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Sex, drugs and checkbook journalism: Media under scrutiny as reopened defamation case grips Australia – CNN

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Brisbane, Australia
CNN
 — 

When an Australian judge made the unusual decision to reopen a blockbuster defamation trial brought by an alleged rapist against a media company, he declared, “Let sunlight be the best disinfectant.”

That’s how claims later described by Justice Michael Lee as “sordid” found their way into the public sphere, giving a startling insight into the way producers from a major television network allegedly secured an interview with the former government staffer with illicit drugs, sex workers, a golf trip and expensive meals.

The defamation case enthralled the Australian public when the main parties took the stand last year, and anticipation was high for a ruling on Thursday. But the arrival of a new witness saw thousands tune in to watch the reopened case as it was broadcast live on YouTube.

The origins of the story date back to 2019, when government staffer Brittany Higgins alleged she was raped by a colleague in Parliament House after a night of drinking in Canberra. The man she accused of the crime, Bruce Lehrmann, vehemently denied any sexual activity took place, and in court he pleaded not guilty to one count of sexual intercourse without consent.

But the trial was abandoned in 2022 due to juror misconduct. Rather than requesting a retrial, prosecutors dropped the charges, saying more court action would pose an “unacceptable risk” to Higgins’ health.

That left Lehrmann with no means to disprove the allegations, so he took defamation action against media companies for their initial reporting of the case.

Two outlets settled the claim by paying hundreds of thousands of dollars in legal costs. But Network Ten and journalist Lisa Wilkinson chose to fight it using a truth defense – essentially tasking their lawyers to prove on the balance of probabilities that Lehrmann did rape Higgins.

The alleged rape

Two years after the night in question, Higgins went public in 2021 with the allegation that she’d been raped in Parliament House.

In an exclusive interview with Ten’s Lisa Wilkinson for “The Project,” Higgins recalled having drinks with co-workers in March 2019, and catching an Uber with a man to Parliament House, where he allegedly raped her on a minister’s couch.

The story sent tremors through Australian politics and prompted an apology from then Prime Minister Scott Morrison, who promised to investigate the culture within the legislature.

“The Project” story didn’t name Lehrmann. But he claimed it included enough information to identify him as the alleged rapist. Lehrmann couldn’t pursue the defamation charge while his criminal trial was underway, so he sought permission from the court to extend the period to bring a claim, which is why it took so long to reach court.

Evidence in the defamation trial was presented in late 2023, grabbing headlines as Lehrmann and Higgins accused each other in court of lying about what had happened.

It was the first time Lehrmann had given court testimony – during his criminal trial, he exercised his right not to take the stand.

However, the first time the Australian public heard his side of the story – in his own words, on camera – was a few months before on Seven’s “Spotlight” program.

“Let’s light some fires,” Lehrmann said, in an episode that aired in June, 2023.

That interview – and the months that led up to it – was the focus of the new evidence in court this week, as former “Spotlight” producer Taylor Auerbach revealed stunning claims about how the production team negotiated the interview with Lehrmann.

Network Ten’s barrister Matthew Collins KC had argued that Auerbach’s testimony was important as it spoke to Lehrmann’s credibility, which could impact the size of any payout, should he win the defamation case.

The producer’s allegations

Sitting in a dark suit and tie, Auerbach took frequent sips of water as he sat in court to answer questions about his role in setting up the Lehrmann interview.

He said he’d been assigned to be Lehrmann’s “babysitter,” which he took to mean establishing a rapport with him to convince him to give them the sought-after exclusive.

After one dinner in January 2023, Auerbach said he and Lehrmann went to a hotel room, allegedly paid for by Seven, where he said Lehrmann produced a bag of cocaine.

“He pulled that out and started to put it on a plate and then started talking to me about a prospective ‘Spotlight’ story and his desire to order prostitutes to the Meriton that night and began Googling a series of websites to try and make that happen,” Auerbach told the court.

The new material submitted to court included a long text message Auerbach said he sent to a senior “Spotlight” producer after meeting with Lehrmann’s media advisor.

In the message, Auerbach said a potential payment of around 200,000 Australian dollars ($132,000) had been suggested for the interview. The advisor had told him that Lehrmann was also planning to do interviews with Tucker Carlson and Piers Morgan, after the Australian exclusive, Auerbach said in the text.

The former television producer made other allegations in his affidavits, including that he put 10,000 Australian dollars ($6,500) on a company credit card for Thai massages for himself and Lehrmann. He said he submitted his resignation the next day, out of guilt, but instead of being reprimanded he received a promotion and a pay raise the following week.

In a statement, the Seven Network said it didn’t offer Auerbach a promotion or a higher salary, nor reimburse Lehrmann for “expenditure that has allegedly been used to pay for illegal drugs or prostitutes.”

“Seven has acted appropriately at all times,” it said.

Before they were aired in court, the claims about money spent on massages made headlines in Australian media, prompting Lehrmann to issue a statement saying the story was “untrue and rather bizarre.”

Auerbach countered his denials with threats of defamation action. And during the pursuit of that case, he came into contact with Wilkinson’s lawyers.

Cross-examination

In his testimony, Auerbach also alleged that Lehrmann gave the Seven Network evidence from his rape trial, including extensive records of text messages and taped audio calls.

Under an important legal convention, documents provided to a party for the purposes of specific proceedings cannot be used for any other purpose.

Previously Lehrmann’s lawyers denied that their client was the source of the material, raising the potential issue of contempt of court.

However, Lehrmann’s barrister, Matthew Richardson SC, played down the value of the material, saying most of the information was in the public domain anyway, and it wasn’t used for any purpose.

During questioning, Richardson suggested Auerbach was a disgruntled former employee who was angry about losing his job at Seven and his subsequent role with Sky News.

“I want to suggest to you, Mr. Auerbach that you are here today to do as much damage to your former employer and former colleagues, as you possibly can?” Richardson said Thursday.

“Strongly disagree,” Auerbach replied.

“And you’re prepared to lie in that endeavor,” said Richardson.

“No, sir.”

To support his line of questioning, Richardson played a three-minute video to the court that showed Auerbach snapping the golf clubs of a former friend and Seven co-worker.

It was posted with the words, “Merry Christmas, sue me,” the court heard.

Auerbach conceded he hated his former colleague and held him partly to blame for Seven’s refusal to extend his contract.

In his affidavit, Auerbach said he had come across evidence that he believed was relevant to the case and submitted his statement to the trial at the request of Network Ten.

The defamation trial is between Network Ten and Lehrmann, but the evidence heard in the last two days is being scrutinized for what it says about the state of Australia’s media industry.

“Here Network Ten is the defendant but this week it’s felt like Seven is on trial for its journalistic practices,” said Sacha Molitorisz, senior lecturer in law at the Center for Media Transition at the University of Technology Sydney.

Molitorisz, a former journalist, said checkbook journalism has its place, but the allegations aired go far beyond that and show the need for a coherent code of ethics that all Australian journalists follow.

“But you don’t need a code of ethics to know that what the Seven journalists did crossed the line,” he added.

Margaret Simons, Honorary Principal Fellow at the Center for Advancing Journalism at the University of Melbourne, said reviews of the industry had repeatedly called for more regulation and repercussions for reporters who trample on journalistic ethics.

“The whole saga you know, I think has been devastating for journalism in many ways,” Simons said.

“In the era of fake news, if we want people to trust journalism, we need to behave a hell of a lot better than it seems Channel Seven have done.”

In its statement, Seven said it was “appalled by the allegations made in recent days. We do not condone the behaviors described in these allegations. They do not reflect the culture of Seven.”

During the trial, Justice Lee noted that none of the producers involved in the “Spotlight” program were members of the Media, Entertainment and Arts Alliance (MEAA), Australia’s main union for journalists.

The MEAA has a 12-point code of ethics that only applies to members. After a discussion about the code and its interpretation, Justice Lee said, “I don’t think reporting honestly is that complicated…. is it? It’s a bit like it’s not complicated not shoplifting from Woolworths.”

Justice Lee retired Friday to consider the evidence, with a date still to be set for his findings.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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