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Social media's decision to dump Trump too little, too late: U of T's Megan Boler – News@UofT

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U.S. President Donald Trump no longer has access to the massive social media following that was a feature of his presidency after Twitter, Facebook, Google, Apple and Amazon all took actions to halt or limit his use of their platforms in the wake of last week’s violence on Capitol Hill.

Twitter and Facebook both locked Trump’s accounts, while Apple, Google and Amazon removed the app Parler – favoured by Trump’s supporters and the far right – from their web hosting services.

The moves came after a violent pro-Trump mob stormed the U.S. Capitol as lawmakers worked to count electoral votes from the presidential election, won by President-elect Joe Biden. Five people died.

U of T News spoke with Megan Boler, a professor in the department of social education at the Ontario Institute for Studies in Education (OISE), about how Trump’s presidency has impacted the social media landscape, why social media companies have chosen to act against him now and what the future holds for him and his supporters in the online world.


How vital has social media been to the Trump presidency?

It’s so important to recognize that it was an absolute historical precedent having a president who had a direct, unmediated line of communication to his base in this way.

In the past, we would have had a president holding press correspondent meetings and that would give journalists and editors an opportunity to ask questions and perhaps to mediate some of the lies, but he was essentially able to produce – as everyone has spoken about – “alternative facts,” or an alternative reality with his base, culminating in this last, most damaging lie regarding the allegation that the election had been stolen.

It was absolutely vital to his presidency and part of what was necessary for him to begin to systematically erode the foundations of democracy – both in terms of setting new precedents for how he spoke to his base to his attacks and erosion of trust in the fourth estate and in journalism. So I can’t emphasize strongly enough how vital social media has been.

There have been calls for social media companies to ban Trump’s accounts for some time. Why have they taken this step now?

Most obviously because if they had not, they would have looked so bad and it would’ve hurt their reputation. They simply had to or their integrity would’ve been in question, although for many, it already is and was in question for the past four years – particularly, one could say, since Charlottesville, Va. Because one can argue – and I think one of the most dangerous arguments we’re seeing – is that hate speech equals free speech. And that is something that we have to educate all quarters of the public about.

As long as things remain solely online and solely expressions and text, everybody can say “This is a matter of free speech.” But in the instance of Charlottesville, and in the instance of what we saw happen last week, it was an occasion in which the violence poured over from online to offline, and that was what was particularly disturbing.

People are debating what it was that we witnessed at the Capitol and whether it was actually a coup attempt. I don’t understand how people can even question whether it was, but people seem to question what kind of violence that was – if it was just a mob gone crazy or a one-off.

In any event, it was violence that moved from online into the real world, and that’s part of what pushed this over the edge and forced the social media companies to make this decision.

In making that decision, have companies such as Facebook and Twitter set a precedent by taking responsibility for content published on their platforms?

We’ve seen such a rollercoaster over the past four years in terms of Facebook in particular having been called to the stand to face censure and legislative challenges as to why they are not taking action. So Facebook’s record in terms of not taking any responsibility for what they have fomented is just shocking.

There are occasions – such as when Facebook took InfoWars off [the platform]. So, there are moments here and there where they decide something has gone far enough.

But I think we’re all on the edge of our seats waiting to see what the next move is going to be.

What does the future hold for Trump and his supporters on social media, now that he’s no longer on Twitter and Facebook?

The thing that’s most disturbing is that lots of other stand-ins are doing Trump’s work for him. The far right is extremely well-orchestrated. I suppose in many ways, Trump has clearly been the newly born Christ-figure and saviour of this movement, but I think he has mobilized a movement and there are plenty of other leaders in the wings who can take up that slack. So it doesn’t really matter whether he has a Twitter account or not.

What are they going to do about Josh Hawley, Ted Cruz and other names like Jack Posobiec and Candace Owens? There are plenty of other people who are fomenting the far right and keeping this movement alive and radicalizing new members.

This also touches on something I think is so crucial: In 2017, the scholar and journalist Whitney Philips wrote a study called The Oxygen of Amplification in which she outlined the ways in which journalism has to be so careful about how it reports on this. I have been so disturbed by the repetition of those images that we saw at the Capitol. That is doing the publicity for the far-right and for white supremacists. Those images have emboldened people. That is success for them.

I really hope that, in addition to social media companies taking responsibility for censoring people, we will also take stock of the fact that we have to be very careful with how we report on this.

Could there be a broader fallout for social media companies?

There was a movement after the Cambridge Analytica scandal where there was a big cry to get off Facebook – and many did. In particular, it was not just to get off social media, but specifically to get off Facebook and use different kinds of social platforms. So we may see that.

Right now, the focus isn’t on what the broader public will do but what’s going to happen to the far right. It’s really great that you’re asking that question because it is a moment where we all have to say: “What are the social implications of social media?” We clearly have not taken them seriously enough.

Many would say the genie is out of the bottle, the Pandora’s box has been opened and there is no going back – and I think, in many ways, that is true. So now we’re faced with really difficult questions of legislation, policy and reform – and it’s going to be a long, uphill battle.

What are the lessons to be learned from the social media landscape of Trump’s presidency?

I really fear that it’s too late, but I think some directions are important to think about.

First, we should think about what it would mean to reinvigorate local news because that has just devastated the news media landscape. Local news is essentially happening through these social media platforms. So, thinking about whether there could be greater funding for publicly funded media. That would create shared media that’s responsible for certain kinds of standards. That might be a model to think about. So, really encouraging people to unplug from social media.

The other key aspect of this is demanding there be policies that social media monopolies abide by, and that there be limits on the monopolies. We know that major lawsuits have begun against Facebook and there are hopes that maybe that will have an effect.

As well, thinking about how we’re going to deal with the rise of white supremacy and this kind of fascism is really, really critical. What I mentioned about ensuring that we begin to educate the public about why hate speech is not free speech is really crucial. In my mind, that’s the first and foremost thing because any move that is made right now to limit these other accounts of the far-right is going to be seen as censorship.

So, we need to have really critical public education about what constitutes hate speech and what constitutes free speech – perhaps particularly in Canada because the U.S. does have more of a history of legal debate about this, and I think it’s important for Canada to rethink its legislation around hate speech policy.

How have traditional news media been affected by Trump’s use of social media?

One thing I find really interesting is that Trump has made so much money for media and for the news. He has kept the news alive for four years. So, there’s an interesting tension in the news industry – on the one hand, we can have a great deal of sympathy that the news industry, in light of the internet, has been losing so much revenue and that they have to do what they have to do to stay alive.

That said, after 2016 it was very clear that the news had been responsible for giving Trump an incredible amount of free advertising and publicity – far more than they’d given Hillary Clinton – and that’s because Trump filled news. We have some sort of phenomenal, insane fascination around the world with Trump.

There are real, moral questions about the news having reported on Trump’s Twitter feed because so often those posts were lies and yet the news would repeat them. As we know, that’s highly problematic. The repetition of a lie makes it seem true – and even if you do counter it, it never really succeeds in correcting information.

I’ve noticed that in the absence of Trump having Twitter, there’s still just as much conversation – we’re still talking about it – and I’m so curious to see the extent to which we will continue talking about Trump even when he’s not president. I predict he will still be on the front pages of most of our news sites.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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