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Republicans Are Abandoning The National Mainstream Media In Droves – Forbes

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Ben Shapiro’s conservative news website The Daily Wire has trounced every other publisher on Facebook in 2021, in terms of engagement metrics such as likes and comments that legacy news sites don’t come anywhere close to matching. TV ratings for August, meanwhile, show Fox News once again beating its cable network rivals like CNN. And Substack is proving a durable publishing platform for right-leaning media figures like Glenn Greenwald, who no longer have to find a way to operate within the strictures of a mainstream media ecosystem.

None of this, of course, is happening in a vacuum. New data from the Pew Research Center shows that trust in the mainstream media among Republicans continues to essentially fall off a cliff. And it’s not as though those disaffected news consumers don’t have anywhere to turn, in search of alternatives that are more palatable to them. 

Against the backdrop of having more news and opinion than ever now presented through an avowedly partisan lens, the results of the new Pew Research Center survey show, among other things:

  • That in the years since 2016 — does anyone even need to be reminded why that year is a benchmark? — the percentage of Republicans who say they have at least “some” trust in national news organizations has plummeted from 70% that year to just 35% now. Even the decline from late 2019 until this year is precipitous, and shows the percentage among Republicans dropping another 14 points, from 49%.
  • On the other side of the equation, no surprise, trust in media among Democrats and Democratic-leaning independents remains strong. Almost eight in 10 Democrats, as well as independents who claim to lean Democratic, say they have either “a lot” or “some” trust in information from national news organizations. 

The partisan spread between these two groups (35% among Republicans, compared to 78% among Democrats who say they trust the national news) is the largest it’s been since the Pew researchers have asked this question over the last five years. The gap gets even wider when the partisan dial is turned up even more. Among liberal Democrats compared to the most conservative Republicans?

No surprise, even fewer of the latter say they have faith in the national news media (just 30%) compared to 83% for the former.

“Overall,” according to Pew, “about six-in-ten U.S. adults (58%) say they have at least some trust in the information that comes from national news organizations. While still a majority, this is the smallest share over the past five years this question was asked.

“When it was last asked in late 2019, 65% expressed at least some trust. And far fewer (12%) express that they have ‘a lot’ of trust in the information that comes from national news organizations.”

By way of putting all this into some historical context: This phenomenon can also be weighed against the backdrop of a specific news narrative that will be increasingly prevalent in the coming days. Specifically, the 20th anniversary of the 9/11 terror attacks.

Already, there’s been a predictability to the news coverage timed to this sobering milestone moment. Which marks two decades having passed since hijacked planes were flown into the World Trade Center as well as the Pentagon, killing almost 3,000 Americans that day. It cannot go unmentioned, for example, that the abrupt and chaotic departure of the US from Afghanistan in recent days marks a dramatic turnaround from the military response that was launched 20 years ago. Nor should the controversial surveillance apparatus that was stood up in the wake of 9/11 be forgotten.

The major streamers, like Netflix and Apple TV+, have released slickly packaged and compelling deep dives into that tragic day in the US and the events surrounding it. Like Netflix’s Turning Point: 9/11 and the War on Terror — a 5-episode limited series that not only unpacks the events of the day itself but also probes world events that set the stage for it, as well as the aftermath.

The results of the Pew survey, meanwhile, suggest a profound transformation in the US of today, compared to the one that existed on 9/11.

Consider, for example, that there have been multiple days in the US this year when the country has seen a level of death from COVID-19 equivalent to the loss of life on 9/11. And yet, the country remains fractured and somewhat regional in its response to the pandemic, with nowhere near the national unity on display in the immediate wake of 9/11. There is pervasive mistrust of authority figures, such as White House chief medical adviser Dr. Anthony Fauci. And a not insignificant slice of the country regards agencies like the CDC as craven affiliates of a political operation, rather than a source of experts dispensing sound and scientific advice. And, of course, trust in the national mainstream media is nowhere near what it once was.

The part of this story about trust that the mainstream media almost never grapples with, however, is its own culpability herein. Let’s take Rolling Stone magazine’s story in recent days about supposed ivermectin overdoses causing chaos in a hospital as just one example.

In the lead-up to its publication, this anti-parasitic drug has been championed in right wing circles, presumably as a way to obviate the need for a coronavirus vaccine. Even though the FDA and CDC have urged Americans that ivermectin is not an acceptable treatment for COVID-19. “People are purchasing various highly concentrated animal ivermectin drug formulations such as ‘pour-on,’ injectable, paste and ‘drench’ that are intended for horses, cattle and sheep, and taking these drugs has made some people very sick,” the FDA warned in a letter to veterinarians and other recipients.

Nevertheless, it has champions such as comedian and podcast host Joe Rogan, who disclosed his own positive case of COVID-19 a few days ago. In a social media post to his followers, he added that he’d been given a mix of drugs to fight off the virus, including ivermectin. And that he now feels much better.

This brings us to the Rolling Stone story. On Friday, the magazine ran a story that went viral about Oklahoma hospitals being overwhelmed with ivermectin overdose cases. And that the volume of patients was so bad, it was causing other patients to get backed up in their own wait for treatment. The story relied on testimony from Dr. Jason McElyea, who’d given some comments to a local news station.

Other mainstream outlets that picked up this story included NewsweekThe Guardian and Insider. Rolling Stone, however, has since attached an “update” to the story that basically undercuts the whole thing — and has given conservatives the opportunity to have a field day with what it sees as another example of media bias. The update reads, in part:

“One hospital has denied Dr. Jason McElyea’s claim that ivermectin overdoses are causing emergency room backlogs and delays in medical care in rural Oklahoma, and Rolling Stone has been unable to independently verify any such cases as of the time of this update … Following widespread publication of his statements, one hospital that the doctor’s group serves, NHS Sequoyah, said its ER has not treated any ivermectin overdoses and that it has not had to turn away anyone seeking care.”

One bad story, it should go without saying, doesn’t implicate the entirety of the mainstream media. But it’s a virtual certainty that examples like this one, over and over again, will keep sending news consumers fleeing for alternative information channels, complaining all the while of bias and untrustworthiness in the mainstream media. With the only thing likely to change in any meaningful way is that this problem will just keep getting worse.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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