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Provincial support critical for new art gallery, says former head of Museum of Vancouver – Vancouver Sun

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Nancy Noble said once the province of Nova Scotia prioritized the art gallery, federal infrastructure funding followed. In B.C., the province still hasn’t prioritized funding for a new Vancouver Art Gallery.


The proposed new Vancouver Art Gallery building, at West Georgia and Cambie streets, includes a 350-seat theatre, free access galleries and a resource-centre library. The design architect is the Swiss firm Herzog & de Meuron.


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The former head of the Museum of Vancouver said getting provincial support in Nova Scotia has been critical in raising federal money toward building a new art gallery in Halifax.

Nancy Noble, now director and chief executive officer of the Art Gallery of Nova Scotia (AGNS), acknowledged that before she arrived on the East Coast, a lot of work had been done in Nova Scotia to build community support for a new gallery.

“You have to have provincial government support. That’s the big thing. Provinces apply for infrastructure funding and they prioritize it,” she said. “So the fact that the province prioritized the art gallery meant that they prioritized accessing federal funds as well.”

Noble started at the AGNS in September 2016. Previously, she was the CDO at the Museum of Vancouver for 11 years.

In 3½ years in Halifax, she raised $80 million from the province ($70 million for the building and $10 million for the site) and $30 million from the federal government. A capital campaign has a target of $30 million.

Earlier this month, the AGNS announced an international design competition for the building. Noble said the goal is to start construction in 2021.


Nancy Noble was CEO of the Museum of Vancouver for 11 years before leaving in 2016 to head the Art Gallery of Nova Scotia. Photo: Malcolm Parry/PNG

Malcolm Parry /

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In B.C., the Vancouver Art Gallery still hasn’t received federal funds. The VAG is looking for another $50 million from Victoria and $100 million from Ottawa.

The provincial government maintains that the VAG’s request is too much from a program known as the Community, Culture and Recreation fund of a federal-provincial infrastructure deal. Instead, it has requested federal funds for the VAG from another source.

Lisa Beare, B.C. minister of Tourism, Arts and Culture, said in a statement Tuesday that her government has “requested support from the federal government and look(s) forward to receiving their response so we can proceed with this important project in B.C.”

It’s been about 16 years since the VAG started looking to relocate. Twelve years ago the provincial government gave the gallery $50 million for a new building downtown.

Noble’s experience working in cultural institutions on both coasts gives her a unique perspective on differences in how the arts are treated in B.C. and Nova Scotia. She acknowledged many major differences between Vancouver and Halifax such as the size of the two building projects, the demographics of the cities and their respective art scenes.

Noble cited considerable public and financial support for groups such as Arts Umbrella as one example of B.C.’s support for the arts.

“I also think raising money for the arts in British Columbia is probably more difficult than it is in Nova Scotia,” she said. “I don’t really know why that is.”

Noble pointed out major political differences between the two provinces that could play a role in how the arts are funded. In Nova Scotia, Premier Stephen McNeil has a comfortable majority government compared with Premier John Horgan’s shakier minority government.

Federally, the Liberals took every seat in Atlantic Canada in the 2015 election. In the 2019 federal election, the Liberals lost six seats but still held on to 26. In Nova Scotia, the Liberals have 10 of 11 seats.

In B.C., out of 42 federal ridings, the Liberals have 11, tied with the NDP. Conservatives represent 17 ridings, two are held by the Greens and one is Independent.

“We have a premier who is very committed to the arts and to a new gallery and has been in power for a while and has a fairly stable government,” Noble said by phone from Toronto en route to a conference. “Until the last federal election, all of Atlantic Canada was held by the Liberals. Sometimes things just align.”

Still, Noble said she knows that the VAG has a great collection and that there’s “so much fabulous contemporary art on the West Coast.” She said she thinks it’s a “puzzlement to many people” why Vancouver hasn’t been able to raise the money for a new gallery.

“I think politicians really do care about what their constituents want,” she said. “If you can get the constituents to support you, that’s really going to help.”

The new art gallery in Halifax will have 35,000 square feet of exhibition space in a 142,000-sq.-ft. building. It will be part of an arts district on a waterfront site donated by the province.

The VAG already has a design for a 300,000-sq.-ft. building by Swiss architectural firm Herzog & de Meuron. The site on West Georgia and Cambie streets across from the Queen Elizabeth Theatre has been donated by the City of Vancouver. Total cost is about $350 million.

The VAG has raised $135 million: $85 million in private-sector funding, which includes a $40-million donation last January from the Chan family, and $50 million from the B.C. government.

“We’re all cheering from afar,” Noble said. “I really think Vancouver deserves it. I hope they can find some new leadership that can find a way forward.”

kevingriffin@postmedia.com

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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