nothing about. Here, too, concerns about free speech, whatever their merits, surely don’t apply to children.

It may seem strange to get at the challenge of children’s use of social media through online privacy protections, but that path actually offers some distinct advantages. The Children’s Online Privacy Protection Act already exists as a legal mechanism. Its framework also lets parents opt in for their kids if they choose. It can be a laborious process, but parents who feel strongly that their kids should be on social media could allow it.

This approach would also get at a core problem with the social media platforms. Their business model — in which users’ personal information and attention are the essence of the product that the companies sell to advertisers — is key to why the platforms are designed in ways that encourage addiction, aggression, bullying, conspiracies and other antisocial behaviors. If the companies want to create a version of social media geared to children, they will need to design platforms that don’t monetize user data and engagement in that way — and so don’t involve those incentives — and then let parents see what they think.

Empowering parents is really the key to this approach. It was a mistake to let kids and teens onto the platforms in the first place. But we are not powerless to correct that mistake.

Yuval Levin, a contributing Opinion writer, is the editor of National Affairs and the director of social, cultural and constitutional studies at the American Enterprise Institute. He is the author of “A Time to Build: From Family and Community to Congress and the Campus, How Recommitting to Our Institutions Can Revive the American Dream.”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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