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Seattle Asian Art Museum's new exhibit takes a page from Cliffs Notes – knkx.org

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A new exhibit at the Seattle Asian Art Museum features the works of five contemporary Chinese artists. “Beyond The Mountain” explores the themes of protest, culture, nature, and urban living using traditional Chinese art forms.

Included in the exhibit is a piece from activist and artist Ai Weiwei. His piece entitled “Colored Vases” features real clay pots that appear like they could be old artifacts, but are dripping in bright colored paint. By desecrating the pieces, Weiwei is questioning China’s history and values.

Visitors learn about this context from an explanation displayed on the wall at the beginning of the exhibit, a sort of Cliffs Notes summary of the show. The idea for this cheat sheet to help understand the exhibit came from University of Washington students.

Museum curator Foong Ping taught a class at UW about curating Chinese art in the spring of 2020, right at the start of the pandemic.

“They gave me one week to change my class from in-person class to completely Zoom class. So I was thinking, okay, what can I do to make it interesting for these undergraduate and graduate students and as together to make it interesting for them?”

Ping came up with the idea of asking her students to create their own shows using the pieces from the exhibit, that are now on display. As a part of the project, students researched each piece thoroughly allowing them to develop the Cliffs Notes.

“That idea of creating a Cliff Notes within the gallery…I found that to be incredibly powerful way of telling somebody, okay, this is how these works hang together. Never occurred to me,” Ping said.

In one of the rooms of the exhibit, an animation is projected on a wall. Black and white paintings of protests from around the world are set against music. Chen Shaoxiong’s work connects the “global language of today’s street protests” by using the traditional art form. The simplified explanations of the different themes in the exhibit make the work more accessible.

“Beyond The Mountain” is on display through June 2023 and will feature another artist as works are set to be rotated starting in January.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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