Sidney Poitier, first Black actor to win best actor Academy Award, dies at 94 | Canada News Media
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Sidney Poitier, first Black actor to win best actor Academy Award, dies at 94

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Sidney Poitier, who broke through racial barriers as the first Black winner of the best actor Oscar for his role in “Lilies of the Field,” and inspired a generation during the civil rights movement, has died at age 94, Bahamas Prime Minister Philip Davis said on Friday.

“It is with great sadness that I learned this morning of the passing of Sir Sidney Poitier,” Davis said in a speech broadcast on Facebook. “But even as we mourn, we celebrate the life of a great Bahamian: a cultural icon, an actor and film director, an entrepreneur, civil and human rights activist and, latterly, a diplomat.”

Poitier created a distinguished film legacy in a single year with three 1967 films at a time when segregation prevailed in much of the United States.

In “Guess Who’s Coming to Dinner” he played a Black man with a white fiancee and “In the Heat of the Night” he was Virgil Tibbs, a Black police officer confronting racism during a murder investigation. He also played a teacher in a tough London school that year in “To Sir, With Love.”

Poitier had won his history-making best actor Oscar for “Lilies of the Field” in 1963, playing a handyman who helps German nuns build a chapel in the desert. Five years before that Poitier had been the first Black man nominated for a lead actor Oscar for his role in “The Defiant Ones.”

His Tibbs character from “In the Heat of the Night” was immortalized in two sequels – “They Call Me Mister Tibbs!” in 1970 and “The Organization” in 1971 – and became the basis of the television series “In the Heat of the Night” starring Carroll O’Connor and Howard Rollins.

His other classic films of that era included “A Patch of Blue” in 1965 in which his character was befriended by a blind white girl, “The Blackboard Jungle” and “A Raisin in the Sun,” which Poitier also performed on Broadway.

“If you wanted the sky i would write across the sky in letters that would soar a thousand feet high.. To Sir… with Love Sir Sidney Poitier R.I.P. He showed us how to reach for the stars,” Whoopi Goldberg, Oscar winning actress and TV host, wrote on Twitter.

“The dignity, normalcy, strength, excellence and sheer electricity you brought to your roles showed us that we, as Black folks, mattered!!!,” Oscar winner Viola Davis tweeted.

Poitier was born in Miami on Feb. 20, 1927, and raised on a tomato farm in the Bahamas, and had just one year of formal schooling. He struggled against poverty, illiteracy and prejudice to become one of the first Black actors to be known and accepted in major roles by mainstream audiences.

Poitier picked his roles with care, burying the old Hollywood idea that Black actors could appear only in demeaning contexts as shoeshine boys, train conductors and maids.

“I love you, I respect you, I imitate you,” Denzel Washington, another Oscar winner, once told Poitier at a public ceremony.

As a director, Poitier worked with his friend Harry Belafonte and Bill Cosby in “Uptown Saturday Night” in 1974 and Richard Pryor and Gene Wilder in 1980’s “Stir Crazy.”

Poitier was knighted by Britain’s Queen Elizabeth II in 1974 and served as the Bahamian ambassador to Japan and to UNESCO, the U.N. cultural agency. He also sat on Walt Disney Co’s board of directors from 1994 to 2003.

STARTED ON STAGE

Poitier grew up in the small Bahamian village of Cat Island and in Nassau before he moved to New York at 16, lying about his age to sign up for a short stint in the Army and then working at odd jobs, including dishwasher, while taking acting lessons.

The young actor got his first break when he met the casting director of the American Negro Theater. He was an understudy in “Days of Our Youth” and took over when the star, Belafonte, who also would become a pioneering Black actor, fell ill.

Poitier went on to success on Broadway in “Anna Lucasta” in 1948 and, two years later, got his first movie role in “No Way Out” with Richard Widmark.

In all, he acted in more than 50 films and directed nine, starting in 1972 with “Buck and the Preacher” in which he co-starred with Belafonte.

In 1992, Poitier was given the Life Achievement Award by the American Film Institute, the most prestigious honor after the Oscar, joining recipients such as Bette Davis, Alfred Hitchcock, Fred Astaire, James Cagney and Orson Welles.

“I must also pay thanks to an elderly Jewish waiter who took time to help a young Black dishwasher learn to read,” Poitier told the audience. “I cannot tell you his name. I never knew it. But I read pretty good now.”

In 2002, an honorary Oscar recognized “his remarkable accomplishments as an artist and as a human being.”

Poitier married actress Joanna Shimkus, his second wife, in the mid-1970s. He had six daughters with his two wives and wrote three books – “This Life” (1980), “The Measure of a Man: A Spiritual Autobiography” (2000) and “Life Beyond Measure: Letters to My Great-Granddaughter” (2008).

“If you apply reason and logic to this career of mine, you’re not going to get very far,” he told the Washington Post. “The journey has been incredible from its beginning. So much of life, it seems to me, is determined by pure randomness.”

Poitier wrote three autobiographical books and in 2013 published “Montaro Caine,” a novel that was described as part mystery, part science fiction.

In 2009, Poitier was awarded the highest U.S. civilian honor, the Presidential Medal of Freedom, by President Barack Obama.

The 2014 Academy Awards ceremony marked the 50th anniversary of Poitier’s historic Oscar and he was there to present the award for best director.

 

(Reporting by Katharine Jackson; Editing by Howard Goller and Diane Craft)

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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