Like most of us, Richard Marx found the first 10 days of quarantine and lockdown perplexing — and so his “#SocialDistancing” web series, where he talks with guests about politics, music and life, happened mostly by accident.
“I was doing so much because it was occupying my brain,” the “Right Here Waiting” and “Hazard” singer tells Variety. He says the talk show, which he’s been doing on Instagram and YouTube since March 18, kept him from worrying about his kids, his mom and those he loved. Now he has two web series, “#SocialDistancing” and “#Beachin,” on top of a new podcast, “Tequila Talk.” Initially, at least, these home endeavors also served as a distraction from politics… although, for Marx, that always comes back as an irresistible lure,his new album “Limitless” was just released.
For those who follow Marx on Twitter, politics has been weighing on his mind. He’s been particularly vocal about Donald Trump to his 230,000 followers, calling out the president and his supporters. “This week, responding to a tweet in which Trump announced he planned to sign an executive order to temporarily suspend immigration to the U.S., Marx had a typically tart response: “Uh-huh. Can you sign something to keep the white f—sticks in Michigan waving confederate flags away from me?” he tweeted.
Marx, who has been in lockdown with his wife, Daisy Fuentes (of MTV fame), says he wasn’t always this passionate about politics. “It started when Bush lost the popular vote against Gore,” he says. “I still feel Bush should have been charged with war crimes.” It’s something that still makes him angry to think about. “I never thought he was a traitor. I thought he was dumb but I never thought he was a vile human being,” he continues, discussing Bush in the post-9/11 world. But one thing that struck him about Bush was his humanity: “I could see how he was with his father, and he was so publicly respectful of his wife.”
His feelings about Bush “pale in comparison to the anger I feel over this presidency. I feel this guy is a despicable piece of trash. The country will recover, even if he’s in for another four years. We will recover, but we will never be the same. He will leave a s— stain on this country for the next generation. He has no redeeming qualities.”
Marx says he’s found people trying to pointing redemptive elements of the administration out to him, such as unemployment rates being lower among African Americans. “What people don’t know is that they are brainwashed, especially when you point out that black unemployment is only 1% lower than it was when Obama’s term in office ended,” Marx says.
“At this point, I’d rather have Jeffrey Dahmer over Donald Trump,” he adds.
He’s not entirely thrilled with Joe Biden being the Democratic candidate — even though he wasn’t thrilled about Bernie Sanders, either — but to Marx, at least Biden is a decent human being: “He’s smart and compassionate.”
But he and Fuentes know when to strike that balance and when they’ve had enough fill of the day’s news. If they’re not meditating or scrolling through Instagram, he can be found performing snippets of songs on his social media pages, or putting on mini-concerts in the series “Beachin’” every Friday for his fans. “I did Car Songs where I jammed to other people’s songs in my car, and this was an extension of that.”
Guns N’ Roses bass player Duff McKagan, musician Kenny G and performer Laura Benati have all made guest appearances on his Instagram shows.
But two names he’s yet to land stick out for Marx, who loves the idea of speaking things into manifestation. “I’ve love to talk to Rod Stewart,” Marx says. “I’ve love to talk to Cher and we could talk about all different kinds of stuff.”
They go back, Marx performed backing vocals on Cher’s 1991 album “Love Hurts.” At the time, Toto’s Steve Lukather was producing “World Without Heroes” and called Marx in. “We had almost finished and in walks Cher. She came down to say hi and to thank me. We ended up talking for an hour. She was irreverent, sexy and fun,” Marx says, hopeful that his dream guest list will manifest.
Stockwell Day exits CBC commentary role, corporate posts after comments about racism in Canada – CBC.ca
Former Conservative cabinet minister Stockwell Day has stepped down from his role as a commentator on CBC News Network’s Power & Politics — and has left senior positions at two major companies — after making comments on Tuesday’s show about racism in Canada he later admitted were “insensitive and hurtful”.
“I ask forgiveness for wrongly equating my experiences to theirs. I commit to them my unending efforts to fight racism in all its forms,” Day said in a tweet earlier today.
Day also notified CBC he was stepping away from his role as a commentator for the program.
Day, a former federal opposition leader and later a cabinet minister in Stephen Harper’s government, was asked during a panel debate on Power & Politics to react to Prime Minister Justin Trudeau’s comments Tuesday morning on protests that have swept across the U.S. following the police killing of African American George Floyd.
Trudeau’s comments did not address Trump’s threat to call on the military to remove demonstrators, but they did point to what Trudeau said were Canada’s own problems with systemic racism.
“We have to recognize that our system is not perfect in Canada,” Day said during the panel discussion. “Yes, there’s a few idiot racists hanging around but Canada is not a racist country and most Canadians are not racist. And our system, that always needs to be improved, is not systemically racist.”
Day went on to compare the bullying he endured as a child with the discrimination faced by visible minorities across the country.
“Should I have gone through school and been mocked because I had glasses and was called four-eyes and because of the occupation my parents?” Day asked. “Should I have been mocked for all that? No, of course not. But are Canadians largely and in majority racist? No, we are not.
“We celebrate our diversity around the world and for the prime minister to insinuate — and it is an insinuation — that our system is systemically racist is wrong.”
Fellow panellists Amanda Alvaro and Emilie Nicolas pushed back against Day, challenging his assertions about systemic racism and the comparison Day made to his own experiences being bullied.
By feedback from many in the Black and other communities I realize my comments in debate on Power and Politics were insensitive and hurtful.I ask forgiveness for wrongly equating my experiences to theirs.I commit to them my unending efforts to fight racism in all its forms.
That argument appears to have cost Day his position on the board of directors for Telus and his role as a strategic adviser for McMillan LLP.
“At McMillan LLP, we believe that systemic racism is real and that it can only be addressed when each of us — as individuals and organizations — commits to meaningful change,” the company said in a statement signed by Teresa Dufort, partner and CEO, and posted to its Twitter account.
“Yesterday, Stockwell Day made comments during a televised interview that run counter to this view. Today, he offered his resignation as a strategic advisor at our firm and it was accepted.”
Telus also issued a statement announcing that it had accepted Day’s resignation from its board of directors effective immediately.
“The views expressed by Mr. Day during yesterday’s broadcast of Power & Politics are not reflective of the values and beliefs of our organization,” the statement said.
Jarvis: Pandemic politics – Windsor Star
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These decisions are difficult, as McNamara wrote. And the magnitude of the responsibility? People’s lives are at stake.
Yet this is public health’s job, and instead of being in front, it seems to largely react.
There have been unsettling questions from the beginning, when top public health doctor Wajid Ahmed declared, as the pandemic bore down, “There is nothing that people should be worrying about.”
That was followed by a heated dispute with Windsor Regional Hospital CEO David Musyj — one of three people, along with Ahmed, named to lead the pandemic response here — over testing in long-term care homes, where the pandemic had reached a crisis. The dispute led to confusion over who was being tested, when they were being tested and who was doing the testing.
Unmasking the racial politics of the coronavirus pandemic – The Conversation CA
Recently, the U.S Centers for Disease Control and Prevention (CDC) advised that along with physical distancing, wearing protective masks slows the spread of COVID-19. Canada has made a similar announcement.
Over 50 countries now mandate wearing masks in public.
While primarily a protective measure, the COVID-19 mask has also become a cultural icon. In western nations it has become a marker of social responsibility and good citizenship. It represents the wearer’s compliance with public safety and communal well being through exercising care for one’s self and others.
During the 2003 SARS crisis, “mask culture” was seen as fostering a sense of mutual obligation and civic duty. Similarly in our current pandemic, wearing a protective mask signifies a commitment to the social and collective good of society.
But how does that perception change when a face mask is worn by someone who is Asian? Or a Black man? Why do some jurisdictions outlaw the face veil or niqab worn by some Muslim women while mandating protective masks?
Whiteness and unearned privilege
Through European colonialism whiteness became the standard against which all other bodies are marked, judged and codified. American anti-racism educator Peggy MacIntosh argues that whiteness provides an “invisible knapsack” of unearned privileges that white people can often take for granted.
These are basic things like: going shopping and not be followed or harassed; never being asked to speak for all white people; and not having to educate one’s children to be aware of systemic racism for their own daily physical protection.
The concept of white privilege can be related to how COVID-19 mask-wearing is seen differently when worn on racialized bodies.
For more than 100 years, Asians in North America have been represented as diseased foreigners and more recently blamed as “pandemic starters.”
Rather than exemplifying a commitment to the public good, an abundance of pictures of Asian individuals wearing masks may have accelerated the circulation of derogatory stereotypes. Research has shown Canadian press photos related to the 2003 SARS crisis used Asians wearing masks as a dominant image. With COVID 19, the trend of using masked Asian faces as the emblem of the crisis continues the trajectory of these racist depictions.
Instead of representing a good citizen helping to stop the spread of a possible contagion, a protective mask transforms Asian bodies into the source of contagion. Trump’s insistence in referring to COVID-19 as the “Chinese virus” dangerously reinforced the racializing of this disease.
Anti-Asian hate crimes including physical and verbal assaults and vandalism have escalated along with the pandemic.
A recent report told a story of a woman in British Columbia who was accosted by two white men who yelled at her and her mother: “Look at you with your masks, you’re what’s wrong with society.”
The risk of such attacks and harassment confronts Asian diasporas with a difficult choice: wear a mask and risk being subjected to violence or do not and bear the risk of contracting the virus.
Mask-wearing while Black
A Black physician in Boston wrote about his internal struggle with wearing a mask in public because of the racist fears it evokes. He said: “I wonder whether someone would call the police on me, a ‘suspicious’ Black man in a face mask. I negotiate with myself whether risking my life is worth a $300 fine.”
He has reason to worry. A Black doctor in Miami wearing a surgical mask was handcuffed outside his home by police.
The killings of Ahmaud Arbery and George Floyd in the United States are tragic events that reveal the very real dangers Black people face on a daily basis. And yet in early May, heavily armed, white protesters stormed the Michigan State capitol without incident.
A campaign spearheaded by a Black clergy in Illinois in co-operation with local police, called “Tipping the Mask,” asked people to show shopkeepers their faces when entering stores to mitigate against potential racial fears and violence.
A Black pastor recommended that his son put on his mask once he is already in the store for “fear of what others might think when they see a Black man in a mask.”
The concept of “mask tipping” calls upon racialized bodies to reveal themselves as “safe” and in return avoid biases and endangerment.
Islamophobia and government hypocrisy
In Québec, Bill 21, which outlaws religious symbols in public, leaves Muslim women who wear a niqab in breach of the law and denied access to social services, despite government requests for public face coverings due to the pandemic.
France also mandates wearing masks but has not lifted its ban on the niqab. Fatima Khemilat, a researcher in France exposes the irony.
“If you are Muslim and you hide your face for religious reasons, you are liable to a fine and a citizenship course where you will be taught what it is to be a good citizen …. But if you are a non-Muslim citizen in the pandemic, you are encouraged and forced as a ‘good citizen’ to adopt ‘barrier gestures’ to protect the national community.”
Muslim women who wear a niqab are not considered good liberal citizens because their covered faces are deemed culturally irreconcilable with western society. They face being penalized for violating the law while those wearing COVID-19 masks are seen as good citizens upholding the public good.
The COVID-19 mask is a barrier to transmission of the virus while the niqab is a barrier to social inclusion.
Not having to think about how one’s body is read by others when wearing a mask is a privilege of whiteness that eludes racialized groups. White mask privilege includes: not having to bear the racial stigma of being seen as a foreign disease carrier, being safe whether or not you “tip your mask,” having the ability to cover your face in public and not be denied social services.
Rather than serving as a levelling device the cultural politics behind wearing masks exposes the racial fault lines of the pandemic.
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