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Piece of art guaranteed when you buy a ticket to UBCO's Art on the Line – The Daily Courier

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After a two-year hiatus due to COVID-19 restrictions, Art on the Line returns as an in-person event at UBC Okanagan on March 5.

UBCO’s annual fine arts fundraiser is a lively event that has supported local visual arts students for 19 years, said Abby Bloome, event co-organizer and a fourth-year Bachelor of Fine Arts student.

“We invite people to join us for an evening of fine art and face-to-face fun,” she said. “This is our chance to come together as a community and support our local artists. Art on the Line is an amazing event that gives students a chance to grow. And community members can collect one-of-a-kind pieces for their homes.”

The event is co-sponsored by the Faculty of Creative and Critical Studies in association with the Visual Arts Course Union.

It is a black-tie gala evening where original works of art are raffled to guests. There are only 100 tickets sold for the chance to choose from the 150 works available in this one-of-a-kind juried art exhibition. Each piece of art has been donated by local artists, UBCO faculty and fine arts students.

The event begins at 5:30 p.m. at the Charles E. Fipke Centre, 3247 University Way.

FCCS Visual Arts Instructor David James Doody is the MC and host. He describes Art on the Line as a great opportunity to enjoy a beautiful selection of original art, fine food, refreshments and a touch of suspense.

“I have been taking part in this event for almost 20 years when I began my BFA in 2.002,” he recalls “I still remember as a young artist the first time my art was chosen. It was absolutely the coolest feeling ever. Art on the Line is one of the most important exciting events in our students’ calendars.”

Proceeds from the evening will help support a number of organizations including the Visual Arts Course Union, the 2022 BFA graduate exhibition and catalogue, the visiting artist program, fine arts student travel grants as well as local non-profit Cool Arts Society, which provides art opportunities for adults with developmental disabilities.

Organizers are still collecting two-and three-dimensional artwork to be donated and raffled during the event.

Local artists who are interested in supporting this fundraiser can email aotl2022@ubcovacu.org for a submission form and submission guidelines.

The event is planned to be in-person, but will also be live-streamed.

Tickets cost $200 for two people to enter and guarantees one piece of artwork. Tickets will also be available for people who would like to attend, but not bid on artwork; they will be at the door for $20 or $10 for students. More information is available at artontheline2022.eventbrite.ca.

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Art on the Line

What: Art on the Line gala and fundraiser

Who: Local artists, Faculty of Creative and Critical Studies students and faculty When: Saturday, March 5 starting at 5:30 p.m.

Where: Charles E. Fipke Centre, 3247 University Way, UBC’s Okanagan campus

Cost: $200 per ticket (one ticket admits two people, and guarantees one piece of artwork) or day of entry admission for $20, $10 for students

— UBC Okanagan

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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