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Opinion: Imagine your life without art. This is what the UCP apparently wants – Calgary Herald

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Andrea Schmidt works on a painting during the Art Walk on Whyte Avenue in Edmonton on July 12, 2014.


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Imagine Alberta with no arts and culture. You live in a square box made of concrete bricks, and your furniture is blocks of wood and foam in no particular shape. Your office is in another box of blocks, and you sit at a desk made of a piece of plywood across two sawhorses.

Your clothes are shapeless bags, your shoes are uncomfortable boxes of leather, and you wear no jewellery. You return from a long day, turn on the TV and there are only 24-hour news channels, all the presenters are dressed in grey, there’s no music to introduce them and no flashy graphics to accompany the stories they present.

You turn on your radio, there’s no music. You go to read a book, there are none on your shelf. There are no museums, no theatre, no colourful sporting events, no concert halls, no dance recitals. Even your favourite cereal comes from a blank white box.

This is the arts-free Alberta the UCP government seems to want. An Alberta where the quality of life is sacrificed to the quantity of profit. An Alberta where people are consumers, not human beings. An Alberta where the arts are an easy target for meaningless cuts. The recent and expected cuts to the arts sector, including a 50-per-cent reduction to the film industry, five per cent of the budget of the Alberta Foundation of the Arts, and the closure of the Alberta Branded gallery are, we believe, just the beginning. Unless we speak up, cuts will continue and they will get deeper and deeper.

Alberta Branded has been a cultural destination under the umbrella of the Legislative Assembly Office for almost two decades. It has provided visitors with an opportunity to experience and purchase visual arts created by Albertan artists. These artworks are carefully curated by experienced staff to express Alberta’s unique landscape, culture and history.

Speaker Nathan Cooper has used unsubstantiated numbers to make a claim that Alberta Branded has been a drain on the public purse. The line “fiscally irresponsible” is overused, but the more telling statement is, “The arts simply aren’t in our mandate.”

Yet a government’s mandate is to ensure the quality of life for all citizens. The arts are as much a public utility as roads, infrastructure, and other public services. Mr. Cooper declined to consult staff, artists, or arts organizations. In fact, there was only 24 minutes of discussion in the Special Standing Committee on Members’ Services meeting of Nov. 27. Twenty-four minutes to decide on the fate of five staff members, the store itself (which was designed specifically for that space in the Federal Building), and the impact on the practice of 120 represented artists.

Between Nov. 27 and Jan. 20, there has been a huge response to this closure with letters of concern from artists and many, many Albertans who support the arts. Albertans offered a variety of creative ideas for a new Alberta Branded that would easily satisfy the need to move Alberta Branded to a retail model.

Those letters and calls for a delay in closure to allow proper and respectful consultation were ignored. The UCP government claims to support all types of business but has refused to explore ways to make Alberta Branded more viable. Is this kind of Alberta we want to live in? Do we want tourists and visiting dignitaries to visit our provincial visitor centre and be confronted with empty spaces and “For Lease” signs?

As artists, we speak up for the arts, yes, but we also stand by others affected by austerity politics. We understand that Alberta is the sum of all its people and all its arts, industries, and services. History has shown that artists are powerful when they come together and we are coming together. Alberta arts matter.

Karen Bishop is an Edmonton-based watercolour artist and a member of the Alberta Arts Matter Coalition. The group was formed in response to UCP cuts to the arts industry, including Alberta Branded, and currently has around 1,500 members.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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