Philip Pearlstein, Whose Nude Portraits Defined Realist Painting, Dies at 98 | Canada News Media
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Philip Pearlstein, Whose Nude Portraits Defined Realist Painting, Dies at 98

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Philip Pearlstein, an American painter best known for his realist nude portraits, died Saturday at the age of 98.

Pearlstein’s death was confirmed by his gallery, Betty Cuningham, in an Instagram post. He died in a hospital in New York, the New York Times reported, but no cause of death was given.

Considered one of the 20th century’s masters of figuration, Pearlstein began painting nude models in the 1960s, during an era when Abstract Expressionism was still considered the finest form of art-making.

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Pearlstein’s rejection of the Abstract Expressionists’ emotionalism and formalism was coupled with an embrace of what he called “hard realism,” an art that was “sharp, clear, unambiguous,” as he told ARTnews in 1967. This translated to rigorously painted figures shown in harsh lighting, subdued colors, and naturalistic, sometimes unflattering poses, with bodies often cut off at the edges of the canvas.

Pearlstein was clear-eyed about his approach to the human figure from early on. In a 1962 piece for ARTnews, Pearlstein wrote that too many artists use the figure “as a storytelling device,” or that they “distort” it so that it can “function as a symbol for poetic evocations.” Pearlstein insisted that the figure — and thus the art object — existed solely as itself.

“The character of a work of art results from the technical devices used to form it, and the ultimate meaning and value of a work of art lie in the degree of technical accomplishment,” he wrote in the same piece. He continued, “As an artist, I can accept no other basis for value judgements.”

Pearlstein’s derision toward Abstract Expressionism, which he practiced early in his career, was also voiced by other reigning artists, including Pop art icon Andy Warhol, who like Pearlstein, hailed from Pittsburgh, Pennsylvania.

Born on May 24, 1924 to a first-generation Russian immigrant father and Lithuanian immigrant mother, Pearlstein attended Saturday classes at the Carnegie Museum of Art as a child.

He studied art at the Carnegie Institute of Technology, now the Carnegie Mellon University, until he was drafted into the military in 1943 and dispatched to Italy, where he served a graphic artist and spent time viewing Renaissance art. He returned to his studies three years later, where he met Andy Warhol (then Warhola). The two became friends and settled in New York together.

In 1950, Pearlstein married Dorothy Cantor, a Carnegie Tech classmate who was also a painter. She died in 2018. They are survived by their three children and their two grandchildren.

Pearlstein initially painted what he called “symbolist” paintings, based on major American symbols like Superman. In the mid-1950s, he painted Abstract Expressionist–inspired landscapes based on places in Maine. In 1963, however, he showed a series of realistically painted nude models at Allan Frumkin Gallery.

Nude models became his subject, along with more elaborate decorative props, for the next 50-odd years.

Pearlstein’s work is in the collections of many major institutions, including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, the Hirshhorn Museum, and the Art Institute of Chicago, among others.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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