South River’s Annual SOUNDplay Festival will feature internationally acclaimed and innovative media art as it celebrates its 20th anniversary.
It’s an experimental platform for encouraging new avenues of exploration between sound and new media says a news release.
“NAISA’s programming theme of Digital in Nature is explored and expanded upon by the artists in this year’s SOUNDplay Festival with works that examine relations between human and non-human worlds, perceived and invented reality, as well as human-made and organic phenomena,” says Darren Copeland, Artistic Director.
“Like last year, all of the works presented this year include an online element in one form or another, allowing for audiences to attend from wherever they happen to be.”
Featured this year is programming on this year’s theme Digital in Nature with an in-person exhibition by Julia White, as well as online screenings, performances and artist talks with Laurel MacDonald, Phil Strong, Véro Marengère, Tansy Xiao and Ben Donoghue.
WATER Shadows Exhibition by Julia White opens SOUNDplay Festival Sept 26th. It’s an in-person exhibition at the NAISA North Media Arts Centre of sound sculptures by Julia White that celebrates water. White refers to the audience experience of her exhibitions, “as a ‘water temple’ complex of steel sculptures wrapped in discarded bicycle inner tubes that one moves through, while a unique sound mix is made blending water-recordings.”
Visitors to the exhibition are invited to participate in WATER Shadows by recording a personal celebration of water that will be shared online as audio in the Web Water Portal.
Starting October 7 on NAISAtube, you can explore a new collection of videos from past NAISA performances from different periods of NAISA’s 20-year history. A highlight among these is Laurel MacDonald’s and Phil Strong’s impassioned Videovoce performance from 2012, which is also featured on a November 6th online screening along with a new livestream performance by MacDonald called I Eat the Stars, inspired by poems by Rebecca Elson.
The $10 admission fee is optional.
On November 20 a screening of new media artworks by Tansy Xiao from New York and Véro Marengère from Montréal explores relationships between humans and nature. Tansy Xiao’s Bone and Air is inspired by juxtaposing sounds of bone conduction within the human body and air conduction, receiving sounds via the ears.
The video also invites audience members to add vocal sounds conducted by specific images in the video. Roserade by Véro Marengère is a videomusic work that in Marengère’s words, “is sometimes frenetic and sometimes contemplative, and it proposes a world that deforms without ever completely destroying or building itself.”
From December 6 to 20th, SOUNDplay audiences will have exclusive access to a special online adaptation of the 16mm feature-length film from 2017 by Ben Donoghue called Pierre Radisson: Fjord and Gulf.
The slow observational style of Donoghue’s film places the viewer inside the daily activity and environment of a Canadian Coast Guard Icebreaker, providing a window into the invisible labour underpinning the Canadian economy. As Donoghue describes it, “the film brings the deep winter landscapes of coastal Quebec into dialogue with the intensive industrial activity of ore shipments from the mines of the Saguenay – Lac Saint-Jean. The film embraces context, giving duration and breath to the images and sounds of the journey.”
New Adventures in Sound Art is a non-profit sound art organization in South River that is funded in part by the Canada Council for the Arts, the Ontario Arts Council and the Department of Canadian Heritage.
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London (CNN Business)German media group Axel Springer said on Monday that it has fired the editor-in-chief of the Bild newspaper, Julian Reichelt, for failing “to maintain a clear boundary between private and professional matters” and being “untruthful to the executive board.”
‘Eternals’ movie, boasting a diverse cast and Marvel’s first deaf role, premieres
Actors Angelina Jolie and Salma Hayek brought Hollywood glamor to the world premiere of Marvel Studios’ latest comic book adapation, “Eternals”, on Monday.
Directed by Chloe Zhao, who won best director and best picture for the film “Nomadland ” at the Oscars earlier this year, “Eternals” boasts one of the most diverse casts of any Marvel movie.
“I hope it just starts to normalize what should have been there in the first place,” Jolie told Reuters. “I hope people watch these films in years to come and we don’t even think about it as being diverse, it just becomes what’s normal and what’s right, and what’s appropriate representation of the world we live in.”
Gemma Chan plays the lead role of Sersi, one of the Eternals, a group of aliens who have lived on Earth and secretly guided humanity for 7,000 years.
“It’s got a different tone, visually it’s going to be quite different,” said Chan. “Obviously the cast is huge and it spans 7,000 years so it’s really an epic story. One of the themes of the film is connection, connection to one another, connection to earth. I hope that resonates with people in some way.”
“Eternals” also features the Marvel Cinematic Universe’s first deaf character in Lauren Ridloff’s Makkari.
“I might be the first but I won’t be the only one for much longer,” signed Ridloff in American Sign Language. “There’s another deaf superhero coming into the MCU very soon so this is definitely a game-changer.”
Delayed a year due to the pandemic, “Eternals” will finally hit cinemas on Nov. 5.
(Reporting by Rollo Ross; Editing by Karishma Singh)
Spotify to hire hundreds to drive ad sales in Europe, Australia, Canada
Spotify is planning to hire hundreds of staff to boost its advertising sales in Europe and elsewhere, as the music streaming service looks to increase revenue from customers who don’t pay a monthly fee but make up the bulk of its user base.
“We are increasing our ads business marketing workforce by over 70% in Europe, Australia and Canada … and that’s off a pretty sizable base,” Lee Brown, Spotify’s head of advertising business, said in an interview.
“We’re investing in our advertising business. As far as long-term strategy, I think gone are the days of advertising being less than 10% of our overall revenue.”
Spotify has also hired an ad industry executive with 25 years of international experience to lead international sales, Brown said, though he did not give a name.
The company, which earns income from paid subscriptions and by disseminating ads to non-paying users, saw its advertising business return to growth this year after being hit by the pandemic.
Of its 365 million monthly active users, 210 million are ad-supported, bringing in about 12% of its total revenue.
“An ad not only creates revenue for the firm, but it also lowers costs, as it leads to fewer songs being played and, in turn, modestly lower royalties to be paid,” Morningstar Analysts said.
A surge in podcast content – Spotify carried 2.9 million podcasts as of the second quarter, up nearly 12% from the previous three months – has helped boost ad revenue, as podcasts pull in more users and, being longer, allow more time for ads.
The company is looking to add more tools for advertisers, and will make its podcast advertising and publishing platform Megaphone available in Germany, France, Spain and Italy.
Megaphone, bought by Spotify last year, offers tools for podcasters to create ads for their own programmes, for which they receive income, and to measure their reach. It currently hosts about a third of the top 200 shows on Spotify and Apple.
Spotify has been spending hundreds of millions to beef up its podcast business. Its competition with Apple has intensified after both launched paid subscription platforms for podcasters earlier this year.
The Swedish company is expected https://www.emarketer.com/content/spotify-pandora-lead-us-audio-listeners to overtake Apple in podcast listeners for the first time this year, according to research firm eMarketer.
(Reporting by Supantha Mukherjee, European Technology & Telecoms Correspondent; Editing by Jan Harvey)
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