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Queen’s art gallery launches its “winter season”, seven new exhibitions – Global News

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If you haven’t paid a visit to the Agnes Etherington Art Centre at Queen’s University — now might be the time to do so.

The gallery has changed almost everything with seven new exhibitions. An official launch for its “winter season” took place on Thursday night.

Alicia Boutilier, interim centre director and chief curator, says the feature exhibition is called, “The Pathos of Mandy”, by Canadian and artist in residence Walter Scott.

“Scott’s work explores this slippery state between fiction and reality and the identity of the artist with playful and interdisciplinary works that draw on comics and videography and also drawings.”






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Bader family donates 4th Rembrandt to Queen’s University


Bader family donates 4th Rembrandt to Queen’s University

Another new exhibition, called “Face of the Sky”, features a constellation of artworks from across the collections at the Agnes, Boutilier says.

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“Contemporary artworks, Inuit artworks and works from our African historical collection and our Canadian historical collection, and it traces the on-going fascination with the sky.”

Yet another of the new exhibitions is entitled “B-“Side by Paul Litherland. Boutilier says the Montreal-based photographer had unprecedented access to the little-seen “back-sides” of paintings from the Agnes historical European collection.






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Landmark acquisition of indigenous art for Queen’s Agnes Etherington Art Centre


Landmark acquisition of indigenous art for Queen’s Agnes Etherington Art Centre

“Visitors to the gallery can see in highly realistic detail the labels on the back of the painting and the conservation work that’s gone into the painting and the framing and the various hardware — it really tells the history of that painting as an object,” Boutilier says.

“It’s highly realistic to the extent that we have to ensure that our visitors don’t touch them and try to peel off some of the labels.”

Other exhibitions include “From Tudor to Hanover” — British portraits from 1590 to 1800 — as well as the “Quest for Colour”, Five Centuries of Innovation in Printmaking.

© 2020 Global News, a division of Corus Entertainment Inc.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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