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Social media CEOs rebuff bias claims, vow to defend election – Pique Newsmagazine

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WASHINGTON — Under fire from President Donald Trump and his allies, the CEOs of Twitter, Facebook and Google rebuffed accusations of anti-conservative bias at a Senate hearing Wednesday and promised to aggressively defend their platforms from being used to sow chaos in next week’s election.

Lawmakers of both parties, eyeing the companies’ tremendous power to disseminate speech and ideas, are looking to challenge their long-enjoyed bedrock legal protections for online speech — the stated topic for the hearing but one that was quickly overtaken by questions related to the presidential campaign.

With worries over election security growing, senators on the Commerce Committee extracted promises from Twitter’s Jack Dorsey, Facebook’s Mark Zuckerberg and Google’s Sundar Pichai that their companies will be on guard against meddling by foreign actors or the incitement of violence around the election results.

Testifying via video, the executives said they are taking several steps, including partnerships with news organizations, to distribute accurate information about voting. Dorsey said Twitter was working closely with state election officials.

“We want to give people using the service as much information as possible,” he said.

Republicans, led by Trump, have accused the social media platforms, without evidence, of deliberately suppressing conservative, religious and anti-abortion views, and they say that behaviour has reached new heights in the contest between the president and Democratic nominee Joe Biden.

Sen. Roger Wicker, R-Miss., the committee’s chairman, said at the start of the hearing that the laws governing online speech must be updated because “the openness and freedom of the internet are under attack.”

Wicker cited the move this month by Facebook and Twitter to limit dissemination of an unverified political story from the conservative-leaning New York Post about Biden. The story, which was not confirmed by other publications, cited unverified emails from Biden’s son Hunter that were reportedly disclosed by Trump allies.

“Twitter’s conduct has by far been the most egregious,” Sen. Ted Cruz, R-Texas, told Dorsey. Cruz cited Twitter’s limitations on the newspaper story as part of “a pattern of censorship and silencing Americans with whom Twitter disagrees.”

“Who the hell elected you? And put you in charge of what the media are allowed to report?” Cruz asked.

Dorsey told Cruz that he does not believe that Twitter can influence elections because it’s only one source of information. He tried to steer senators away from conventional notions of political bias, noting that “much of the content people see today is determined by algorithms.” He endorsed a proposal from computer scientist Stephen Wolfram that would allow third parties to guide how artificial intelligence systems choose what postings people see.

GOP senators raised with the executives an array of allegations of other bias on the platforms regarding Iran, China and Holocaust denial.

There’s no evidence that the social media giants are biased against conservative news, posts or other material, or that they favour one side of political debate over another, researchers have found. But Republicans aren’t alone in raising concerns about the companies’ policies.

Democrats focused their criticism mainly on hate speech, misinformation and other content that can incite violence, keep people from voting or spread falsehoods about the coronavirus. They criticized the tech CEOs for failing to police content, blaming the platforms for playing a role in hate crimes and the rise of white nationalism in the U.S.

Amid the debate, the Trump administration has asked Congress to strip some of the protections that have generally shielded the tech companies from legal responsibility for what people post on their platforms. The proposals would make changes to a provision of a 1996 law that has been the foundation for unfettered speech on the internet. Critics in both parties say that immunity under Section 230 of the law enables the social media companies to abdicate their responsibility to impartially moderate content.

Trump chimed in Wednesday with a tweet exhorting, “Repeal Section 230!”

The CEOs argued that the liability shield has helped make the internet what it is today, though Zuckerberg said he believes that Congress “should update the law to make sure it’s working as intended.” Dorsey and Pichai urged caution in making any changes.

But the executives also rejected accusations of bias. “We approach our work without political bias, full stop,” Pichai said. “To do otherwise would be contrary to both our business interests and our mission.”

The companies in recent years have wrestled with how strongly to intervene with speech. They have often gone out of their way not to appear biased against conservative views — a posture that some say effectively tilts them toward those viewpoints. The effort has been especially strained for Facebook, which was caught off guard in 2016, when it was used as a conduit by Russian agents to spread misinformation benefiting Trump’s presidential campaign.

Wednesday’s session lacked the in-person drama of star-witness proceedings before the coronavirus outbreak. The hearing room was nearly empty except for Wicker and a few colleagues, as most senators took part remotely, but their questioning was sharp as tempers flared among members.

Sen. Brian Schatz, D-Hawaii, went after Republicans, saying the hearing was a “sham.” With their questions, Schatz said, the Republicans “are trying to bully the heads of private companies into making a hit job” on political leaders.

All three companies have scrambled to stem the tide of material that incites violence and spreads lies and baseless conspiracy theories. In their efforts to police misinformation about the election, Twitter and Facebook have imposed a misinformation label on some content from the president, who has about 80 million followers.

Trump has refused to publicly commit to accepting the results if he loses the presidential contest. He also has raised the baseless prospect of mass fraud in the vote-by-mail process. None of the five states that mail ballots to all voters has seen significant cases of fraud.

Starting Tuesday, Facebook isn’t accepting any new political advertising. Previously booked political ads will be able to run until the polls close Nov. 3, when all political advertising will temporarily be banned. Google, which owns YouTube, also is halting political ads after the polls close. Twitter banned all political ads last year.

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AP Technology Writers Matt O’Brien in Providence, Rhode Island, and Barbara Ortutay in Oakland, California, contributed to this report.

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Follow Gordon at https://twitter.com/mgordonap.

Marcy Gordon, The Associated Press








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Britney Spears calls recent documentaries about her ‘hypocritical’

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LOS ANGELES (Reuters) – Pop singer Britney Spears spoke out on Tuesday about recent documentaries about her life and career, calling them “hypocritical” because they rehash her personal problems while criticizing the media for reporting them the first time.

Walt Disney Co’s FX network and The New York Times released “Framing Britney Spears” in February. The documentary examined the singer’s meteoric rise to fame as a teenager, the ensuing media scrutiny and her widely publicized breakdown.And this month, the BBC released “The Battle for Britney: Fans, Cash and a Conservatorship” in Britain. It will debut in the United States and Canada starting May 11 via the BBC Select streaming service.

In an Instagram post, Spears did not name either documentary but said “so many documentaries about me this year with other people’s takes on my life.”

“These documentaries are so hypocritical … they criticize the media and then do the same thing,” she added.

In March, Spears said she cried for two weeks after watching part of “Framing Britney Spears”.

The BBC said in a statement on Tuesday that its documentary “explores the complexities surrounding conservatorship with care and sensitivity.”

“It does not take sides and features a wide range of contributors,” the statement added.

A New York Times spokesperson declined to comment.

Spears, who shot to fame in 1998 with the hit “Baby One More Time,” is in a court battle seeking to replace her father as her conservator. He was appointed to the role in 2008 after she was hospitalized for psychiatric treatment.

Her fans have shown their support on social media under the hashtags #We’reSorryBritney and #FreeBritney. Spears is scheduled to speak to a Los Angeles court in June.

In her Instagram post, which included a video of herself dancing, Spears said that “although I’ve had some pretty tough times in my life … I’ve had waaaayyyy more amazing times in my life and unfortunately my friends … I think the world is more interested in the negative.”

(Reporting by Lisa Richwine; Editing by David Gregorio)

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Grammy organizers change rules after allegations of corruption

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LOS ANGELES (Reuters) – The organizers of music’s Grammy Awards on Friday announced an end to the so-called “secret” committees that have led to allegations that the highest honors in the industry are open to rigging.

The Recording Academy said that nominations for the next Grammy Awards in January 2022 will be selected by all of its more than 11,000 voting members, instead of by committees of 15-30 industry experts whose names were not revealed.

The Academy was slammed last year when Canadian artist The Weeknd got zero Grammy nominations, even though his critically acclaimed album “After Hours” was one of the biggest sellers of 2020.

The Weeknd, in a Twitter post last November, said “The Grammys remain corrupt. You owe me, my fans and the industry transparency.”

The Recording Academy said in a statement on Friday that the changes were significant and were made “to ensure that the Grammy Awards rules and guidelines are transparent and equitable.”

Allegations that the Grammy nominations process is tainted were made in a legal complaint filed in early 2019 by the former chief executive of the Recording Academy, Deborah Dugan.

At the time, the Academy dismissed as “categorically false, misleading and wrong” Dugan’s claims that its members pushed artists they have relationships with. Dugan was later fired.

American pop star Halsey, also shut out of the 2021 Grammys, last year called the nominations process “elusive” and said she was “hoping for more transparency or reform.”

Former One Direction singer Zayn Malik called in March for an end to “secret committees.”

“I’m keeping the pressure on & fighting for transparency & inclusion. We need to make sure we are honoring and celebrating ‘creative excellence’ of ALL,” Malik tweeted hours ahead of the 2021 Grammy Awards ceremony.

The Recording Academy on Friday also said it was adding two new Grammy categories – for best global music performance, and best Latin urban music album – bringing to 86 the total number of Grammy Awards each year.

 

(Reporting by Jill Serjeant; Editing by David Gregorio)

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Movie theaters face uncertain future

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By Lisa Richwine

LOS ANGELES (Reuters) – Maryo Mogannam snuck into the Empire theater in San Francisco with his older cousins to watch “Animal House” when he was 14. He watched most of the James Bond movies at the historic art house and took his wife there on some of their first dates.

The cinema, which had been showing movies since the silent film era, served notice in February that it was permanently closing because of the impact of COVID-19. The marquee is now blank, and cardboard and paper cover the box office window.

“It’s kind of like losing a friend,” said Mogannam, now 57, who owns a retail shipping outlet near the theater, which had been renamed the CineArts at the Empire.

As vaccinated Americans emerge from their homes, they also may find their neighborhood theater is not there to greet them.

An eight-cinema chain in New England said it will not reopen. The same fate hit a Houston art house beloved by director Richard Linklater and, in a shock to Hollywood, more than 300 screens run by Los Angeles-based Pacific Theatres. That includes the Cinerama Dome, a landmark that hosted several red-carpet movie premieres.

Following a year of closures, theaters face deferred rent bills plus media companies’ focus on drawing customers to streaming services. Up to one-fourth of the roughly 40,000 screens in the United States could disappear in the next few years, Wedbush Securities analyst Michael Pachter said.

The National Association of Theatre Owners rejects that estimate, spokesman Patrick Corcoran said, noting that similar dire warnings accompanying the advent of television and the switch to digital screens never came to pass.

Hollywood filmmakers want cinemas to thrive.

“It’s the only place where the art dominates,” said “Avatar” director James Cameron. “When you watch something on streaming, the other people in the room with you are welcome to interject, to pause to go to the bathroom, to text.”

At theaters, “we literally make a pact with ourselves to go and spend two to three hours in a focused enjoyment of the art.”

“For 300 people to laugh and cry at the same time, strangers, not just your family in your house, that’s a very powerful thing,” said Chloe Zhao, Oscar-nominated director of best picture nominee “Nomadland.”

At the Academy Awards on Sunday, the movie industry will “make a case for why cinema matters,” producer Stacey Sher said. While acknowledging the hardship of the pandemic, “we also have to fight for cinema and our love of it and the way it has gotten us through things,” she said.

About 58% of theaters have reopened in the United States and Canada, most restricted to 50% capacity or less. The biggest operators – AMC, Cinemark and Cineworld – make up roughly half the overall market.

Industry leaders project optimism, forecasting a big rebound after restrictions ease and studios unleash new blockbusters.

Coming attractions include a new Bond adventure, the ninth “Fast & Furious” film, a “Top Gun” sequel and several Marvel superhero movies.

“Avatar 2,” Cameron’s follow-up to the highest-grossing film of all time, is set to debut in December 2022. Some box office analysts predict 2022 ticket sales will hit a record.

Supporters point to late March release “Godzilla vs. Kong,” which brought in roughly $48.5 million at U.S. and Canadian box offices over its first five days, even though audiences could stream it on HBO Max.

“That was a big win for the entire industry,” said Rich Daughtridge, president and chief executive of Warehouse Cinemas in Frederick, Maryland.

But near- and long-term challenges loom, particularly for smaller cinemas.

Theaters are negotiating with landlords over back rent. A federal aid program was delayed due to technical problems.

Plus, media companies are bringing movies to homes sooner. Executives say streaming is their priority, pouring billions into programming made to watch in living rooms as they compete with Netflix Inc.

Most at risk are theaters with one or two screens, Wedbush Securities’ Pachter said. He said his best guess is between 5,000 and 10,000 screens could go permanently dark in coming years.

“I think we’ll see a gradual decline in the number of screens,” Pachter said, “just like we’ve seen a gradual decline in the number of mom-and-pop grocery stores and bookstores.”

 

(Reporting by Lisa Richwine; Additional reporting by Rollo Ross in Los Angeles, Alicia Powell in New York and Nathan Frandino in San Francisco; Editing by Jonathan Oatis)

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