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Revival House mural part of local push for more public-art projects in Stratford – The Beacon Herald

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Two local artists are nearly finished creating a mural on the side of a shipping container in a Stratford restaurant’s parking lot as part of an initiative by the Stratford City Centre BIA and the regional tourism organization to bring more public art to the city.

Stratford artists Claire Scott and Amparo Villalobos were recently commissioned to a paint a mural on a shipping container in the parking lot at Revival House in downtown Stratford by the Stratford City Centre BIA in an effort to bring more colour and public art to the city. (Galen Simmons/The Beacon Herald)

Over the past few weeks, those who have passed by the rear parking lot at Revival House in Stratford may have noticed a colourful, new addition to the normally drab space.

At the far east side of the lot, Stratford artists Claire Scott and Amparo Villalobos have been painting a colourful and striking mural on the side of a large shipping container as part of a public-art initiative launched this year by the Stratford City Centre BIA and RTO4, the regional tourism organization for Waterloo and surrounding region.

“For a number of years, we’ve been looking at different walls, speaking with different owners of buildings, and just trying to convince them in general to be able to secure a wall for a mural, which is a little bit more difficult than you would imagine,” said Rebecca Scott, general manager of the Stratford City Centre BIA.

“We’re in this premier art town, and we don’t have a ton of public art going on.”

In January, the BIA partnered with RTO4 to embark on one of these mural projects. Though they had a Toronto artist lined up, the project was pushed to the side as the BIA focused its effort and budget on pandemic responses and recovery efforts.

But the project wasn’t forgotten and, by the time summer began to wind down, Rebecca Scott approached Revival House restaurant owner Rob Wigan about having some local artists paint a mural on a shipping container sitting in the restaurant’s back parking lot.

“We didn’t think we were going to be able to do a mural this year, and then toward the end of the summer we started to look at some of the objectives we had throughout the year and we tried to start the ball rolling again after a big pause,” Rebecca Scott said.

Without the time to secure permission and permits to do a mural on the side of a building, the Revival House shipping container seemed to be the perfect way to bring some colour to the city and start business owners and local artists thinking about where and how additional murals could be painted in the years to come.

For the Revival House Mural, Claire Scott and Villalobos were asked to design something that fit the title, #LoveWins – one that Rebecca Scott and the BIA felt was fitting in a year when every member of the community has come together to support one another through the pandemic.

“The phrase #LoveWins is pretty self-explanatory,” Villalobos said Friday, alongside Claire Scott, as the pair took advantage of the unseasonably warm weather to get the mural as close to complete as possible. “We’ve tried to incorporate the idea of freedom and a combination of all the things we feel are attractive about Stratford and things that correspond with the experiences we’ve had over the years in Stratford.”


Stratford artists Claire Scott and Amparo Villalobos work on their #LoveWins mural as collaborator Kris Kleist captures their progress on camera in the rear parking lot at Revival House in Stratford Friday afternoon. (Galen Simmons/The Beacon Herald)

Though the artists submitted a basic design to the BIA depicting what they intended to paint, they said they were given a lot of freedom to explore their creativity and almost improvise the piece as they worked.

The result of that improvisational art is a symphony of colour and imagery, both recognizable and abstract, that immediately draws the eyes of passersby.

“We’re really just building upon layers and feeling the moment.  … It’s kind of this reflection to inspire artists to keep doing what they’re doing and symbolizing the appreciation for the spaces that we do have,” Claire Scott said.

Both the BIA and the artists hope this mural and those to come will help transform more of Stratford’s outdoor spaces into places where locals and visitors can congregate – once it’s safe to do so – to enjoy live events and music.

Claire Scott and Villalobos expect they will complete their mural by the end of this weekend. Those who pass by and like what they see are encouraged to snap a photo of the mural and share it on Instagram with #LoveWins.

gsimmons@postmedia.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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