Preserving The Future: Art And Artistry Of Sergey Konstantinov - Forbes | Canada News Media
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Preserving The Future: Art And Artistry Of Sergey Konstantinov – Forbes

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What is essential? The coronavirus-related lockdowns forced everyone to reconsider priorities and look within. Amid the uncertainty, the primary role of culture has proved to be the maintenance of social cohesion and individual well-being. While some critics lamented loss of access to cultural institutions and public events, others focused on renewed appreciation for the arts online. What would quarantine be like without television, literature, music, or other art forms? The options are too dire to consider! Creative communities in Germany demanded emergency relief funding and the artists in Spain went on digital strike. Yet, a survey in Singapore found that 71% of respondents considered “artist” the most non-essential occupation during the pandemic. Meanwhile, the Getty Museum Challenge went viral with people recreating famous artworks in fun ways. This highlighted new opportunities for engagement with cultural heritage. Recently another Baroque masterpiece got destroyed during a botched restoration effort and people have called for renewal of our collective vows to protect the art for future generations. This is a moment to reflect on the push and pull between tech-driven art consumption and interest in art preservation. How do we balance our evolutionary desire for the new with the need for the security of the familiar? I sat down with Sergey Konstantinov, a Ukrainian-American artist based in San Francisco. He is an expert in restoration and conservation of paintings, murals and decorative arts; and a painter and sculptor with many original exhibited works. A unique perspective for the unprecedented times in the arts. 

How do you see the art world changing during and after the pandemic?

That is quite a philosophical question. Why?! Do you think it would change the human being? I consider this an interesting time to be alive. The difference between now and then is actually about having more time to look deeper. A wall or canvas are both just surfaces. What is important is your message and energy, the purpose of a coming piece. For artists, I believe you are ahead as long as you are honing your skills. Once you’ve decided to move no further, only then you lose. 

What do you make of the recent tidal wave of art appreciation online?

These viral campaigns are a successful way to elevate art education. It is no easy task to connect with the work of art, to capture its essence, to express it in your own way. The Dutch museums did their “challenge”, the Russians too. All countries have unique cultural heritage worth preserving. The process of the creative search itself is meaningful. In this case it does not matter if it is on canvas or on TikTok. 

How has your creative path prepared you for these turbulent times?

I lived through the end of the Soviet Union. That was turbulent, too. I am from Ukraine, a small warm-memories town called Zhmerinka. It made my cultural DNA: friends, school, sports, the very beginning of my interest in art. Exploring Ukrainian folk art helped me to understand the true wealth of a nation. After studies, I moved to Baku but in the 1990’s there was armed conflict between Armenia and Azerbaijan. I had to ask for refugee status in America. Now, for almost 30 years, my family, studio, and the work of my life is here. My life is a creative process itself. It is where I get my inspiration, awareness of good or bad, too much or too little, alive or dead. When you go through such moments in history, you learn to never take anything for granted. 

What’s your first art memory and how did it impact you?

Well, there was not one thing. Maybe the beautiful icons at my grandmother’s house. They were illegal back then. The art class in my hometown where I tried to copy some famous artists. The first time I heard Swan Lake by Peter Tchaikovsky. I also cannot deny the impact of nature we are surrounded by. It has inimitable shades, color contrasts, mysteries of the universe. We breathe it all in deeply trying to find answers. I have always been confident of my own path.

What is the difference between conservation and restoration?

“First, do no harm” is a great principle in medicine and restoration of cultural heritage. I have been restoring art for a long time. I studied art history and art technologies from different eras. When it comes to restoration you need to fully understand the creators, their state of mind and intentions. The collectors like to say art is forever, we are just art’s temporary guardians. Conservation is also a technical challenge with its own long difficult history. Certain chemical solutions that were used in the past are banned now. 

What inspired you to pursue original works?

You cannot force yourself into art, it begins within you. I leave a piece of myself on the canvas which is the only way to work. In life we are searching for explanations, finding nuances, changing our perspectives. That is the source of creation. There are no failures in the artistic path. Even an unsatisfactory result is your experience. I could not help the overwhelming desire in such moments. It was a painting giving me the reason to create and not vice versa.

Any advice for emerging artists trying to succeed within or outside the gallery system?

In my last year at the Lviv Academy of Art a professor told me: “Move to your own purpose, the money comes anyway.” If you want to be someone, just start now. Otherwise, you will have no time to make it right.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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