Public art installation in Owen Sound about hope, healing and more - Owen Sound Sun Times | Canada News Media
Connect with us

Art

Public art installation in Owen Sound about hope, healing and more – Owen Sound Sun Times

Published

 on


Article content

When Metis artist Tracey-May Chambers began her #hopeandhealingcanada installations earlier this year, her main goal was about reconnecting as Canada and Ontario began to reopen from the pandemic.

Advertisement

Article content

Since then her installations have remained symbols of connectivity, but have also become about creating a dialogue about the difficult subjects of past and present racial discrimination against Indigenous people.

“I sort of lost direction and I wasn’t sure which direction to go after COVID because it was such a weird time for creating. I am a sculptor most of the time but would prefer to do installations because I like to be outside,” the Hamilton artists said Saturday outside the Tom Thomson Art Gallery in Owen Sound where she was installing her latest work. “I was just trying to figure out how to illustrate connection in a tangible way and this is what I came up with.”

But as her works evolved and became more intricate and more complicated, the discussion around the installations also became much more complex, particularly after the discovery of hundreds of unmarked graves of children at former residential schools in the spring and early summer.

“It became something else entirely and questioning whether there was actually any connection between First Nations communities – being Indigenous, Metis and Inuit — or have we always been completely separate,” said Chambers. “I began talking to people about it, which is great. No one knows what to do. No one knows how to move forward from this.”

While the project is about hope and healing Canada, Chambers said the installations have given her the opportunity to specifically talk about the decolonization of Indigenous people with those who may not otherwise have that discussion.

Advertisement

Article content

“Most settlers don’t talk about decolonization because it has always been their life, so they don’t see it. They feel things don’t need to change because everything is OK to them, but clearly it is not,” said Chambers. “Being in the space is an act of decolonization and literally that is what it comes down to for me.”

Chambers installs her works, both indoors and outdoors, sometimes lasting a day and other times up to six months. The installation just west of the Tom Thomson gallery along 2nd Avenue West is to be in place until Oct. 1, and taken down following the National Day for Truth and Reconciliation on Sept. 30.

Metis artist Tracey-Mae Chambers, from Hamilton, installs her #hopeandhealingcanada project in the parkette just to the west of the Tom Thomson Art Gallery in Owen Sound on Saturday, September 18, 2021. Chambers uses red yarn to symbolize connectivity – between each other, ourselves and our communities, and our environment. Chambers is installing works across Canada, each one intended as an act of decolonization, inspiring people to connect, offering the hope that people can find healing and the path towards deeper understanding. The Owen Sound installation will run until Oct. 1. Photo by Rob Gowan The Sun Times

The red yarn that Chambers has used in her pieces, “representing danger and power, but also courage and love,” will be reused again and again as she travels the country constructing the installation. She has plans to do 69 of the works in total.

“It will be used somewhere else across Canada and it will look totally different from this, and that is an act of decolonization because capitalism is a part of colonization,” Chambers said. “Really most people would throw it away and get a new one because it is easier. It made me realize reusing this is an act of decolonization by saying no to capitalism and saying no to that throw-away society, which is not an Indigenous world view.”

Chambers said that while she is sparking some conversations about difficult subjects, much more has to be done.

“I still see this sort of backlash against something like Every Child Matters. How could I feel it is getting anywhere if that organization isn’t getting anywhere,” Chambers said. “But at least I am getting these tiny conversations that are part of a bigger conversation, and that is the best that I can do.

Advertisement

Article content

“The hope is there that the conversations will be there. It is just that some days are harder than others.”

Tom Thomson Art Gallery Curator of Public Projects and Education Heather McLeese said they are doing what they can to break down all barriers, both real and perceived, at the local gallery.

“Public art is a big focus for us, and projects that are talking about decolonization and truth and reconciliation, are not easy conversations at all, but they are necessary,” said McLeese. “That is what we should be doing here at the gallery and the city has been extremely supportive of this whole project.”

More details about Chambers’ installations can be found at https://www.traceymae.com/hopeandhealingcanada.html

Advertisement

Comments

Postmedia is committed to maintaining a lively but civil forum for discussion and encourage all readers to share their views on our articles. Comments may take up to an hour for moderation before appearing on the site. We ask you to keep your comments relevant and respectful. We have enabled email notifications—you will now receive an email if you receive a reply to your comment, there is an update to a comment thread you follow or if a user you follow comments. Visit our Community Guidelines for more information and details on how to adjust your email settings.

Adblock test (Why?)



Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending

Exit mobile version