REMOTE | Arlen Hlusko: ‘Lean On Your Community And Your Art’ - Ludwig Van | Canada News Media
Connect with us

Art

REMOTE | Arlen Hlusko: ‘Lean On Your Community And Your Art’ – Ludwig Van

Published

 on


Cellist Arlen Hlusko (Photo courtesy of the artist)

In the wake of cancellations related to the pandemic, some performing artists are expanding their online presence. They’re engaging with a portion of their real life audiences, and making new ones along the way. Some have already established a routine around digital concerts, others moving their music lessons online, and some are performing as part of digital ensembles.

While I’d stop just shy of calling this the new normal, it is at least a temporary fix for artists coping with uncertainty by keeping a steady digital output. Some are dishing it out for free, others for profit, and some are lying low and taking care — kudos to all. The federal government’s recent update to the CERB fund brings a bit of good news for those seeking to maintain something of an income with digital gigs.

Even without the official designation, the work these artists do is essential, especially so at this moment.

“We all need beauty and love right now more than ever,” says Canadian cellist Arlen Hlusko. Based in New York but joining us from her quarantine spot in Ontario, the internationally celebrated cellist has increased her online presence with digital recitals and charity concerts. Her Instagram account (@celloarlen) is a busy place, and she’s kept up her teaching through Carnegie Hall’s resident ensemble. As she writes in the interview below, her current level of activity only came after, and as a response to, the pang of helplessness we all felt at the start of this.

How are you doing during this pandemic?

I’m doing okay, thank you! I have better days and worse days, but I do my best to focus on the positive in every day. I feel heartbroken and helpless for everyone suffering and losing loved ones in this time, and of course this is taking a significant toll on all of us economically, socially, etc, even if our loved ones are healthy, but I am counting my blessings to be at home, keeping busy, and spending cherished time with my family (which has been always-too-rare for me since I moved away from home at 14). This is the longest stretch I’ve gone without travelling and performing in several years, and the longest stretch I’ve been home in Canada in over a decade, and I’m enjoying it (so far ;)).

What are some of the ways you are keeping busy artistically?

When the quarantine first began, I spent a few days feeling helpless. I thought to myself, I should have gone into a different profession. I should be out there helping people more directly. That quickly turned into reflecting on the many reasons why I went into music, and why I believe that the arts are inherently meaningful, and necessary to our humanity — in a time of crisis more than ever.

I was playing a lot at the start of — not necessarily practising, but just playing for music’s sake. It was soothing me, comforting me; helping me figure out how to cope. My first idea from there was to start posting videos every day to Instagram, in an effort to feel like I was offering something, anything, positive to the world in this time. I’m still posting clips every day, and doing some livestream performances as well — I gave a full recital for an organization through Facebook Live last weekend, and had a lot of positive feedback about how the concert experience afforded people hope, joy, comfort, etc, so I’ve decided to launch a weekly live concert series on my own Facebook beginning this Saturday and ideally to continue every Saturday that we remain in quarantine. Could be a long time so I’d better compile some more solo cello repertoire…!

I’m also extremely fortunate to have work that’s still ongoing. In one of my ensembles, Carnegie Hall’s Ensemble Connect, we are working hard together to figure out how to move as much of our work as possible online. We’ve started several video initiatives through our social media, and one part of our work is co-teaching in NYC Public Schools, so I’m grateful to be able to continue teaching & performing for my elementary school students through Zoom every week. They really inspire me and fill me with joy. I’m also working on remote collaborations with colleagues from Bang on a Can and Dolce Suono, and I’m extremely grateful to be able to create content for the community I work with at Sing Sing Correctional Facility, through Musical Connections at Carnegie Hall. They’ve made it possible for us to send in music, documents, and instructional videos to support our men through this incredibly isolating and difficult time.

Somehow, it still feels like there’s never enough time in the day! And I know it’s an incredible blessing to feel that way right now; I certainly don’t take it for granted.

Any books, films, or TV on the go?

I’m currently working my way through The Lost Children Archive by Valeria Luiselli, Scarcity by Sendhil Mullainathan and Eldar Shafir, and The New Jim Crow by Michelle Alexander. My parents and I are also working our way through The Wire — an episode per night — which I’ve been meaning to do for years and am grateful to finally have the time!

Any words of wisdom to get through this?

Lean on your community and your art. We all need beauty and love right now more than ever — don’t be afraid to ask for/take what you need, and give generously to others.

What do you think are some of the ways arts communities can better prepare for adjusting to a crisis such as this?

I think everyone is doing the best they can, all things considered! We are all eagerly and creatively learning/navigating the best ways to continue sharing our art and connecting with others through the internet, and I find it incredibly inspiring how generous so many individuals and organizations are being with their talents right now. I probably watch at least five livestreams a week, and find myself constantly marvelling at how amazing it is that I can experience such sincere and moving art in the comfort of my living room (and in my pajamas…). I am excited to see how artists and organizations will continue to evolve and create for the duration of this quarantine, and look forward to continuing to pursue beauty and connection through music in a virtual existence myself.

I also think there is an incredible amount of suffering and devastation in arts communities right now — individuals and organizations adjusting to a world without live performance as we know and love it, and suffering massive financial losses… but I am hopeful that this will help stimulate conversation surrounding how significant and crucial the arts are to all of us, and how we as a society can better support them and help them thrive. Everyone I know is leaning on music, literature, cinema — various forms of art, to help them cope and get through their days, so clearly these are fields worthy of our investments and support.

For more chats with artists in social isolation, read on HERE.

#LUDWIGVAN

Want more updates on classical music and opera news and reviews? Follow us on Facebook, Instagram or Twitter for all the latest.

Michael Zarathus-Cook

Michael is a student at the University of Toronto, a music writer and general arts critic on briband.com He has been published in The Wholenote Magazine, Opera Canada, The Dance Current, Schmopera and more.

Latest posts by Michael Zarathus-Cook (see all)

Michael Zarathus-Cook

Michael is a student at the University of Toronto, a music writer and general arts critic on briband.com He has been published in The Wholenote Magazine, Opera Canada, The Dance Current, Schmopera and more.

Latest posts by Michael Zarathus-Cook (see all)

Let’s block ads! (Why?)



Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending

Exit mobile version