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Right-wing Social Media Finalizes Its Divorce From Reality – The Atlantic

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When Fox News called Arizona for Democrat Joe Biden shortly after the polls closed there on Election Night, right-wing social media erupted in fury. Fox is the most conservative of the nation’s major news outlets, and its aggressive Arizona call—which most other national outlets did not follow for days—left true believers on the right feeling betrayed. On the social-media app Parler, which has been gaining popularity among supporters of President Donald Trump, posts alleging electoral irregularities mixed with assorted hashtags decrying Fox itself: #BOYCOTTFOXNEWS, #DUMPFOXNEWS, #FAKEFOXNEWS, #FOXNEWSISDEAD, and #FOXNEWSSUCKS. Throughout Election Day, Facebook, Twitter, and YouTube had been cracking down on a flurry of allegations about voter fraud in Arizona; the platforms quickly applied warning labels to new posts containing false or disputed information and reduced the distribution of groups spreading them. In response, pro-Trump influencers exhorted their followers to congregate on Parler, which tells users to “speak freely and express yourself openly, without fear of being ‘deplatformed’ for your views.”

In the hours following the Arizona call, a paranoid conspiracy theory spread rapidly on Parler and in other right-wing online forums: Voters in conservative counties had been given felt-tip pens that supposedly made vote-counting machines reject the ballots that they marked for Trump. The following night, Trump supporters protesting what came to be called #SharpieGate gathered outside the Maricopa County ballot-counting facility in Phoenix. In a development previously unthinkable to liberals who have long dismissed Fox as state media for the Trump administration, the Arizona protesters began chanting, “Fox News sucks!”

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Trump’s clear loss in the presidential election has precipitated a deep rift in the right-wing information ecosystem, as media outlets, tech platforms, and individual commentators have been forced to choose between upholding reality and indulging those who insist that the president actually won. On November 7, Fox News was among the major networks that called the election for Biden, its news stories now refer to him as “president-elect,” and even the pro-Trump Fox commentator Tucker Carlson has challenged absurd claims being made by the president’s lawyers. The major social-media platforms—which for years boosted sensational propaganda and Trump-friendly conspiracy theories such as QAnon—have been remarkably active and admirably transparent in preventing the spread of misinformation about the 2020 election. As the president continues to rail against his loss on Twitter, the mainstream social platforms have continued to label wild claims and false allegations and reduce their spread; Facebook has taken down some of the more extreme communities that have sprung up among its users.

Yet reducing the supply of misinformation doesn’t eliminate the demand. Powerful online influencers and the right-wing demi-media—intensely partisan outlets, such as One America News and Newsmax, that amplify ideas that bubble up from internet message boards—have steadfastly reassured Trump’s supporters that he will be reelected, and that the conspiracies against him will be exposed. No doubt seeing an opportunity to pull viewers from a more established rival, One America News Network ran a segment attacking Fox’s Arizona call and declaring the network a “Democrat Party hack.” The president himself, while tweeting about how the election was being stolen, amplified accounts that touted OANN and Newsmax as places to find accurate reporting on the truth about his election victory. And on Parler, the conspiracy-mongering has grown only more frenzied as Trump makes state-by-state fraud allegations: In addition to concerns about Sharpies, the social network abounds with rumors of CIA supercomputers with secret programs to change votes, allegations of massive numbers of dead people voting, claims of backdated ballots, and assorted other speculations that users attempt to coalesce into a grand unified theory of election theft.

How far these ideas spread depends in part on whether mainstream social-media outlets keep moderating content as closely as they did during this election season. For most of Trump’s term, Facebook and others had been loath to crack down on even baseless conspiracy theories, including those repeated by the president himself. Freedom of expression, the argument went, covers the right to think and say even floridly false things, which were best addressed through corrections and counter-speech. Yet the major platforms concluded that misleading theories about the election were a distinct class of misinformation because of their potential to cause significant harm to the body politic. As the split between reality-based information outlets and those catering to pro-Trump bitter-enders has widened, the distribution of their content is becoming significantly siloed. This could have two major effects: It may limit the spread of conspiracy theories and reduce the possibility that Facebook and YouTube recommendation algorithms will draw casual users into the world of QAnon. But the bifurcation also raises the possibility that, among those who gravitate to niche platforms like Parler, the discussion may grow even more extreme. People who sincerely believe that a CIA supercomputer changed votes for Biden in swing states will not do an about-face and accept him as the duly elected president on Inauguration Day. A persistent belief that the new president is illegitimate could cause political violence.

Parler, whose backers include the conservative donor Rebekah Mercer and the prominent pro-Trump activist Dan Bongino, was founded in 2018 and began marketing itself to a right-wing audience that felt victimized by supposed censorship on mainstream social platforms. The conspiratorial right-wing media outlet Epoch Times was an early adopter, but most prominent conservative media figures did not join until June 2020, when Twitter took the bold step of fact-checking the president’s tweets. That supposed injustice prompted a recruitment drive for Parler, where posts are neither fact-checked nor labeled, even when demonstrably false. Influential figures such as Carlson, Sean Hannity, and Representative Devin Nunes tweeted about the app. Senator Ted Cruz made a two-minute video declaring that he was joining Parler, and exhorting his followers to join him on the platform: “Let’s speak freely.” For some of American conservatism’s highest-profile figures to insinuate that they were being censored was patently absurd, but the publicity push still won Parler a few hundred thousand new users over a three-day span. By early July, the service claimed 2.8 million users. Parler attracted approximately 1 million downloads in the five days following November 3, and COO Jeffrey Wernick recently put the app’s user count at nearly 9 million. (By comparison, Twitter has 330 million active users globally; Facebook has 2.7 billion, and 255 million in the United States alone.)

In reality, Parler’s commitment to letting users speak freely hasn’t been absolute. Press coverage attracted trolls who posted pictures of poop—images that Parler chose to remove. Additionally, its most prominent converts instinctively understand that an app catering primarily to conservatives is intrinsically limited in its power. Cruz’s video extolling Parler was nominally true in that the Texas Republican did join up, but he, like most other influential conservatives, has posted only sporadically; the majority of their online speech continued apace on major social platforms.

A different type of influencer, however, was active on Parler: accounts that had been kicked off mainstream social communities because of assorted forms of bad behavior and terms-of-service violations. These included Roger Stone, Alex Jones, Laura Loomer, and leading QAnon acolytes. In October 2020, dozens of dubious accounts tied to GTV, a new media venture backed by the former Trump adviser Steve Bannon, mass-posted a large collection of videos, still photos, and text messages meant to embarrass or even incriminate Hunter Biden and bemoaned the mainstream media’s failure to cover these materials. Although people who don’t use Parler likely saw none of the raunchy images associated with “LaptopGate” on the app, they were the dominant topic of conversation there for days; conventional wisdom within the community was that they were a knockout punch to Biden’s candidacy. Parler, in other words, was less of a free-speech platform than a right-wing echo chamber in which the highest-engagement posts primarily came from hyper-partisan influencers and media outlets. Within this echo chamber, Trump remains the undisputed winner of the 2020 election. Only the “fake news media” says otherwise. And as the #SharpieGate protest showed, what happens on Parler doesn’t stay on Parler.

If successful, the app is likely to reinforce hyper-partisan, bespoke realities, in which people inside each bubble barely even encounter information that might challenge their preconceptions. An open question, though, is whether the most extreme and conspiratorial communities can expand their membership if Facebook, Twitter, and YouTube refuse to let them spread misinformation. The content that people see has profound real-world consequences. Many of the echo chambers and bespoke realities prevalent today, such as the spaces devoted to QAnon and political extremism, exist because the largest social-media companies designed their platforms to maximize user engagement and ignored the unintended consequences of algorithmic recommendations, rankings, and curation. After being misused for purposes of election manipulation, political violence, and even genocide, mainstream platforms are reckoning more and more with the implications of their power.

Events since the election underscore both the ability of major platforms to limit the spread of misinformation and the continuing appeal of reality-defying ideas. On Facebook the morning after the Arizona rally, a group named “Stop the Steal” popped up, and it attracted more than 300,000 members in less than 24 hours. Then Facebook shut it down because of concerns about the threat of violence. Two days later, another group appeared, called “Nationwide Recount 2020.” It amassed more than 1 million followers within a few days. Member posts primarily cast doubt on the presidential election result and contemplate whether the nation is in the midst of a deep-state revolution foretold on Carlson’s Fox show. Moderators stress that they want to minimize the sharing of content that will get the group banned, while also urging members to create accounts on Parler.

A feedback loop is now at work: Mainstream platforms have come to the conclusion that certain content or behavior has serious downstream implications, so they moderate it with a heavier hand. That moderation, particularly when sloppily executed, is perceived as censorship by those affected, and the content or accounts taken down are recast as forbidden knowledge. The claim of censorship is turned into a mass-aggrievement narrative, deployed as a cudgel by politicians who use it cynically to rally their base, and various demi-media outlets  and grifters attempt to leverage it for profit. Ordinary people, meanwhile, are pushed deeper into echo chambers.

Whether they will stay there is not yet clear. Parler is one of a suite of social-media spaces built for conservatives. Others include the YouTube-like sites Rumble and BitChute and the Twitter-like Gab. Their founding is hardly surprising. If there is an audience to monetize, someone will try. In practice, though, few of these niche social-media properties take hold. People are joining Parler today to find like-minded users to validate their own beliefs, but ultimately some percentage will get bored and move on. That subset will ultimately drift away from the app. It’s less user-friendly than Facebook, and it lacks one of the primary appeals that Twitter affords its core users: the ability to criticize people at the other end of the political spectrum. For some Trump supporters, the whole point of politics is to “own the libs,” but on Parler, there are no libs around to own.

Yet the immediate danger persists. Democracy is built on dialogue—on the belief that even when citizens argue about the merits of a politician or the specifics of a policy, they ultimately use the act of voting to decide on a shared direction. Democracy also assumes that people on the losing side will accept the loss, not retreat into an alternate reality in which their candidate won. No amount of content moderation by Facebook can make up for the president’s refusal to concede and his most die-hard supporters’ inability to see any reason why he should. The conspiracy theory that the president-elect is illegitimate and the election was stolen is being reframed as reality, and millions of Americans keep buying it.

We want to hear what you think about this article. Submit a letter to the editor or write to letters@theatlantic.com.

Renée DiResta is the technical research manager at the Stanford Internet Observatory.

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Social Media Tips for Event Profs – BizBash

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Social media changes rapidly—and what worked last year might not work in 2024. (Just look at X’s, or Twitter’s, dramatic revenue loss after many major platforms have stopped posting or advertising on the platform.) So what does work on social media right now, particularly for event professionals?

“We don’t just want our audience to understand what we do—we want them to know who we are,” says Zoe Haynes, the sales and marketing coordinator for PlatinumXP who oversees the event planning agency’s digital marketing. “Social media has evolved into a space for cultivating relationships and building trust. We utilize various platforms to tell stories—the story of an event transformation, behind the scenes with our production crew, or maybe even some fun office shenanigans with our CEO.”

Haynes’ focus on maintaining a consistent, authentic brand presence was a common theme among event professionals we spoke to about how they’re using social media right now. It’s all about “fostering an ongoing connection with our followers,” agrees Elias Contessotto, social media manager for event production company 15|40.

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But remember: Not every platform is created equal. Contessotto stresses the importance of tailoring your approach with each platform—but also not being afraid to experiment a bit to ensure you’re staying ahead of trends and maximizing audience engagement. “By creatively testing new tactics, we gauge audience response and efficacy, gradually integrating successful approaches into our channels,” he explains. “This iterative process empowers us to refine our content strategy continuously, adapting to evolving trends and audience preferences.”

In short, “It’s all about meeting your audience where they’re at,” says Taylor Elliot, vice president of marketing and brand strategy for Shepard Exposition Services. “Social media is such a great tool to amplify your brand voice. I always say as marketers we need to create a system that works for our brand even when we are sleeping, and social media is one of the tools to help achieve this.”

LINKEDIN & INSTAGRAM

From our conversations, LinkedIn and Instagram quickly emerged as the two top platforms in the event industry. “Instagram is our go-to for showcasing stunning event photos—however, LinkedIn holds equal if not greater importance in our strategy,” explains Haynes. “While Instagram captures attention with its visual allure, LinkedIn allows us to dive deeper into industry conversations and build relationships with our peers.”

Contessotto likes to target a B2B audience with 15|40’s LinkedIn presence, posting content that focuses on industry insights, professional networking, and collaborations with studios. “We often share static posts similar to those on Instagram, tagging relevant studios to expand our reach,” he says, noting that LinkedIn posts are often reshared by team leaders and executives. “LinkedIn [also] serves as a prime platform for spotlighting press coverage, award nominations, and industry highlights.”

On Instagram, meanwhile, Contessotto expands 15|40’s content to cater to both B2B and B2C audiences. “We share visually engaging posts that highlight our expertise, industry leadership, and collaborations, appealing to a wider range of followers,” he says. “Instagram will have ‘POV’ content, which is much more personal and requires less high-quality tools to tell our story. I came to 15|40 from an influencer background, and from experience, I notice that more amateur content does better on that platform, like using an iPhone for reels rather than a DSLR camera.”

Heather Rouffe, director of sales at Atlas Event Rental, also appreciates the more personal touch that can come with Instagram. “Through that platform, we strive to educate the industry, create brand awareness, and most importantly to us, show the personal side to our company, brand, and rentals,” she explains. “With so much of the human side of things lost in a digital age, being personable and showing the people behind the brand is very important to us. We find the clients really appreciate the behind-the-scenes content and becoming familiar with the Atlas crew.”

On the flip side, though, that doesn’t mean LinkedIn can’t get a little personal. Al Mercuro, senior account director at trade show display company Genesis Exhibits, prioritizes LinkedIn due to the connections he’s been able to make with marketing directors and event directors at companies he’d like to do business with.

“I try to not promote my company as much as my brand by sharing information that will help them in their jobs—I find I get many referrals this way,” Mercuro notes. “I believe it is also a living resume; before I meet with someone, they will often check out my LinkedIn page to learn more about me. The more you can build up your profile and the number of connections you have adds to your value and makes it attractive to have them want to work with you.”

Jonathan Kazarian, the founder and CEO of Accelevents, also uses LinkedIn to build up his personal thought leadership—and therefore, build awareness of his event management software company. “Ninety-nine percent of what I share on LinkedIn is professional,” he says. “I’ll share something about my personal life to build connection, but that’s not my focus with LinkedIn.” 

FACEBOOK, TWITTER (X), TIKTOK, & MORE

In a sign of changing times, most of the event professionals we spoke with are not investing much in Facebook or Twitter (now known as X)—though many are still updating them. 

“We push out all of our Instagram content to our Facebook, to ensure our followers and intended audiences on both platforms are receiving similar content,” says Contessotto. “We also maintain our Twitter, or X, channel to share some of our event photos, as well as retweet content that clients we work with post that are captured at our events.”

Mercuro finds that Facebook is still an effective way to reach older generations—but for younger generations, he’s found some success marketing events on TikTok. “I am a board member of a nonprofit concert venue, and we needed to attract a younger audience,” he remembers. “I suggested we work with a local university and their marketing classes to take on a project like our organization to give them real-life experience. They chose to use TikTok to reach the younger demographics in our area, and it has been extremely successful.”

Contessotto agrees that TikTok is naturally very Gen Z-oriented, so content should be tailored accordingly. “We’ve noticed that we typically receive high engagement when our content is celebrity-focused,” he says. “Our team is constantly working to balance out our TikTok pages to include viral content, as well as videos that highlight our diverse portfolio of work to attract the right kind of audience.”

Haynes says she’s still exploring TikTok’s potential for Platinum XP. “I’ve noticed its popularity as a discovery platform,” she says. “It’s a great tool for driving awareness, but we should also consider whether our target audience is active on TikTok.” One tool that Haynes does invest time in? Pinterest. “It’s a powerful tool for SEO purposes. Its visual nature allows us to drive awareness to our website through captivating photos. By sparking curiosity, we encourage users to click through and explore further.”

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North Korea conducts test on new ‘super-large warhead’: State media – Al Jazeera English

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Pyongyang says new warhead designed for cruise missiles, adding that a new anti-aircraft rocket was also tested.

North Korea has conducted a test on a “super-large warhead” designed for a strategic cruise missile, state media reports, adding that it also launched a new type of anti-aircraft missile.

“The DPRK Missile Administration has conducted a power test of a super-large warhead designed for ‘Hwasal-1 Ra-3’ strategic cruise missile”, KCNA news agency reported on Saturday, referring to North Korea by an abbreviation for its official name – Democratic People’s Republic of Korea.

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North Korea also carried out a test launch on Friday afternoon of a “Pyoljji-1-2”, which state media said was a “new-type anti-aircraft missile”.

KCNA added that “a certain goal was attained” through the test without providing further details.

The weapons tests were part of the “regular activities of the administration and its affiliated defence science institutes”, KCNA reported, referencing the operation of “new-type weapon systems”.

The tests “had nothing to do with the surrounding situation”, KCNA added, but did not give any further information.

In early April, North Korea said it had tested a new medium-to-long-range solid-fuel hypersonic missile, with state media sharing a video of it being launched as leader Kim Jong Un looked on.

Cruise missiles are among a growing collection of North Korean weapons designed to overwhelm regional missile defences. They supplement the North’s vast arsenal of ballistic missiles, including intercontinental variants, which are said to be aimed at the continental United States.

Analysts say anti-aircraft missile technology is an area where North Korea could benefit from its deepening military cooperation with Russia, as the two countries align in the face of their separate, intensifying confrontations with the US.

The US and South Korea have accused the North of providing artillery shells and other equipment to Russia to help extend its warfighting ability in Ukraine.

Since its second nuclear test in 2009, Pyongyang has been under heavy international sanctions, but the development of its nuclear and weapons programmes has continued unabated.

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Lawmakers pan Ben Gvir for ‘unforgivable’ tweet on alleged Israeli strike on Iran – The Times of Israel

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Italian FM says Israel gave US ‘last minute’ warning about drone attack on Iran

CAPRI, Italy (AP) — The United States told the Group of Seven foreign ministers that it received “last minute” information from Israel about a drone action in Iran early this morning, Italy’s foreign minister says.

Italian Foreign Minister Antonio Tajani, who chaired the meeting of ministers of industrialized countries, says the United States provided the information at session this morning that was changed at the last minute to address the suspected attack.

Tajani says the US informed the G7 ministers that it had been “informed at the last minute” by Israel about the drones. “But there was no sharing of the attack by the US. It was a mere information.”

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Early Friday, Iran fired air defenses at a major air base and a nuclear site near the central city of Isfahan after spotting drones, part of an apparent Israeli attack in retaliation for Tehran’s unprecedented drone-and-missile assault on the country last weekend.

In a communique following the three-day meeting, the ministers urged the parties “to prevent further escalation.”

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