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Saskatoon ICU nurse creates COVID-inspired art with vaccine-vial caps – CBC.ca

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While the COVID-19 vaccine has been called liquid gold by those who anxiously await their shots, the colourful caps from empty vaccine vials have become the golden touches in a Saskatoon nurse’s pandemic-inspired artwork.

Shawn Toovey is a 51-year-old registered nurse who treats COVID-19 patients in the intensive care unit of St. Paul’s Hospital. He and his co-workers collect clean medical plastics that haven’t touched patients, including IV tubes and syringe covers, so Toovey can recycle them into artwork.

“This is kind of the star of the show here lately,” he said, sitting in his art studio, holding up a purple cap from a Pfizer-BioNTech COVID-19 vaccine bottle. He also likes yellow caps from bottles of saline that’s mixed into vaccines for injection.

Toovey said each vaccine cap “symbolizes hope” in his artistic pieces, which also feature discarded medical packaging from COVID-19 treatments.

“It has everything that we use at work during the day to keep people safe and alive,” he said, pointing to a piece of a dialysis bag and medicines that are used to treat COVID-19 patients. “There is antibiotics, there is sedatives … pieces of the ventilator … a lot of medications we use to keep them calm on the ventilator.”

WATCH | ICU nurse Shawn Toovey describes how he embeds medical materials in his art:

Shawn Toovey describes how he embeds plastic medical waste, including COVID-19 vaccine vial lids, in a piece of artwork 1:49

Nurse makes art to relieve stress

Creating art is a critical outlet for Toovey to relieve work-related pressure. He learned the hard way what happens when he doesn’t.

About three years ago, the ICU nurse realized he was burned out.

“I was crying on my way to work. I was crying when I’d be out for a run. Something wasn’t right,” he said. “I crashed and burned from [working in] an adrenaline area for so long, for so many years and trying to do too much.”

Toovey, who has been a registered nurse for 25 years, experienced burnout a few years ago and began to care for his mental health using medicine, physical exercise, and art. (Submitted by Shawn Toovey)

Toovey took a three-month stress leave and started managing his mental health with medication, physical exercise, and artwork.

His creative process combines two of his interests: he likes to recycle and compost, and he also likes to paint, draw, and sculpt. Eventually, it just made sense for him to merge those interests and repurpose used or scrap materials in his art.

The father of two made a piece of art for his wife using keys from a piano that her grandmother had bought herself in the 1930s with her first paycheque from teaching.

Toovey made this piece for his wife to preserve the piano keys of her grandmother’s piano, which had been in the family for more than half a century. (Submitted by Shawn Toovey)

“My wife could not part with her grandma’s piano, but we just didn’t have the room and no one was playing it,” he said. “Those are the keys her grandma touched and we get to keep that.”

A lot of plastic medical waste thrown in trash

Before the pandemic began, he and his co-workers had begun collecting discarded medical packaging at the hospital so he could work them into some pieces.

“We throw tons and tons of garbage out every day,” he said. “Every day I bring home bags and bags of it.”

Canadian hospitals generate huge amounts of non-hazardous waste. Even when health officials want to cut down on trash, they often discover there’s resistance to re-using sanitized medical equipment and that some recycling plants won’t accept small plastic pieces.

None of Toovey’s hospital scraps include PPE or plastics that have come into contact with patients or toxic materials.

“When I say medical waste, I don’t want it to sound like it’s icky,” he said with a chuckle.

When the pandemic started, Toovey knew pressure and anxiety would increase again — and they did — and that his artwork would become even more important to him. His co-workers — whom he calls “battle buddies” — rallied around him to help collect even more plastic waste to feed his creative process.

“I have thousands and thousands of pieces of plastic to work with and so many ideas. Sometimes I stay up at night thinking about ideas,” he said.

A vial of Pfizer-BioNTech COVID-19 vaccine with its purple plastic cap, left, and a close-up of those same purple lids in Toovey’s artwork. (The Associated Press/CBC)

In November, Toovey rented a small studio in Saskatoon Makerspace, a collaborative workspace, to create his art.

He also sought advice from Ontario nurse Tilda Shalof, who collected small bits of medical waste for decades. In 2015, she teamed up with an artist friend to make a large mural inside Toronto General Hospital with 10,000 discarded medical pieces.

“To me, embedded in them are the many stories, memories, and moments I’ve had with patients over the years,” Shalof wrote in a blog post.

‘I felt my heart stop’

When Toovey showed ICU doctor Hassan Masri the piece of his artwork featuring COVID-19 treatments and vaccines in a red heart, the frontline physician was floored.

Masri said he had just finished a week-long shift where he had “delivered an incredible amount of sad news,” and that was weighing on him.

“I just felt my heart stop,” he said of the moment he saw the piece.

Masri was hit by seeing all the drugs and devices that kept COVID-19 patients alive. And for him, there’s a deeper message embedded in the piece. 

Toovey teamed up with his colleague, Dr. Hassan Masri, to auction off his heart-shaped art and raise money for the Canadian Mental Health Association. (Submitted by Shawn Toovey)

“We have a bad situation but we can look at the bright side,” he said. “And if we don’t have a bright side, we can make one.”

The doctor and nurse teamed up to launch an online raffle for the artwork to raise money for the Canadian Mental Health Association. Masri launched a call for donations to the CMHA on Facebook.

Toovey sees each piece of art as a tribute to the perseverance of his co-workers — “our battle, our struggle, our strength as a team” — and a memento of their patients. 

He has received lot of interest in his work from would-be buyers, who are often medical professionals.

He hunches over his desk with a glue bottle and a bag of yellow vial caps, from saline solution, and the more precious purple vaccine caps. He only has about a hundred right now.

“I have a nice lady that has been collecting them for me as she draws [the vaccine] up in the morning to do her daily work,” he said.

Vaccine deliveries are ramping up, and he hopes the lids from used-up vials will cap off his artwork instead of landing in the trash.

Toovey holds a bag of yellow lids from saline solution and the more precious purple caps from COVID-19 vaccine vials. He has a limited supply, for now. (Chanss Lageden/CBC)

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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