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Russia Genocidal State Media Justify Ukraine War Crimes

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When Russia invaded Ukraine, Vladimir Putin’s elite propagandists wanted to drink champagne in the studio to properly celebrate the moment. Head of state propaganda agency, RT, Margarita Simonyan, expressed “an overwhelming sense of euphoria” and added: “I’ve been waiting eight years for this . . . it finally happened. This is true happiness.”

With the bloody all-out invasion now in its second year, the euphoria has been replaced by a lingering sense of dread, with Putin’s mouthpieces routinely fretting about the possibility of war crimes tribunals. The issue is playing on their minds.

Appearing on the state TV show, Evening With Vladimir Solovyov in November, Simonyan said: “Let me tell you that if we manage to lose, the Hague — whether real or hypothetical — will even come for the street cleaner sweeping the cobblestones behind the Kremlin.” The same month, Olga Skabeeva, the host of the state TV show 60 Minutes, likewise predicted that if Russia loses its war against Ukraine, every Russian will be considered guilty. She argued that a resounding victory was the only way “to avoid tribunals at the Hague, criminal cases, and having to pay reparations.”

As the months go by, these concerns have not subsided. During Solovyov’s show on March 6, Vitaly Tretyakov, dean of Moscow State University’s Higher School of Television, worried out loud about the statements from “significant” Western figures expressing the demand that Putin and other Russians face war crimes tribunals.

The Kremlin’s propagandists have plenty of reasons to be concerned; street sweepers and other average citizens rather less so. The agitation for war crimes against Ukrainians (described as animals and worse), the descriptions of them as Nazis, and the delight at the attacks on their homes and civilian energy grid have, after all, not been broadcast by people on the street. From the lowliest pawns on Putin’s chess board to the queens of propaganda like Simonyan and Skabeeva, the state-controlled media has played a central part in prompting, encouraging, rationalizing, and normalizing the Kremlin’s massacre of its next-door neighbors.

It may be tempting to interpret such lurid language as silliness designed for a domestic audience. But the outpourings of the propaganda machine have often foreshadowed or justified serious acts of state violence against Ukraine, including the mass murder of civilians, the mass kidnapping of Ukrainian citizens, the weaponization of migrant flows, and the evisceration of the Ukrainian polity.

Examples of such talk are easy to find. They proliferate nightly on live TV. Before the full-fledged invasion, Russian state media favored the description of pro-independence Ukrainians as “pigs,” with corresponding cartoons featured on state television, where Ukraine’s language, food, and traditions were routinely mocked. Since February 2022, the descriptions have descended into the realm of open dehumanization. During his show in July, Solovyov said: “When a doctor is deworming a cat — for the doctor, it’s a special operation, for the worms, it’s a war, and for the cat, it’s a cleansing.”

In October, RT’s director of broadcasting, Anton Krasovsky, suggested drowning Ukrainian children, setting Ukrainian homes on fire — with the inhabitants inside — and alleged that Ukrainian grandmothers would gladly pay to be raped by Russian soldiers. He insisted that Ukraine should end in its current form, with its only surviving sliver zoned for pig rearing. Krasovsky felt the need to clarify that when he said “pigs,” he did not mean Ukrainian women.

In October, Pavel Gubarev, a Russian political figure who proclaimed himself the “People’s Governor” of the Donetsk Region in 2014 and later as leader of the Donbas People’s Militia, explained that Ukrainians were, “Russian people, possessed by the devil,” and that Russia’s aim was to “convince them” that they are not Ukrainian. He added: “But if you don’t want us to change your minds, then we will kill you. We will kill as many of you as we have to. We will kill 1 million or 5 million, we can exterminate all of you.”

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Months earlier, in May, State Duma deputy Aleksey Zhuravlyov appeared on 60 Minutes to outline his calculations about the number of Ukrainians to be reeducated by “re-installing their brains,” as opposed to the millions who would refuse to abandon their Ukrainian identity and who must therefore be killed “A maximum of 5% are incurable. Simply put, 2 million people . . . These 2 million people should have left Ukraine, or must be denazified, which means to be destroyed.”

There is a widespread consensus in the state-controlled media that this so-called “denazification” means mass murder. In April, again on 60 Minutes, Zhuravlyov and Skabeeva concurred that this process is “accomplished by shooting, or ripping heads off.”

Nor was there any question in the minds of Russian officials that the invasion’s aim was to oppress, not to “liberate” its population. In his RT interview in December, Dmitry Rogozin, Russia’s former ambassador to NATO and former Deputy PM for Defense and Space Industry, acknowledged that Ukrainians did not welcome their Russian invaders and that a huge effort would be needed to change their outlook “Many years will pass even after our victory before we will be able to secure total loyalty of this population.” Turning this “extensive territory” into Russia will require plenty of manpower, time, and effort, he said.

The theme of a long occupation is common. State Duma Deputy, General Vladimir Shamanov, Russia’s former airborne commander, estimated that it would take the “re-education” of at least two generations of Ukrainians before they would tolerate Russia’s dominance. Appearing on 60 Minutes in March, Shamanov concluded: “Today, it can be clearly predicted that we will have to remain in Ukraine for 30-40 years.”

During the same show, military expert Igor Korotchenko surmised, “It’s obvious that the process of the denazification of Ukraine will take a minimum of 15-20 years.” He predicted that Russian troops would have to remain on Ukrainian territory, with a substantial Russian presence for the foreseeable future.

On March 6, Tretyakov, of the Higher School of Television, emphasized that Russian military bases should be established throughout Ukraine, “in order to control the mentality of this territory.” He claimed that Ukrainians have “turned into animals” and Russia must plan its actions accordingly.

It is easy enough to understand the link between talking points that routinely compare the Ukrainians to animals, bugs, or worms with atrocities like Bucha, the torture and murder of Ukrainian prisoners of war, attempts to freeze and starve civilians to death by destroying critical infrastructure and forcibly deporting Ukrainians — including children — to Russia.

Russian academics are happy to explain the logic of Kremlin-directed violence and to provide an intellectual gloss. It is explained that attacks to deprive Ukrainians of electricity, running water, and food are part of a bigger plan. So the forced movement of millions to Russia is to compensate for its severe demographic shortcomings, while 8 million more have been pushed westwards to overwhelm Europe and undermine its economy by creating a refugee crisis. In October, speaking on Solovyov’s show, Andrey Sidorov, Deputy Dean of world politics at Moscow State University, acknowledged that Ukraine’s destruction had a secondary benefit: “We should wait for the right moment and cause a migration crisis for Europe with a new influx of Ukrainians,” he said.

And in January, the host of Solovyov Live, Sergey Mardan, rejoiced at the souls forced to leave their homes and enter Putin’s Russia:  “Look at how much the Motherland is spending to solve the demographic problem . . . We got these people [Ukrainians] for free, for nothing—approximately five million of them! Five million souls!”

In the world of Russian state TV, everyone has a soul, but not everyone has a right to live out their life. Some things are just more important, as Professor Elena Ponomareva of the Moscow State Institute of International Relations explained on Solovyov’s show in March: “Never let morality prevent you from doing the right thing. I understand the importance of a humanitarian component . . . but morality shouldn’t get in the way.”

It is not hard to imagine those words echoing in a courtroom, as the prosecution lays out its case against Professor Ponomareva and her co-defendants.

Julia Davis is a columnist for The Daily Beast and the creator of the Russian Media Monitor. She is a member of the Academy of Television Arts and Sciences, the Screen Actors Guild, and Women In Film.

Europe’s Edge is CEPA’s online journal covering critical topics on the foreign policy docket across Europe and North America. All opinions are those of the author and do not necessarily represent the position or views of the institutions they represent or the Center for European Policy Analysis.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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