Art
Paintings turned trees into central characters in Canadian art: expert – OrilliaMatters
NEWS RELEASE
ORILLIA MUSEUM OF ART & HISTORY
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In her introduction to this year’s Carmichael Art History Lecture fundraiser, Executive Director of the Orillia Museum of Art & History (OMAH), Ninette Gyorody paid tribute to Qennefer Browne. It was a remembrance of gratitude.
Browne founded our annual Art History Lecture and named it in honour of Franklin Carmichael, a member of the Group of Seven, who was born in Orillia. Browne organized speakers for many years, until her death.
This year, we were incredibly fortunate to have Dr. Anna Hudson, who teaches Art History and Visual Culture in the Arts Music Performance Dance (AMPD) Department of York University, as our distinguished lecturer.
Her compelling presentation was a focus of her doctoral dissertation, “Art and Social Consciousness: The Toronto community of Painters, 1933-1950” was ‘What Came after the Group of Seven.’
From 1933 to 1950, a group of socially-conscious painters imagined a society transformed by art, and came together to develop a shared language of visual representation, building on the legacy of the Group of Seven.
Dr. Hudson spoke of the way artists play off each other’s work, investing form with meaning over time. Her talk was supported by images of Canadian paintings and photos of the period, which illustrated ideas within the lecture and enabled us to connect with the art.
Visual themes of the lecture were ‘TREE, BODY, INDUSTRY, LAND, HOME’.
First up for discussion were paintings by Franklin Carmichael: Autumn in Orillia (1924), Farm, Haliburton (1940) and Autumn Hillside (1920). In the 1940 painting, a tree is the dominant figure in the landscape. Dr. Hudson explored what this might mean, referencing the historical context of 1940.
Next, images of Jack Pine and West Wind, by Tom Thomson, were shared. These paintings lifted trees into the role of central characters in Canadian art, rather than being part of a pretty European style landscape painting.
Continuing her discussion of paintings, sculpture, photographs and commercial art by Canadian artists of the period 1933 to 1950, Dr. Hudson shared her interpretation of this phase of our national art.
One of the most fascinating paintings referenced was ‘Tree’, painted in 1944, by Isabel McLaughlin. This writer viewed this painting at The McMichael Gallery last month. Dr. Hudson’s assessment of ‘Tree’ as “disturbing, powerful, visceral, tactile” fits this painting.
We thank Dr. Hudson for sharing her vast knowledge and passion for this important time in Canadian art history. Her presentation was a great complement to the Carmichael Canadian Landscape Exhibition: Tradition Transformed, now in its 20th year. Don’t miss this incredible juried show.
For 2022:
The History Speaker Series will be on hiatus for December and will resume on Jan. 19, 2022, via Zoom.
Popular Orillia historian, Dave Town, will be our guest speaker with his talk ‘Yellowhead’s Revolt’. Local Indigenous leader, Rama’s Chief Yellowhead, stood defiant against not just the white man, but his fellow Chiefs in 1846 at the Great Meeting held in Orillia.
At issue were life-changing policies, the most significant of which was the creation of the first residential schools in Canada. Chief Yellowhead stood up for what he felt was right for his people. Don’t miss Dave’s fascinating talk about this important event in our local history.
Click here to register for the talk or call Monica at 705-326-2159 or email visitors@orilliamuseum.org
Admission to the History Speaker Series is free, but donations to OMAH are appreciated.
The OMAH History Committee thanks you for your loyal support in 2021. Stay tuned for a full list of dynamic speakers in 2022. Wishing you a safe and festive holiday season.
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Ukrainian sells art in Essex while stuck in a warzone BBC.com
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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