HONG KONG — Sophia is a robot of many talents — she speaks, jokes, sings and even makes art. In March, she caused a stir in the art world when a digital work she created as part of a collaboration was sold at an auction for $688,888 in the form of a non-fungible token (NFT).
The sale highlighted a growing frenzy in the NFT market, where people can buy ownership rights to digital content. NFTs each have a unique digital code saved on blockchain ledgers that allow anyone to verify the authenticity and ownership of items.
David Hanson, CEO of Hong Kong-based Hanson Robotics and Sophia’s creator, has been developing robots for the past two and a half decades. He believes realistic-looking robots can connect with people and assist in industries such as healthcare and education.
Sophia is the most famous robot creation from Hanson Robotics, with the ability to mimic facial expressions, hold conversations and recognize people. In 2017, she was granted Saudi Arabian citizenship, becoming the world’s first robot citizen.
“I envisioned Sophia as a creative artwork herself, that could generate art,” Hanson said in an interview.
“Sophia is the culmination of a lot of arts, and engineering, and the idea that she could then generate art was a way for her to emotionally and visually connect with people,” he said.
Sophia collaborated with Italian artist Andrea Bonaceto, who drew portraits of Sophia. Sophia then processed his work via neural networks and proceeded to create a digital artwork of her own.
The digital work that sold for $688,888 is titled “Sophia Instantiation”, and is a 12-second video file which shows Bonaceto’s portrait evolving into Sophia’s digital painting. It is accompanied by the physical artwork painted by Sophia.
The buyer, a digital artwork collector and artist known as 888 with the Twitter handle @Crypto888crypto, later sent Sophia a photo of his painted arm. The robot then processed that, adding that image to her knowledge and painted more strokes on top of her original piece.
In a tweet on Sophia’s account, the work was described as the first NFT collaboration between an “AI, a mechanical collective being and an artist-collector.”
“As an artist, I have computational creativity in my algorithms, creating original works,” Sophia said when asked what inspires her when it comes to art. “But my art is created in collaboration with my humans in a kind of collective intelligence like a human-artificial intelligence hive mind.”
Sophia’s artwork selling as an NFT is part of a growing trend. In March, a digital artwork by artist Beeple — whose real name is Mike Winkelmann — sold for nearly $70 million, shattering records and making it the most expensive digital artwork ever sold.
Henri Arslanian, PricewaterhouseCooper’s Global Crypto Leader, said that NFTs give people “bragging rights” of the assets that they own.
“And what is really amazing with NFT is that it not only allows you to actually show to the broader world that you own this, but it really creates this bond between the holder of the NFT and the artists,” he said.
It also allows art to be sold without traditional intermediaries, so that artists can connect directly with buyers without being constrained by galleries or auction houses, Arslanian said.
Sophia will carry on painting, Hanson said, and the next step in the robot’s career could be that of a musician. She is working on several musical works in a project called Sophia Pop, where she collaborates with human musicians to generate music and lyrics, he said.
“We’re so excited about Sophia’s career as an artist,” Hanson said.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
