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Roman Mars spotlights cool urban design elements in his book The 99% Invisible City – CBC.ca

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Roman Mars didn’t have the COVID-19 pandemic in mind when he first pitched the idea of a book that explores the origins and stories of things that make cities work.

But as the pandemic and lockdown measures became bigger parts of people’s lives, his book, The 99% Invisible City: A Field Guide to the Hidden World of Everyday Design, became a “strange book of the moment.”

The cover of Mars’s book The 99% Invisible City. (Houghton Mifflin Harcourt)

“In this moment when we can’t go to far-flung cities and other countries and marvel at the cool things that they have there, you really can look at the everyday things right outside your door and marvel at those instead,” he told The Currents Matt Galloway.

The book, which he co-authored with Kurt Kohlstedt, is based on his podcast 99% Invisible, which explores and exposes some of the overlooked aspects of design and architecture from around the world. The book hit stores this past October.

He says the podcast, which launched in 2010 as a collaborative project between San Francisco public radio station KALW and the American Institute of Architects, encourages listeners to notice the good design choices “made by usually smart people to make our lives better.”

“It’s a lovely way to navigate the world because it’s really easy to get caught up in the bad design and the things that aren’t working and ignore the 99 per cent of things that are working really well for you and making life better,” he said.

He called his book a field guide to the “cool stories behind everyday things that are right outside your doorstep.” It shines a light on some of the unsung heroes of a good urban environment, from power grids and fire escapes to drinking fountains and street signs.

Plaques and statues

One group of items Mars addresses are historical markers such as statues, monuments and plaques.

Plaques in particular can be found anywhere from the sides of buildings and homes to on park benches. And Mars says it’s always worth reading the tidbits of information etched on them.

“There’s an information layer about the built world that’s sitting right there in front of you,” he said. “They just tell you something to get you started and get you intrigued.”

Mars says plaques, such as this one commemorating scientist Ignaz Phillip Semmelweis in Vienna, Austria, are always worth reading — and interrogating. (Alex Halada/AFP via Getty Images)

But Mars emphasized that they must be recognized as “a reflection of the time that the plaque was erected, rather than the time that they’re depicting.”

“[For example], a lot of the Civil War monuments in the American South were erected in the 1920s and ’30s as a tool of oppression, even though they’re commemorating a time in the 1860s,” he said.

Nonetheless, Mars believes they should be used as a gateway to research.

“They’re worth interrogating,” he said. “You should always read the plaque, but you shouldn’t always believe everything on the plaque.”

Voting with your feet

Historical markers aren’t the only design details people have used to spark public conversations. Another way people have done so is through desire paths, which are typically created by foot traffic following a path other than the paved trail.

“When somebody sees that piece of grass tramped down, they also tramp down on it, and it sort of creates this dirt path,” he said.

Mars says these paths are an example of “people voting with their feet” and an “intersection and a conversation” about how a public space was designed, versus how it’s used.

“It’s worth paying attention to desire paths because we could learn how to use those spaces better if we pay attention to people that use them,” he said.

Toronto’s raccoon war

Not every design detail was born of human-to-human interactions; some focus on our interactions with other animals.

Take Toronto’s raccoon-proof compost bins, which were rolled out by the city in 2016 as a way to prevent raccoons from pillaging through residents’ food waste. 

In his book, Mars highlights the latch on Toronto’s green bins, which were designed to prevent raccoons from pillaging through residents’ compost waste. (Paul Borkwood/CBC)

Toronto director of collections and litter operations declared at the time that “there’s not a raccoon that’s gotten into it yet.” But some residents said the animals were able to dislodge the bin’s special raccoon-proof lock just enough to open it.

Mars says the evolution of raccoon-proof technology tells a story about our values and our war with these animals that have thrived in our cities.

“It’s a nice sort of cold war of escalation of the arms race” between humans and raccoons, he said. “So to me that is hilarious.”

Looking ahead

Unsurprisingly, Mars has spent time in the pandemic noticing some of the changes that have been implemented as a result of social distancing and lockdown measures, from Plexiglas panes in stores to pieces of tape on the floor that guide consumers where to stand in line.

As the world continues to battle the coronavirus, Mars wonders what the place of COVID-inspired design choices such as Plexiglas will be in a post-pandemic world. (Jonathan Hayward/The Canadian Press)

He says he was surprised at how quickly many of these changes were implemented, and is interested in seeing what sticks in a pre-pandemic world. 

But as cities across the world continue to deal with the pandemic, Mars says it’s important for people to recognize that there are a lot of things working in your favour, “even when things in the world seem broken.”

“Cities have always been through lots of changes, and I do think that cities will survive,” he said. 

“I think it resets my mind a little bit to think about the care that goes into making the world…. I’ve become a much more optimistic person through the production of this show just because of that; just noticing that people care, they’re trying hard and they’re making stuff and they’re making stuff for me.”


Written by Mouhamad Rachini. Produced by Idella Sturino.

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Here’s how Helene and other storms dumped a whopping 40 trillion gallons of rain on the South

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More than 40 trillion gallons of rain drenched the Southeast United States in the last week from Hurricane Helene and a run-of-the-mill rainstorm that sloshed in ahead of it — an unheard of amount of water that has stunned experts.

That’s enough to fill the Dallas Cowboys’ stadium 51,000 times, or Lake Tahoe just once. If it was concentrated just on the state of North Carolina that much water would be 3.5 feet deep (more than 1 meter). It’s enough to fill more than 60 million Olympic-size swimming pools.

“That’s an astronomical amount of precipitation,” said Ed Clark, head of the National Oceanic and Atmospheric Administration’s National Water Center in Tuscaloosa, Alabama. “I have not seen something in my 25 years of working at the weather service that is this geographically large of an extent and the sheer volume of water that fell from the sky.”

The flood damage from the rain is apocalyptic, meteorologists said. More than 100 people are dead, according to officials.

Private meteorologist Ryan Maue, a former NOAA chief scientist, calculated the amount of rain, using precipitation measurements made in 2.5-mile-by-2.5 mile grids as measured by satellites and ground observations. He came up with 40 trillion gallons through Sunday for the eastern United States, with 20 trillion gallons of that hitting just Georgia, Tennessee, the Carolinas and Florida from Hurricane Helene.

Clark did the calculations independently and said the 40 trillion gallon figure (151 trillion liters) is about right and, if anything, conservative. Maue said maybe 1 to 2 trillion more gallons of rain had fallen, much if it in Virginia, since his calculations.

Clark, who spends much of his work on issues of shrinking western water supplies, said to put the amount of rain in perspective, it’s more than twice the combined amount of water stored by two key Colorado River basin reservoirs: Lake Powell and Lake Mead.

Several meteorologists said this was a combination of two, maybe three storm systems. Before Helene struck, rain had fallen heavily for days because a low pressure system had “cut off” from the jet stream — which moves weather systems along west to east — and stalled over the Southeast. That funneled plenty of warm water from the Gulf of Mexico. And a storm that fell just short of named status parked along North Carolina’s Atlantic coast, dumping as much as 20 inches of rain, said North Carolina state climatologist Kathie Dello.

Then add Helene, one of the largest storms in the last couple decades and one that held plenty of rain because it was young and moved fast before it hit the Appalachians, said University of Albany hurricane expert Kristen Corbosiero.

“It was not just a perfect storm, but it was a combination of multiple storms that that led to the enormous amount of rain,” Maue said. “That collected at high elevation, we’re talking 3,000 to 6000 feet. And when you drop trillions of gallons on a mountain, that has to go down.”

The fact that these storms hit the mountains made everything worse, and not just because of runoff. The interaction between the mountains and the storm systems wrings more moisture out of the air, Clark, Maue and Corbosiero said.

North Carolina weather officials said their top measurement total was 31.33 inches in the tiny town of Busick. Mount Mitchell also got more than 2 feet of rainfall.

Before 2017’s Hurricane Harvey, “I said to our colleagues, you know, I never thought in my career that we would measure rainfall in feet,” Clark said. “And after Harvey, Florence, the more isolated events in eastern Kentucky, portions of South Dakota. We’re seeing events year in and year out where we are measuring rainfall in feet.”

Storms are getting wetter as the climate change s, said Corbosiero and Dello. A basic law of physics says the air holds nearly 4% more moisture for every degree Fahrenheit warmer (7% for every degree Celsius) and the world has warmed more than 2 degrees (1.2 degrees Celsius) since pre-industrial times.

Corbosiero said meteorologists are vigorously debating how much of Helene is due to worsening climate change and how much is random.

For Dello, the “fingerprints of climate change” were clear.

“We’ve seen tropical storm impacts in western North Carolina. But these storms are wetter and these storms are warmer. And there would have been a time when a tropical storm would have been heading toward North Carolina and would have caused some rain and some damage, but not apocalyptic destruction. ”

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Follow AP’s climate coverage at https://apnews.com/hub/climate

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Follow Seth Borenstein on Twitter at @borenbears

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Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

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‘Big Sam’: Paleontologists unearth giant skull of Pachyrhinosaurus in Alberta

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It’s a dinosaur that roamed Alberta’s badlands more than 70 million years ago, sporting a big, bumpy, bony head the size of a baby elephant.

On Wednesday, paleontologists near Grande Prairie pulled its 272-kilogram skull from the ground.

They call it “Big Sam.”

The adult Pachyrhinosaurus is the second plant-eating dinosaur to be unearthed from a dense bonebed belonging to a herd that died together on the edge of a valley that now sits 450 kilometres northwest of Edmonton.

It didn’t die alone.

“We have hundreds of juvenile bones in the bonebed, so we know that there are many babies and some adults among all of the big adults,” Emily Bamforth, a paleontologist with the nearby Philip J. Currie Dinosaur Museum, said in an interview on the way to the dig site.

She described the horned Pachyrhinosaurus as “the smaller, older cousin of the triceratops.”

“This species of dinosaur is endemic to the Grand Prairie area, so it’s found here and nowhere else in the world. They are … kind of about the size of an Indian elephant and a rhino,” she added.

The head alone, she said, is about the size of a baby elephant.

The discovery was a long time coming.

The bonebed was first discovered by a high school teacher out for a walk about 50 years ago. It took the teacher a decade to get anyone from southern Alberta to come to take a look.

“At the time, sort of in the ’70s and ’80s, paleontology in northern Alberta was virtually unknown,” said Bamforth.

When paleontogists eventually got to the site, Bamforth said, they learned “it’s actually one of the densest dinosaur bonebeds in North America.”

“It contains about 100 to 300 bones per square metre,” she said.

Paleontologists have been at the site sporadically ever since, combing through bones belonging to turtles, dinosaurs and lizards. Sixteen years ago, they discovered a large skull of an approximately 30-year-old Pachyrhinosaurus, which is now at the museum.

About a year ago, they found the second adult: Big Sam.

Bamforth said both dinosaurs are believed to have been the elders in the herd.

“Their distinguishing feature is that, instead of having a horn on their nose like a triceratops, they had this big, bony bump called a boss. And they have big, bony bumps over their eyes as well,” she said.

“It makes them look a little strange. It’s the one dinosaur that if you find it, it’s the only possible thing it can be.”

The genders of the two adults are unknown.

Bamforth said the extraction was difficult because Big Sam was intertwined in a cluster of about 300 other bones.

The skull was found upside down, “as if the animal was lying on its back,” but was well preserved, she said.

She said the excavation process involved putting plaster on the skull and wooden planks around if for stability. From there, it was lifted out — very carefully — with a crane, and was to be shipped on a trolley to the museum for study.

“I have extracted skulls in the past. This is probably the biggest one I’ve ever done though,” said Bamforth.

“It’s pretty exciting.”

This report by The Canadian Press was first published Sept. 25, 2024.

The Canadian Press. All rights reserved.

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The ancient jar smashed by a 4-year-old is back on display at an Israeli museum after repair

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TEL AVIV, Israel (AP) — A rare Bronze-Era jar accidentally smashed by a 4-year-old visiting a museum was back on display Wednesday after restoration experts were able to carefully piece the artifact back together.

Last month, a family from northern Israel was visiting the museum when their youngest son tipped over the jar, which smashed into pieces.

Alex Geller, the boy’s father, said his son — the youngest of three — is exceptionally curious, and that the moment he heard the crash, “please let that not be my child” was the first thought that raced through his head.

The jar has been on display at the Hecht Museum in Haifa for 35 years. It was one of the only containers of its size and from that period still complete when it was discovered.

The Bronze Age jar is one of many artifacts exhibited out in the open, part of the Hecht Museum’s vision of letting visitors explore history without glass barriers, said Inbal Rivlin, the director of the museum, which is associated with Haifa University in northern Israel.

It was likely used to hold wine or oil, and dates back to between 2200 and 1500 B.C.

Rivlin and the museum decided to turn the moment, which captured international attention, into a teaching moment, inviting the Geller family back for a special visit and hands-on activity to illustrate the restoration process.

Rivlin added that the incident provided a welcome distraction from the ongoing war in Gaza. “Well, he’s just a kid. So I think that somehow it touches the heart of the people in Israel and around the world,“ said Rivlin.

Roee Shafir, a restoration expert at the museum, said the repairs would be fairly simple, as the pieces were from a single, complete jar. Archaeologists often face the more daunting task of sifting through piles of shards from multiple objects and trying to piece them together.

Experts used 3D technology, hi-resolution videos, and special glue to painstakingly reconstruct the large jar.

Less than two weeks after it broke, the jar went back on display at the museum. The gluing process left small hairline cracks, and a few pieces are missing, but the jar’s impressive size remains.

The only noticeable difference in the exhibit was a new sign reading “please don’t touch.”

The Canadian Press. All rights reserved.

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