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Social Media Restrictions Cannot Keep Up with Hidden Codes and Symbols – Scientific American

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Governments and social media platforms may try to restrict speech, but people still find crafty ways to communicate their ideas. Credit: Getty Images
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On the same day that President Donald Trump announced his COVID-19 diagnosis, Twitter reminded users of its policy that “tweets that wish or hope for death, serious bodily harm or fatal disease against *anyone* are not allowed and will need to be removed.” The social media platform soon filled with posts accusing it of hypocrisy: threats targeting women and people of color have accumulated for years without removal, users said. But even as Twitter attempted to enforce its rules more stringently, thinly veiled posts slipped through the cracks.

By referencing schadenfreude, karma or the old adage “you reap what you sow” in reference to Trump’s illness, many Twitter users avoided explicitly violating the site’s abuse policy while leaving no doubt as to their intended sentiment. Scholars who study social media discourse say this incident reflects a broader phenomenon: Whenever online authorities (whether social media platforms or governments) attempt to restrict speech on the Internet, people will find creative ways to subvert the rules. These strategies can be used to spread abuse—or to preserve freedom of expression.

China’s government, for instance, prohibits social media posts referencing June 4, the anniversary of the 1989 Tiananmen Square crackdown that killed an unknown number of Chinese pro-democracy protesters and their sympathizers. In the early days of Chinese microblogging platform Sina Weibo, users sidestepped the ban by referring to “May 35” instead. “But eventually [the censors] caught up with that, and they banned that, too,” says Susan Herring, a linguist at Indiana University Bloomington who studies technology-mediated communication. “It’s a race to try to fool the censors…. The people are constantly coming up with creative new symbols.”

A woman wears a helmet adorned with an image of Pepe the frog that she hand-painted and a Trump/Pence sticker at a rally organized by the right-wing group Patriot Prayer in Vancouver, Washington, U.S. September 10, 2017. Credit: Sylvia Buchholz, Elijah Nouvelage Alamy

The use of symbolism to avoid censorship is as old as language itself. In the antebellum U.S., Harriet Tubman communicated with fugitives escaping slavery by singing songs with hidden meanings that their pursuers would not understand. When homosexuality was illegal in the 20th-century U.K., members of the gay subculture used a secret slang called Polari. Herring says the cycle of code making and code breaking “is a major driver of language change.” In French, for instance, slang words known as verlan are created by transposing the syllables of an existing word. Because many verlan terms originated as a secret code to discuss illicit behavior, the process was often repeated when a new form became too recognizable. In this way, femme (the standard word for “woman”) gave rise to meuf, which in turn became feumeu. Analogously, online coded symbols evolve as their previously secret meanings become well-known.

On the Internet, such symbols can manifest as words or visual motifs, including emoji, memes or other images. The specific form of a symbol ultimately matters less than the idea it represents, says Ryan Milner, who studies Internet culture at the College of Charleston. But he notes that visual symbols have proved particularly effective at evading censorship, thanks to their inherent ambiguity. And their power to spread rapidly online derives from their ability to establish an in-group and out-group. “As they get more esoteric, as they get more inside jokey, then there’s more and more of a signal that ‘if you get this, if you’re part of the joke—then you are one of us,’” Milner says, “and ‘if you don’t get it…, then you’re not one of us.”

Pepe the Frog exemplifies the capacity of memes to both foment hate and defy oppression. The meme began life as an innocent cartoon amphibian, but as it grew in popularity, users of the online message boards 4chan, 8chan and Reddit began making anti-Semitic and racist versions of it. By 2016 Pepe the Frog had gained such widespread use among white supremacists in the U.S. that the Anti-Defamation League declared it a hate symbol. In 2019, however, pro-democracy protestors in Hong Kong—mostly unaware of Pepe’s associations with white supremacy—adopted the image to symbolize their movement. In both cases the meme’s coded meaning allowed it to spread uncensored, eventually garnering widespread recognition that elevated the public profile of the groups using it.

For many visual symbols, “there is this consistent push-pull” between recognizability and secrecy, Milner says. For groups aiming to persuade, “publicity is going to be good,” he adds. But for those seeking a clandestine “knowing wink,” too much attention can undercut a symbol’s effectiveness.

A protestor in Hong Kong waves a Pepe the frog flag. Credit: Miguel Candela Getty Images

The latter fate befell the “grass mud horse,” a fictional alpacalike creature whose name in Mandarin is a pun for an obscene and insulting phrase that sounds similar if the spoken tones are minimally altered. The grass mud horse originated in 2009 as an icon of resistance to China’s Internet censorship. At first people using it had plausible deniability—they could claim they were merely sharing a funny picture of an animal, says Sulafa Zidani, a global media studies scholar at the University of Southern California. But as the meme’s popularity exploded, its underlying meaning became common knowledge, thus diluting its power. In 2014 digital media scholar An Xiao Mina noted that the grass mud horse had been included among Sina Weibo’s official emoji—effectively transforming it from a symbol of subversion to a general-purpose obscenity.

In the U.S., 2020 has seen many “ideological contestations” over the meanings of coded symbols and phrases, Milner says. The extremist antigovernment “boogaloo” movement hijacked Hawaiian shirts. Followers of the QAnon conspiracy theory co-opted the phrase “save the children” from a legitimate antitrafficking campaign. The ambiguity of these symbols “absolutely” helps such groups evade censorship on social media, says Howard Graves, a senior research analyst at the Southern Poverty Law Center. Graves emphasizes that “context is crucial” when interpreting a symbol. For instance, in June fans of South Korean pop music flooded the hashtag #WhiteLivesMatter with memes and videos of K-pop stars to drown out racist posts using it. In October they repeated the tactic with the #ArmyForTrump.

Although coded language and symbols are nothing new, social media has transformed their impact on culture. “The ability to make a coordinated attempt … to claim a symbol as your own is something that you can do in a wide-scale way because of social media tools,” Milner says.

And whether or not those symbols incite violence or protest injustice, Zidani says, “we as individuals have a lot of power to amplify certain messages—and not amplify other messages.”


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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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