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Province boosts support for new Vancouver Art Gallery | BC Gov News – BC Gov News

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Dana Claxton, (Lakota) artist, department head, UBC Department of Art History, Visual Art & Theory, Vancouver Art Gallery Association board member and vice-chair of the BC Arts Council –

“The new building will become a permanent symbol in this amazing and dynamic city that reflects the commitment of the gallery and the B.C. government to advancing reconciliation. As an Indigenous artist and as a board member of the gallery, I marvel at the gallery’s vision as the new building honours and celebrates Indigenous arts and culture throughout all significant elements of its design. It gives me great hope and pride to think about how this will translate to audiences and the public in light of our province’s promise to stand with Indigenous people on the path of reconciliation.”

Qwasen Debra Sparrow, Musqueam Knowledge Keeper and Indigenous artist/weaver –

“I am excited to be contributing to a space that will serve as a marker of the impact of Indigenous art on the nation’s cultural landscape. The new gallery will enable a new appreciation of a wide variety of art forms from around the world, enhancing our nation’s understanding of art. It has been wonderful to have worked in collaboration with the gallery to incorporate traditional Indigenous artforms into the architecture of the new building to be enjoyed by global and local citizens for generations to come.”

Skwetsimeltxw Willard (Buddy) Joseph, Elder in Residence and Squamish weaver –

“It is a great joy to have a hand in the creation of this monumental building. My role with the Vancouver Art Gallery as Elder in Residence has always been to provide support and guidance while promoting understanding and respect for Indigenous perspectives and values. I feel confident that the new building will reflect these values and promote Indigenous voices in many ways. I am grateful to be a part of the realization of this exciting new beginning for the Vancouver Art Gallery.”

Chepximiya Siyam’ Janice George, Indigenous artist/weaver –

“Our work with the Vancouver Art Gallery has created a deep connection to the past and a vision for the future. It is important to understand that this new gallery will be the largest expression of Coast Salish art in the world. It is essential we share and appreciate the history of those who came before us and communicate that history through this collaborative work.”

Qʷənat Angela George, Indigenous artist/weaver –

“The new Vancouver Art Gallery will continue to emphasize and celebrate Indigenous culture through educational initiatives, exhibition programming and the prioritization of Indigenous voices. The new gallery will be a welcoming space for all individuals who wish to expand their horizons and broaden their senses of self through the experience of rich and diverse art forms. Teaching and sharing allow us to acknowledge where we come from, our stories and where we are today.”

David Calabrigo, chair, Vancouver Art Gallery Association and senior vice-president corporate development and legal affairs, Canfor –

“We’re grateful for the Province’s ongoing support for the gallery’s vision to create North America’s first Passive House art gallery. The new Vancouver Art Gallery will strengthen our understanding and appreciation of the diverse communities in British Columbia, and this significant provincial funding brings us one step closer towards the realization of this monumental project.”

Michael Audain, businessman, philanthropist and donor –

“The long overdue new Vancouver Art Gallery building will establish British Columbia as a premier destination for the visual arts, while providing a space to honour our renowned arts community. The Audain Foundation is proud to join so many of our citizens and levels of government in support of the talented artists who have been creating significant art on this coast for thousands of years.”

Christian Chan, Chan Family Foundation trustee and Vancouver Art Gallery Association board trustee –

“The new Chan Centre for the Visual Arts will be a world-class cultural institution. From every step in its design, we’ve made sure the new gallery will be accessible for all people to broaden their cultural horizons and will serve to educate and enrich the lives of both local and global visitors. Art changes the way we understand the world, and the support from the Province will give British Columbians an inspiring place to reflect.”

Hank Bull, local artist and Vancouver Art Gallery board trustee –

“Over the years, as I have come to know Vancouver as my home, I have found a sense of belonging within the welcoming walls of the Vancouver Art Gallery. To feel the solid support of the Province at this critical moment is a huge affirmation. The new building will function as a gathering place for diverse communities, a laboratory for creative minds, and a place of wonder and learning. It will serve as a beacon for Vancouver, telling the world that this is a city where great art happens.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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