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Return Looted Art to Former Colonies, Dutch Committee Tells Government – The New York Times

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The Netherlands should return looted art to its former colonies: That’s the official recommendation of an advisory committee to the Dutch government.

After a year of research, including interviews with people in former Dutch colonies such as Indonesia, Suriname and several Caribbean islands, the committee released its report in Amsterdam on Wednesday.

The lawyer and human rights activist Lilian Gonçalves-Ho Kang You, who led the committee, said in an interview that the government should acknowledge the injustices of colonialism and be willing to return objects without conditions if it can be proven that they were acquired involuntarily, and if their countries of origin ask for them.

The report calls for the creation of a body of experts to investigate objects’ provenance when requests are made, and a publicly accessible national database of all the colonial collections in Dutch museums.

Credit…Gero Breloer/Deutsche Presse Agentur, via Associated Press

The decision on whether to return an object, however, would ultimately rest with the Dutch government.

Ingrid van Engelshoven, the Dutch minister of education, culture and science, who commissioned the report, said in an emailed statement that it offered “clear starting points for a new way to handle colonial collections.” She said she would present draft legislation based on the advice in early 2021.

The Netherlands owns hundreds of thousands of objects that were acquired during the country’s colonial history. But the exact number is unknown.

Creating a database and researching the background of all these objects would be a huge undertaking, said Jos van Beurden, an independent researcher who has specialized in restitution since the 1990s.

“The principle is fantastic,” he said. “But I’m worried about the execution.”

A similar report commissioned by the French government shows that the path from ideas to action can be a long and winding one. After a high-profile 2017 speech in which President Emmanuel Macron promised to return much of Africa’s heritage, the report he commissioned from two academics said that items brought to French museums without the permission of their countries of origin should be returned, if they were requested.

Since 2018, when the report was released, only 27 restitutions have been announced, and only one object, a traditional sword from Senegal, has been returned.

Credit…Michel Euler/Associated Press

On Tuesday, France’s National Assembly passed a bill that would allow the official restitution of those 27 items, including 26 which would be returned to Benin, within the next year. The bill now has to be considered by the French Senate.

Bénédicte Savoy, one of the authors the French report, said in an interview that the bill, which was passed unanimously, proved that France now positively welcomed the restitution debate. Tuesday’s vote would set a useful precedent for future restitutions, she added.

“Perhaps the steps are small, but it seems to me that they are symbolically big,” she said.

Ms. Savoy said that the Dutch report was the “logical continuation” of the Netherlands’ longtime constructive dialogue with its former colonies regarding potential restitutions. “It seems to me that the debate is less tense in the Netherlands than in France,” she said, adding that she expected the Dutch government to adopt the report’s recommendations.

But attempts by Dutch museums to reckon with the country’s colonial past have not always gone down well with the public. Last year, the Hermitage Museum, in Amsterdam, said it would jettison the term “Golden Age” for the era in the 17th century when the Netherlands was a world leader in art, science and trade, because the phrase obscured a history of slavery and exploitation. That decision was met with widespread condemnation and derided by Prime Minister Mark Rutte as “nonsense.”

Stijn Schoonderwoerd, the director of the National Museum of World Cultures, a consortium of museums in the Netherlands, said that if the Dutch report were implemented, it would be important to engage the former colonies in discussions about the objects they might want back before any action was taken.

“It would almost be neocolonial to presume to know what’s good for Indonesia or Suriname, or any other country,” Mr. Schoonderwoerd said.

The report also addresses objects in Dutch museums that came from countries colonized by other European powers: The committee said a decision about returning those should be made on “the basis of reasonableness and fairness, and on the basis of a balance of interests.” Ms. Gonçalves, the committee chair, said that international relations could be a factor in these decisions, whereas the report recommended unconditional return to former colonies of the Netherlands.

But wherever the objects were from, Ms. Gonçalves said, the Dutch government should act to right the wrongs of colonialism. “The main principle remains the same: What was stolen should be returned.”

Alex Marshall and Constant Méheut contributed reporting.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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