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Opinion | Trump’s Social Media Return — and What Else to Expect in 2022 – The New York Times

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I know, I know: “Not another prediction list …” But stick with me. After all, my first forecast from last year came true — although the Capitol siege moved the timetable forward considerably.

I wrote: “Soon after our forever troller in chief leaves office on Jan. 20, his account will be suspended by Twitter temporarily, and then, since he cannot stop breaking rules, he’ll get tossed off, just like his hideous pal, Alex Jones … after Joe Biden is inaugurated, Mr. Trump should be treated like any other mendacious loudmouth, and Twitter will be well within its rights to put a sock in it.”

Because of Donald Trump’s social media behavior around the deplorable events of Jan. 6, Facebook and YouTube also shoved him off (where he remains in a sort-of purgatory).

Which brings me to my first prediction for 2022: Trump will be posting once again on at least one of the giant platforms this year. My guess is it’ll be Meta that lets him back on, even after announcing a two-year suspension that’s meant to run until January 2023. The company, parent to Facebook and Instagram, said it could restore his accounts at the end of the suspension if “the risk to public safety has receded” — so it’s easy to see how Zuck could justify an early parole. While that would invite a heap of negative attention, it’s time to accept that the company that started as a “Mark Zuckerberg Production” could care less what you or I think of it. If you need more evidence, consider what lasting changes it’s made in the wake of the revelations brought forth this year by the whistle-blower Frances Haugen.

That’s why it really is worth listening to Haugen’s insights in a long Sway interview I did with her recently. TL;DR: The drip-drip-drip of information that the company is eroding society has made nearly no difference in Zuckland. Though the rest of us have been waiting for lawmakers to act (and Senator Amy Klobuchar even promised me it would happen in 2022, in a Christmas card she sent me), I think the penny has finally dropped with increasing numbers of consumers, particularly parents.

Polls show a growing distrust of tech companies — yes, the public distrusts the media too, but that’s not new — and are open to new alternatives if they’re presented. That sounds like a golden opportunity for a round of entrepreneurs to come up with new ways of interaction that don’t rely on sucking up more and more data in exchange for free access to digital services. In 2022, we’ll see new forms of social interaction being built on the blockchain, as well as formidable new search (Neeva) and e-commerce alternatives (Shopify) that will slowly leech at the foundations of the larger operations.

And there will be important legislation to help that soon too — just not in the United States. Instead, it will come from Europe, which is trying to finalize the Digital Markets Act and the Digital Services Act, much as they passed the General Data Protection Regulation nearly six years ago. While imperfect, it did set a tone for regulation that has been used worldwide.

In the United States, which never passes up an opportunity to let the perfect be the enemy of the good, Congress is mulling over several important tech-related bills, dealing with everything from privacy to safety to consolidation, none of which is likely to get moving unless the Biden administration gets more aggressive.

The administration signaled that it would with the appointments of Tim Wu as a White House adviser, Lina Khan as chair of the Federal Trade Commission and Jonathan Kanter as head of antitrust at the Justice Department. But without a big push from President Biden and with the altogether likely possibility of a power shift in Congress to the Republicans, a major opportunity to move will have been lost.

Biden should, for example, push hard for the Klobuchar bill, assembled with Senator Chuck Grassley, which would put the brakes on Big Tech platforms preferencing their own products at the expense of others’. This ought to be an obvious thing to do, right?

That’s why I expect that no significant laws will be passed to dampen tech’s reign and I am even less confident on new stuff heading down the pike. I, too, would like to see where the metaverse, blockchain and Web3 lead us, but it is long past time to clamp down on the excesses of Big Tech.

The next few months offer an opportunity for regulators like Khan to make some bold moves, like suing to stop a merger or going back and trying to unwind one. You can’t win if you don’t play, right?

A few more quick predictions for the coming year:

  • Apple will vault ahead of Facebook in virtual reality. There’s a new Oculus headset due, but expect Apple to be the one that creates an experience that’s appealing to regular folks. VR takes quality hardware, which is firmly in Apple’s wheelhouse. But for true mass adoption, prices have to come down.

  • GAS — Gyms as Software. Augmented, rather than virtual, reality will emerge as a major outlet for fitness buffs and regular Joes trying to keep in shape. That said, I have started going to the analog gym again and, refreshingly, use almost no tech at all.

Lastly, it turns out you can use language tech called GPT-3 to create AI versions of prominent podcasters. “Using famous quotes, podcast transcripts and GPT-3, we’ve created AI versions of 10 popular podcast hosts,” like yours truly, according to the folks behind the Shuffle app. Welp, nice knowing ya.

I caught up with Emily Oster, a Brown University professor of economics and public policy, and the author of several books, including her most recent, “The Family Firm: A Data-Driven Guide to Better Decision Making in the Early School Years.” She gave her thoughts on people’s risk assessment capabilities and the pandemic. I’ve edited her answers.

Everyone now fancies themselves an amateur risk assessment analyst. What tips can you offer to make them better at it, so they don’t drive me — and others — crazy?

I am not sure how to keep people from driving us crazy! The biggest mistake I think people make in analyzing risk is that it’s very hard to understand small probabilities. Humans are just really poor at this. We think of 1-in-100 and 1-in-1,000 and 1-in-10,000 as all kind of similar and small, whereas in reality those are totally different. But since our experience doesn’t give us access to a lot of 1-in-10,000 probability events, it’s not hard to see why we can’t really understand them. The best way I have found to think about small probability events is to find a comparison event. 1-in-30,000 is the risk of an emergency room visit in a given year because of a blanket injury, for example. Another good way to think about it is: “If I took this risk every day, how long would it take before the bad thing would happen?” For a 1-in-10,000 event, this is 27 years.

I just had my fourth child and we really want to protect him, as well as my two-year-old. What is your best advice from an economist’s viewpoint for parents of children who may still be months or years from being eligible for a Covid vaccine?

One of the very lucky things about this terrible pandemic has been that children are much less affected by Covid than older people. For the most part, the older you are, the more dangerous Covid is. Vaccines lower your risk, but given how large the differences in risk of serious illness, vaccinated adults are still at higher risk for this outcome than unvaccinated kids. This doesn’t mean we shouldn’t vaccinate kids, but it should give some reassurance to worried parents waiting on the vaccine. With your two-year-old, it makes sense to take the same precautions you do with yourself, but not to be more cautious. Babies are higher risk for all illnesses, so just as in flu season, it likely makes sense to keep the baby a little more isolated if you can, especially from any older sibling’s illness.

You’ve been a proponent of keeping schools open. What should parents and school administrators be thinking in the new year with respect to in-person education?

The biggest issues during the Omicron wave are likely to be staffing and quarantines. Too much sick staff may make keeping schools open difficult. There are a few solutions. One is to replace quarantine with test-to-stay programs, which administrators should start now to think about how to implement, though parents may be needed to help actually implement such programs, given staffing issues. A second key question is how to keep staff in place, a feat which is likely going to be possible only if we shorten quarantine rules for recovered individuals. Basically, I think we should all be prepared for some pretty significant disruptions over the next six weeks.

You recently wrote about what kept you sane in 2021: running, reading and cooking. How will you maintain that in 2022?

Like everyone else I’m desperately hoping for more of a return to normal, but at this point I’m not really expecting it. My big hope for 2022 is less volatility around Covid policy. As the disease becomes endemic, we’re facing a future in which many of these issues — a new variant, need for testing, updated vaccines — will always be present. This next period is the time to face that and figure out how we are going to adapt our policies to those that can be effective in the long term.

With a small Omicron outbreak in my family, which turned me into a hotel manager, maid and full-time caregiver for 10 days since I did not get a case of breakthrough Covid (yet!), I found myself with time to stream the disaster movie “Don’t Look Up” on Netflix and the newest installment of the “Matrix” series on HBO Max. And let me tell you, I caught endless flack on Twitter when I posted that I liked both of them.

Every movie available to be streamed will be streamed in big numbers, or it will suffer a speedy exile into irrelevance. That’s happened to a lot of films that did well only in their theatrical release this year — as I predicted. A lot of Hollywood types strafed me for saying this, but the nearly two years of a pandemic have made analog filmgoing a lot more niche. That is, unless it is an obvious megamovie like “Spider-Man: No Way Home,” which can attract a younger demographic, unworried about the pandemic, and is just far more entertaining to see on the big screen.

But I digress: The reason I liked the “The Matrix Resurrections” and “Don’t Look Up” is because these are both stories about the limits of big tech, big media and big politics and the importance of heartfelt, real family connections. These are critically important ideas as we move into the next iteration of tech, which will have a lot more to do with virtualizing everything. How we evolve and connect as humans as the world moves to VR is a critical issue.

The first “Matrix” explored the idea of existing in what was essentially a metaverse — though no one used that term in 1999 — that become reality to most people. The notion of becoming confused over what’s real and what’s fake was profound then, and even more so now that we have become consumed by tech to a level that we still don’t quite grasp. The director and co-writer Lana Wachowski was apparently inspired to plumb this idea after the death of her parents, which is why she revived the main characters Neo and Trinity from the last film, “Revolutions,” in 2003. And, anyway, what is “The Matrix” without Keanu?

“I couldn’t have my mom and dad, yet suddenly I had Neo and Trinity, arguably the two most important characters in my life,” Wachowski said earlier this year, adding, “It was immediately comforting to have these two characters alive again.” She said, “You can look at it and say: ‘OK, these two people die and OK, bring these two people back to life and oh, doesn’t that feel good.’ Yeah, it did! It’s simple, and this is what art does and that’s what stories do: they comfort us.”

So, too, Adam McKay’s much-maligned “Don’t Look Up.” If you ask me, you should ignore the critics. Yes, there are some obvious plot points and over-the-top characterizations, but ultimately it’s a story about the gravity of humanity, however doomed it becomes because of its most pernicious members. That includes, particularly, the tech billionaire Peter Isherwell, a part played to geek perfection by Mark Rylance, who has managed to cohesively mash together the worst parts of Jeff Bezos, Elon Musk and Zuckerberg.

Isherwell’s character hits it on the nose with his know-it-all certainty and data-driven lunacy, calling to mind tech’s ruling class, with its proclivity to be frequently wrong but never in doubt. And within the movie is a caution, that we ought not let Big Tech alone govern the world we share. “We really did have everything, didn’t we?” says the feckless astronomer played by Leonardo DiCaprio in the movie’s last scene.

Well, as it turns out, we do still have everything, so join me and look up in 2022 and beyond. And not at dumb spaceship stunt rides by billionaires, but at the things we really need to focus on — like the humanity in the rest of us.


Kara Swisher writes a weekly newsletter and is the host of “Sway,” the twice-weekly interview podcast about power.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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