Art
Redditors Vent and Complain When People Mock Their "AI Art" – Futurism
The fierce debate over generative AI art recently flared up in a Facebook group, when a user shared several AI art images depicting a character from the video game Baldur’s Gate 3 — and then got banned from the group after they ran afoul of anti-AI art moderators and other users.
The user then retreated to a subreddit called Defending AI Art to elicit sympathy from fellow AI art enthusiasts and lick their metaphorical wounds.
“I’m disheartened by the amount of hate,” posted Reddit user marilynjayna, who had generated AI fan art images of Astarion, an elf-vampire character with flamboyant white hair and a devilish smirk from the hit game Baldur’s Gate 3.
They posted the images, generated with the AI art platform Midjourney, into an unnamed Facebook group that didn’t explicitly ban AI art. At first, they said, they got a positive reaction from other people — but then got flamed by AI art haters.
“I got probably 5 or 6 positive comments and 50 likes, then negative comments started rolling in,” they whined. “Some comments were quite nasty.”
Even though they had spent “6 hours to get 5 images that resembled the character,” marilynjayna said the moderators took the view that AI art is “theft” and then explicitly banned AI art in the Facebook group.
Other Redditors came to marilynjayna’s defense, saying that anti-AI art people are “jealous” and “crazy and bitter.”
“I feel like a lot of the anti-AI people just… want there to be less beautiful art in the world,” one Redditor replied in the same thread.
“I hope someday being anti-AI is seen as ableist,” another mused.
Yet another Redditor basically called non-AI artists elitists who — get this — just want to be fairly compensated for their craft.
“The reason is simple, before AI they enjoyed a monopoly on art that was gatekept [sic] by having a lot of illustration skill and the less great art there was the more demand for it was, hence they could ramp up prices for their work,” they seethed.
Setting aside the usual arguments on the anti- and pro-AI art debate and the nature of creativity itself, perhaps the negative reaction that the Redditor encountered is part of a sea change in opinion among many people that think corporate AI platforms are exploitive and extractive in nature because their datasets rely on copyrighted material without the original artists’ permission. And that’s without getting into AI’s negative drag on the environment.
One Redditor in the same thread noticed the same shifting tide.
“I went through the same thing in a recent post,” they wrote. “[L]ast post months ago didn’t get this kind of crazy hate.”
Other examples that AI is suffering from an image crisis include dismal public opinion polling, the recent booing of a pro-AI sizzle reel at SXSW, and the mass public opprobrium that the CTO for OpenAI received for supposedly not knowing if the company’s text-to-video program Sora was trained on YouTube and other public sources.
Add to all that the lawsuits OpenAI and other platforms are facing and you get a general sense that people are not going to take this AI stuff lying down, despite exhortations that people should not resist AI in the name of “progress.”
As for Redditor marilynjayna, when reached for comment, they stuck to their guns on AI art and said that people getting angry at AI art is like a “photorealistic artist getting angry at a photographer.”
“Just because machines can do what humans can do so much faster, it doesn’t make it less special when humans can do it on their own,” they said. “And I don’t think it’s right to be hateful to people using this new tech, any more than it would be right to hate a photographer just because he didn’t spend days painstakingly drawing his image.”
More on AI art: New Tool Lets Artists “Poison” Their Work to Mess Up AI Trained on It
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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