'Sonder' Showcases Local Art in An Accessible Way - Daily Utah Chronicle | Canada News Media
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'Sonder' Showcases Local Art in An Accessible Way – Daily Utah Chronicle

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It was a cold night when I walked past bright multicolor lights and empty tables with open flame fireplaces. Somewhere amid all of this, tucked away in Salt Lake City’s Gateway, is the Urban Arts Gallery. Unsuspecting on the outside, it looks like a tiny place. A walk through the doors proved me wrong. I was going there to see “Sonder,” an exhibition guest-curated by Salt Lake City artist and photographer Essie Shaw. I left with an understanding of how to better support local art and artists.

Diverse and Vulnerable

“Sonder, noun.” — the realization that each random passerby is living a life as vivid and complex as your own. The pieces in the exhibition highlighted each artist’s unique individuality, but also forced the viewer to consider the lives of others that are always occurring alongside our own individual, subjective experience. 

Each artist’s depiction of the word sonder was different, which manifested itself in the use of vastly different materials and subject matters in each artwork. Emma Goldgar’s “Sonder I” and “Sonder II” paintings portrayed an in-focus, single observer watching numerous ghastly figures. These figures, a stand-in for the collective, had blurred edges and undefined features. Goldgar’s approach revealed how we are often the center of our own universe, while others appear to be less definite than ourselves.

Cat Palmer’s pieces took a mixed media approach, blending words and vintage photographs on small canvases. The vintage photos connected the contemporary work of art to the pasts of other people, making them a kind of collective experience.

Melissa “Rino” Alvarez’s series of realistic black-and-white portraits focused on the detail and unique expression contained in a single person’s face. The spotlight they placed on the individual reflected a commitment and care toward seeing individuals as they are.

Individual and Collective Experience

The experience of sonder is one we should all have more often. It’s a reminder of how diverse every single one of us are, but also of how we are joined together by our shared complexity. Each one of us have full lives — influenced by sociocultural circumstance and personal struggle — and that experience connects us. 

Art spaces are one way to effect this sonder, to break the belief in a singular, all-knowing point of view from which to understand the world and make art. Urban Arts Gallery is doing its part in keeping sonder alive by showcasing the work of these diverse and incredibly talented local artists in a way that’s accessible to the public. That’s why art spaces like these must be supported, cultivated and protected, in whatever way they can. 

Local artists have the opportunity to showcase their art at Urban Arts Gallery through “Connect,” a free and regular pop-up art exhibit for visual artists. If you’re interested — you know who you are — take the leap and visit the Urban Arts Gallery website for more information on artist opportunities.

“Sonder” is on exhibit at the Urban Arts Gallery through Jan. 30. Admission is free of charge and open to the public. The Gallery’s upcoming exhibition, “The Beat of Our Blood,” will display in February 2022.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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