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Revisiting the Great COVID Social Media Scolding – Vanity Fair

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For a few brief weeks last spring, for once, we didn’t really want to hear from celebrities and influencers. Their work, which depends on connecting with others through relatability and authenticity, was ill-equipped to meet the moment. Presenting oneself doing anything that wasn’t personal suffering or giving gobs of money to a cause felt tone-deaf at the time—and even those acts could sound tone-deaf.  It was a moment for nuance,  and social media is famously not a nuanced place. At the time, I wrote a story about a couple such influencers in the midst of running aground to this effect. Topped with an intense headline— “Is This the End of Influencing as We Knew It?”—it drew the attention of the much-followed Instagram account Diet Prada, and more people found out about it from there.

A year feels way too soon to look back at early COVID in the U.S. It seems like such an arbitrary time marker when in fact, it feels like it’s been 10 years since last March, and also like it was yesterday. For me, looking back means remembering this story, which still looms large in my memory, though most have probably forgotten it. I’ve returned to it many times throughout the pandemic, largely to wince, and I started to dread its anniversary specifically, on top of the generalized dread of this March. Still, maybe, right now, when we’re not quite out of this thing, but starting to conceive of an end, is the best time to take stock of what happened in order to figure out how to move forward. 

First, a recap of what happened then. Naomi Davis, known in her online form as Taza, and Arielle Charnas of Something Navy, are two influencer moms who were living in New York City. Both were part of the fledgling influencer cohort that began their blogs and then grew their followings on Instagram; both also became avatars for questionable pandemic behavior just as the novel coronavirus was starting to rip through the U.S. and New York City in particular.

On March 17, 2020, Charnas told her followers she felt sick, and then took them along with her as she went to get tested for COVID. It seems quaint in retrospect. Now, reliable tests are one of the main tools for fighting the pandemic that we have. But—call it recent-history overload—it’s easy to forget that accessing testing in New York, as well as most of the country, was a difficult, confusing experience and a rare one too. Much like vaccines today, there were criteria for who qualified to get tested, and they were rationed for the most vulnerable populations. A few days prior to Charnas’s post, The New York Times published, “One woman in Harlem who wanted to be tested was told by health care workers not to worry about her coronavirus-like symptoms. In Brooklyn, a woman had to wait to get tested until her mother tested positive for the virus. One doctor at a hospital network has turned away patients who probably had the coronavirus because they did not meet the current testing.”

Though obviously ill, Charnas didn’t appear to qualify for testing. She proceeded to find a doctor who would give her a test, eventually posting the video of her nasal swab. She even tagged him, engaging old influencing best practices in a brave new world. There was a contingent that vocalized frustration with her actions (and many who praised her) after she posted again, noting she tested positive. The point she made in a Notes-app post was one that many have made since: “It is the responsibility of our government office to ensure all Americans can access necessary tests,” she wrote.

Around the same time, Davis posted about how she was packing up her family of seven in an R.V. and driving away from the city, which at the time was the nation’s COVID hotspot. Many of her followers condemned her, as health experts shared fears that Davis and social media personalities like her might “influence” others into carrying the virus across state lines. 

By that time, Charnas, too, was getting out. On March 26, less than two weeks after posting that she had tested positive, she announced on Instagram that she and her family had decamped to the Hamptons, posting a photo of herself looking carefree with arms extended overhead in the air. A thread about Charnas’s entire experience, which described commenters getting “big mad,” went semi-viral on Twitter, which is how I and so many others first encountered her.

If bypassing testing restrictions rankled online commenters, then the optics of driving a couple hours east—or across the country—was way worse: A stay-at-home order was in place for most New Yorkers, and not just those showing symptoms of the disease.

There’s no way to prove with hard data that anyone got the idea to go elsewhere from Davis, Charnas, or anyone else who picked up and left their homes, but many did the same. Getting out of a city during the pandemic was not a difficult idea to come by on one’s own. As Kyle Chayka reported in The New Yorker in October, Airbnbs grew scarce over the summer. There was a mass exodus to elsewhere, specifically for longer-term “remote work” getaways outside of urban areas, per the company’s own data: Many migrated upstate, up into the Adirondacks. Others chose Vermont’s ski destinations, resort towns in Montana and Colorado, lake country in Maine as well as Portland, and Virginia’s Shenandoah National Park. Here’s one dramatic infographic that animated the exodus from the “richest neighborhoods” in New York from May. It couldn’t have been only short-term dalliances elsewhere either; one couldn’t both be on the internet and escape news of the robust housing market and scarce inventory.

I can see now that one beat I didn’t hit hard enough was that Charnas was putting her own face out there because it was her job to always be posting. She became the poster child of people reaching into their pockets to escape the pandemic, even though she and her husband were already sick. She tried to explain that she was following advice from her doctors and the CDC. For terrified people looking for a visible person to project their anxieties on, none of that mattered. 

Recapping all of that brought back visceral memories of that time. My roommates and I were still taking 20 minutes to wipe down all my vegetables every time someone went to the grocery store. It was, remember, the same brief moment when Andrew Cuomo was a source of calm, just because he was taking it seriously on a daily basis while the president contradicted his own health authorities and played down the severity of the virus publicly. It inspired one particularly cursed portmanteau. (No need to repeat it here, but here’s a link for posterity.)

If our heroes were too easy to come by, perhaps our villains were too. I didn’t enjoy the celebrities and influencers offering up their lives to me in March and April 2020, and I wasn’t alone in that feeling. It came across all wrong, appearing boastful yet under the guise of help. Not my life, yet not far away enough to take me out of my life. I was too quick to single out one type of person with one type of job, though, one whose livelihood is largely dependent on posting. Cuomo now looks more like Donald Trump than ever, and we, perhaps, resemble Charnas, Davis, and the rest more than we thought we would.

Davis declined an interview, though she has a book coming out, A Coat of Yellow Paint (subtitle: Moving Through the Noise to Love the Life You Live. She does not address the “noise” of last spring, but she details the work one has to do to live one’s life online and survive.) Charnas took me up on my offer. It’s been a difficult year for her. She had already parted ways with Nordstrom in order to launch Something Navy as a standalone brand with clothing drops and a retail location in New York. She hired a CEO and they made a plan before having to push the launch back twice due to the coronavirus. Something Navy finally opened in July, though. Charnas said that her followers, the core fans who knew what they were opting into when they followed her, have stuck with her.

I wondered how she felt when she saw other people—normal people, famous people, people people—doing what she got publicly flayed for as the pandemic dragged on and the “stay at home” spring gave way to a pandemic response that varied wildly by region. 

“If I were to think too much about that, I would just make myself crazy,” Charnas said. “I was following my doctors’ and my kids’ doctors’ recommendations. They were saying to me that, you know, at this point, it’s okay for you to go straight to your house in the Hamptons, you’re fine to do that. So that’s what I did. You know what I mean? So when I saw other people doing that—of course, if you had that opportunity, anyone would take that for their family.”

Over the summer and onward, just like influencers and celebrities, regular people had begun to live lives of emphatic desperation online. Suddenly, if I saw some woods or a pool or an ocean or a gorgeous view in the background of a photo or a video, it hit with a heavy thud rather than a pang of aspiration that could be easily dismissed like usual. It wasn’t just posts from influencers that kicked off little spirals, it was everyone’s posts—those of friends, family, friends of friends, loose acquaintances, my own. I know this isn’t a unique feeling (and I also know everyone didn’t feel that way). Stella Bugbee, formerly the editor in chief of New York magazine’s The Cut, put it beautifully this past December: “This year, it seemed like no matter who you are, whatever you posted, you had a high chance of getting it wrong in some way, because many of the values we’ve come to expect (and enjoy) on Instagram feel incorrect for this moment: Narcissism, flexing, even the forgivable human cry for validation seem crass in the face of so much social discord.” 

She wrote this months after the spring, months after a summer that many spent reevaluating their relationship to the country’s baked-in injustices. More horrible villains than our original ones, more exacting in their privilege, had become impossible to ignore. The whole world watched a police officer squeeze the life out of George Floyd on film. Officers entered the home of a young woman, Breonna Taylor, and shot her fatally. So many stories like these followed, and meanwhile the state, and in many cases, relatives or friends, revealed their indifference or particular talent in defensive equivocating. It’s still crushing.  

Even the storyline that Davis and Charnas initially epitomized kept on going until it reached impossible heights. There was Kim Kardashian, for example, and her wild choice to share her  enormous, expensive destination birthday party on an island with her hundreds of thousands of followers. There were so, so many parties. “We all got tested and social distanced, of course” became some kind of incantation meant to will judgment away.

Back in spring 2020, some outlets that published stories on their actions suggested that Charnas and Davis weren’t the main problem. The problem was much larger; it was systemic, an old story, one you already know. The government was failing to take care of the people who hired them to do so, and in the absence of leadership from elected officials and health advisers people were making their own decisions. Into that void, anger got directed at those who had the gall to post. 

“At the end of the day, my intention was just to share what we were going through, just like always. And going forward, I’ve been more careful about what I post. I definitely think twice now,” Charnas told me. “I’m trying to be more sensitive [to what’s] going on around me and in the world before I do share anything.”

As time went on, it became clear that being an absolutist about COVID precautions was unsustainable at best. At worst, it made people afraid to do certain things—like go to the beach or find a better place to live—that eased mental health burdens and made “safer,” more nuanced risk-taking possible. Of course this was hard to see back then. When I first wrote about Charnas last April, I was desperate to know what to do and how to feel about every little thing. More than anything else, I remember guilt. Guilt for health, guilt for home. Guilt for having a job that persisted under the circumstances. Guilt for struggling sometimes to do the one thing I have to do for my job—just write. That’s it!—and hoping that I wasn’t getting it all wrong. There was so much guilt, and that doesn’t translate well online either. Every post on social that didn’t transmit guilt felt unrelatable and tone-deaf, and if it did manage to hit that incredibly difficult tone, it was too overwhelming. I didn’t want to relate any more.

Influencing, the Job, isn’t over, as both Charnas and Davis are a living testament to. The concept of people sharing their lives with followers and, in the process, selling them stuff will likely always be economically viable, in its many iterations, whatever those may be.  I do stand by the essence of the piece. Generally speaking, the days of influencers posting straight lifestyle content without a thought to the politics of the moment are over for now—some will obviously and openly not care about it, but that, too, has become a choice. The protests this summer and onward only deepened that feeling. In the meantime, we’ll still follow the story lines that those living lives half online provide for us because influencers, like most celebrities and public figures, are our avatars. They help us work out how we feel by putting their choices out there. They allow us to judge them, so that we can judge ourselves, so that we can know how we want to live.

More Stories From Our Pandemic Year

— Revisiting the Great COVID Social Media Scold
— How Tom Hanks Became the Avatar of Our Pandemic Year
— Andrew Cuomo Got His Coronavirus-Celebrity Wish
— For Every Stage of the Pandemic, There Has Been a Celebrity Getting in Trouble for Partying
— After the Year of No Bras, Things Are Looking Up

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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