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Sidney’s BC Hydro boxes to feature Coast Salish art – Goldstream News Gazette

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The Town of Sidney is wrapping utility boxes in Coast Salish art this month.

Sidney’s utility box beautification program started in 2006 and has since wrapped 38 boxes in art from established and emerging artists from the Saanich Peninsula.

This year, Sidney is working with four local First Nation artists from WSANEC First Nations including Tsartlip, Tseycum and Tsawout, to install four utility box wraps in downtown Sidney.

READ ALSO: Sidney painter takes art classes online

On its website the town writes: “Whether you are out running errands, getting some exercise or simply enjoying the spring weather we invite you to view these new street displays, while maintaining six feet of physical distance from others.”

The boxes will feature art from Tsartlip First Nation’s Charles Elliot, who illustrated “Seals” on the BC Hydro box near 2464 Beacon Ave., and art by Doug LaFortune of Tsawout First Nation, who created the “Otters & Blue Heron” on the hydro box near 2488 Beacon Ave.

James Jimmy of Tseycum First Nation created the “Sqto (Raven)” art on the hydro box at the corner of Fourth Street and Beacon Avenue and Tsawout First Nation artist Doug Horne is behind the “Hummingbird” near 2297 Beacon Ave.

For more information on the artists and where to find their work, visit sidney.ca.

READ ALSO: Oak Bay hydro box wrap captures community history

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In Case of Emergency, Make Art – The New York Times

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I was a firefighter for many years. But because it was more than a decade ago, it often seems like another person wore those turnout boots, cinched that ax belt and ran into burning buildings. Yet when the Covid-19 pandemic hit a few months ago, my old first-responder instincts rose up.

I wanted to be of use. But I’d let my E.M.T. certification lapse, so the only thing I was really good for was staying at home. This was important, of course, but as someone trained to spring into action in the face of death and destruction, it also left me restless and dispirited. I became that annoying friend who harangued you about food supplies early on and inserted the numbers of daily deaths and projected casualties into every conversation, so that even my own family told me that I made them anxious and that they wouldn’t speak to me unless I stopped.

Once schools started to close, my wife, the illustrator Wendy MacNaughton, wondered whether we could offer a free live drawing class for kids. For a week, she said, a half-hour every school day. Why not, I thought. It wasn’t the front lines. But it would be a nice distraction. It would be a service to the harried parents. Besides I was the only other human in the house. Someone had to hold the camera.

We used what we had on hand: a smartphone and Instagram Live. It was a rinky-dink operation, but these were rinky-dink times. Kids love Wendy in real life (though we ourselves are kidless) and sure enough, once the camera turned on, Wendy was just the person you’d want your children to hang out with during a pandemic: funny, carefree, willing to wear an assortment of colorful hats, yet also steady and soothing.

The response was immediate. Parents were grateful for what I saw as cyberbabysitting. One week of videos turned into two, then three. And something strange happened. What first seemed to me to be a simple feel-good endeavor for children — Grab some crayons! Draw a dinosaur! — was actually something more.

“The first time I’ve seen him relax and focus today,” one adult said of her child, via email. Another said, “We are only a week into this home schooling thing and drawing is the only thing that my daughter is still interested in.” For all of us life had turned strange, but for kids this new reality resembled a sudden, undeserved timeout — play dates were prohibited, outdoor sports were canceled, simple routines were now upended. Yet something about drawing was providing a much-needed intervention. “My 7-year-old usually can’t sit still for five minutes,” a caregiver wrote. “But he draws for the whole 30 minutes.”

Credit…Family photo

It helped that Wendy’s on-camera persona was a mixture of Mr. Rogers and a Cirque du Soleil unicyclist. She instinctively understood when to draw calming spirals and when to scribble wildly. Her rambunctious illustrations, silly dances and rotating art smocks, along with her there-are-no-mistakes-in-art attitude clicked with her kid audience. “Swoop outside the lines! Put polka dots on that tiger!” she’d exclaim. But there was something besides a zany master of ceremonies going on here. Adults reported that their children were drawing long after class was over. This was about the act of artmaking itself.

“It’s a symbolic language for your internal world,” Sarah Rubin, a psychotherapist who has been incorporating art into her work for decades, said when I asked why drawing was so absorbing for children during this crisis. “Everything that’s going on gets lodged unconsciously. This is a way to get it out and on paper. Now you can speak about the drawing instead of what’s hard to talk about.”

Ms. Rubin pointed out that, unlike many traumas, such as 9/11, the coronavirus is unfolding slowly. While this is agonizing for many, it is also an opportunity: Kids can work out their emotions while it is happening. This allows a head start on adjustment and healing. “The sooner the better,” she emphasized. “Not down the road.” Ms. Rubin also lauds the kinetic experience that drawing offers. “Art is movement in space,” she explained, much more enthralling than the two-dimensional computer screen used for online schooling.

Research backs up Ms. Rubin’s insights. A 2014 study by Judy Rollins and Ermyn King showed that the children of wounded soldiers who engaged in art activities, including drawing, during hospital visits, communicated better with their injured parent and adjusted faster to their disrupted environment. Other studies show that drawing allows children to visually work out ideas about the surrounding world at a time in their development when the ability to articulate can be outpaced by cascading emotions. Hand a kid colored pencils, in other words, and the trepidation and confusion of the coronavirus pandemic transmutes into striped penguins and swirling fuchsia lines.

School in its various forms is finishing up around the country, giving way to an uncertain summer. This week our #DrawTogether classes ended, too. We graduated tens of thousands of kids from over 40 countries who had drawn dragons and treehouses and heart spirals with us over the past 12 weeks. But the pandemic has not ended. Children will continue to miss their friends, mourn their absent playgrounds and community pools, and absorb adult stresses. Yet when Wendy asked if we should continue as “art camp,” I hesitated at first.

Just months ago, I was a writer; now, I was someone who worried about glare, whether the family dog would wear a weird hat for the class, and how to pan from paint set to paper. Sometimes I didn’t recognize myself (or my wife, who was now stopped on the street by 6-year-olds). But the pandemic, while disorienting, is also full of surprises. We pitch in where it matters, and a truer self can emerge. In my small way, I’ve been a first responder all along; drawing, it’s become clear, is vital first aid for kids.

Caroline Paul (@carowriter) is the author, most recently, of “You Are Mighty: A Guide to Changing the World.”

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: letters@nytimes.com.

Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.

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Orillia native spearheading entertaining national arts drive – OrilliaMatters

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NEWS RELEASE
RAW ARTISTS
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RAW Artists announce the National Arts Drive,  a three-hour community experience on Saturday, June 6, 2020, spanning throughout Canada, United States and Mexico.

Local artists will showcase their work while respecting social distancing – from windows, balconies, driveways, front lawns, workspaces, or appropriate commercial spaces. Community supporters are invited to visit participating local artists, performers, musicians and designers living in their community from a safe distance.

Collingwood resident and Orillia native Michelle Bylow is leading the charge in bringing the drive to Canada and Northern Ontario Communities.

“We are using all the resources available to us to continue our mandate of artists supporting artists,” said Bylow, executive director of RAW Artists Canada. “The drive will give artists visibility and financial support from their communities. 100 per cent of the proceeds go to the creatives”.

The Orillia & District Arts Council has joined as a community partner to help spread the word to Orillia and area artists.

“The success of the drive will depend on getting the word out to artists and their communities. We are thrilled to be working with the Orillia Arts Council and look forward to supporting the Orillia artistic community,” said Bylow.

The driving tour will be paired with a mobile website designed and built by RAW Artists. Art showcases will be identified on a map within the app, enabling drivers to plan their routes.

Using the site, visitors can support artists by liking, following and/or sharing artists’ work via social media, tipping artists through a touch-free pay app (i.e. Venmo, PayPal), and/or making future purchases from the artists online. All donations go directly to the artists.

Bylow and her team are aiming to register 10,000 Canadian artists for the event. RAW supports 10 different verticals within the arts community – film, fashion, music, visual art, performing art, beauty, accessories, photography, craft and technology. There is no charge for artists to participate, and they do not have to be members of RAW.

For more information on RAW Artists’ National Arts Drive, visit this website or this website.

About RAW Artists:

Founded in 2009, RAW is the largest independent, international arts organization in the world. RAW’s mission is to serve independent artists with the tools, resources, education and exposure needed to thrive and succeed in their creative careers. RAW is an online and offline platform that has showcased over 200k artists in 70 cities across the globe in multi-faceted arts events that draw crowds of 1,000+ attendees.

Due to the “Stay at Home” orders issued by the Canadian government; RAW Artists Canada has halted regular operations since March 15, 2020.  

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Kingston city briefs: Marinas open; more affordable housing; park art – The Kingston Whig-Standard

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Kingston’s city-owned marinas opened for the season on Friday in Kingston. (Elliot Ferguson/The Whig-Standard)

Elliot Ferguson / Elliot Ferguson/Whig-Standard

KINGSTON — City-owned marinas will operate under new measures meant to prevent the spread of the COVID-19 virus.

Marinas at Confederation Basin and Portsmouth Olympic Harbour opened for the season on Friday.

“For many weeks, we have been working to ensure a safe and welcoming environment for our seasonal boaters to the municipal marinas,” Lacricia Turner, director of recreation and leisure services, said. “Staff has been trained in health and safety protocols. Additionally, we are asking the boating community to adhere and respect our new COVID-19 guidelines.”

Day and transient boaters are still not permitted while physical distancing measures are in place, but may be considered once the marinas are opened and operational for seasonal boaters.

The Canada Border Services Agency is encouraging residents to alert it to suspicious boaters arriving in Kingston who may be violating cross-border travel restrictions. 

The Border Watch Line is toll-free, 888-502-9060.

Private marinas opened for the season earlier this month.

More affordable housing

KINGSTON — Forty housing units are to be built at a new mixed-income building on Wright Crescent.

The Kingston and Frontenac Housing Corporation broke ground earlier this week on the site at 27 Wright Cres.

“We are excited to have broken ground at 27 Wright Cres., especially during this challenging time when affordable housing has become even more important,” Mary Lynn Cousins Brame, KFHC’s chief executive officer, said in a statement. “The public funding provided was essential to making this project happen.” 

The building is to include 10 rent-geared-to-income units, 13 affordable units renting for 20 per cent less than average market rent and 17 market rental units.

About $2.5 million in municipal, provincial and federal funding went into the project, along with a low-interest loan financing under the Federal National Housing Strategy. 

“Affordable housing remains a top priority for city council,” Mayor Bryan Paterson added. “The current state of the world has only reinforced how important it is that we continue to make progress on affordable housing initiatives.”

Recycling, household hazardous waste agreement

KINGSTON — City council is to consider renewing an agreement to accept recycling and household hazardous waste from Loyalist Township.

At its meeting Tuesday night, city council is to consider a new agreement with the township to continue accepting recycling and household hazardous material.

The new agreement would continue an arrangement that has been in place since 2006 and has functioned “with very few issues,” according to a staff report to council.

Kingston’s material recovery facility accepts recyclables from the city and Loyalist, South Frontenac, Frontenac Islands and Central Frontenac townships, and material is sorted and marketed for sale.

Last year, material from Loyalist Township accounted for a little more than nine per cent of the total tonnage processed by the facility. The township paid the city about $133,000 for the service.

In 2019, almost seven per cent of visits to the household hazardous waste drop-off were made by township residents. About $19,000 in fees were collected for those drop-offs.

The annual spring opening of the household hazardous waste drop-off has been delayed due to the COVID-19 pandemic as physical distancing cannot be provided.

Art in Douglas Fluhrer Park

KINGSTON — The city is looking to make permanent a pilot project that offered artists a space to paint street art and murals in Douglas Fluhrer Park.

The retaining wall behind Rideaucrest has been used for mural pilot projects in 2014 and 2017.


Artists take part in the On the Wall Street Art Festival 2017 in Doug Fluhrer Park in Kingston. (Steph Crosier/The Whig-Standard)

Steph Crosier /

Steph Crosier/Kingston Whig-Stan

The city is now planning to make the art location a permanent feature of the park.

“The nature of street art and legal walls is that they are fluid, ever-changing, transient spaces where artwork gets created and painted over on a regular basis. They exist as a shared community resource that enliven public spaces and attract attention because they are colourful, energetic and engaging in ways that deviate from more familiar forms of public art,” a report to council stated. “They also attract attention because they tend to change over frequently and reference current issues and events with greater spontaneity.” 

Since it began, there have been about 30 murals created at the space with only two minor vandalism acts in the past year.

The legal street art wall would require an exemption to be added to the property standards bylaw.

City staff estimate the site would cost about $2,000 annually to maintain.

City reverts to one-bag garbage restriction

KINGSTON — Residents will again have to pay for additional bags of garbage they place on the curb.

As of June 15, one bag can be placed out for collection without a tag, but any additional bags will require a bag tag.

Brought in as a response to the stay-at-home response to COVID-19 pandemic, the city since mid-March has permitted four untagged bags of garbage to be collected per week. 

“The four-bag limit was a temporary measure to help individuals and families that were self-isolating, and to provide relief to sick or symptomatic residents who were encouraged to throw any items in contact with their face into the garbage,” Heather Roberts, director of solid waste services, said in a statement.

Bag tags can be ordered online at the city’s website and delivered within seven business days.

Restrictions on the yard waste drop-off, in place since mid-April, are to be eased on July 6.

“The changes to the use of the yard waste site have been put in place to help address demand and safeguard the health of those who visit and work at the public drop-off depot,” Roberts said. “Starting July 6, residents will be able to drop off yard waste again Monday through Saturday and will no longer have to wait until it is their regular curbside collection day.”

Only eight vehicles can be in the drop-off area at one time so there may still be delays.

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