adplus-dvertising
Connect with us

Science

SpaceX on the verge of sending astronauts into orbit – Financial Times

Published

 on


If Elon Musk’s SpaceX succeeds in sending two astronauts into orbit for the first time this week, it will do more than just boost the bragging rights of one of the world’s best-known billionaires.

As the first human test flight on a commercial rocket to reach the International Space Station, it will also signal a breakthrough for the private space industry as a whole, and an important moment in the opening up of low earth orbit to the commercial sector.

The first manned test for the Crew Dragon capsule, carrying two Nasa astronauts on top of one of SpaceX’s Falcon 9 rockets, is scheduled to lift off from the Kennedy Space Center in Florida on Wednesday morning.

300x250x1

If the flight to the ISS is successful, Nasa is expected to buy four seats on a follow-up flight later this year, the first time its astronauts will have become paying passengers on a commercially owned and operated space vehicle.

This week’s launch marks the moment when the private sector starts to lift humans off the face of the planet “reliably and cheaply”, said Peter Diamandis, founder of the X Prize, the competition which led to the first private manned flight to the edge of space 16 years ago. “It’s the first, fully commercially built, entrepreneurial capability,” he said. “What Elon Musk has done is nothing short of extraordinary, outpacing the US government-backed industries, Russia and China.”

Many of the technologies that SpaceX is relying on were pioneered by government space programmes over the past 60 years, meaning that the company is “standing on the shoulders of giants”, said Greg Autry, a former White House liaison to Nasa and an expert on the private space sector.

He compared the commercialisation of human space flight with the moment when the internet, which was created by the US Defense department, was handed over to the private sector. That makes the test flight a “tipping point we’ve been waiting for in the commercial space industry for a number of years”, he said.

Nasa, which commissioned both SpaceX and Boeing seven years ago to build human launch systems, is counting on commercial incentives and market competition to drive down the price of getting into space. It has estimated that the $400m SpaceX spent to develop its Falcon 9 rocket, which has become the workhorse for lifting cargo to the ISS, was only a tenth what it would have cost Nasa itself to build a similar rocket.

Since the Space Shuttle was retired in 2011 and the US was forced to buy seats on Russian rockets to propel its astronauts to the ISS, the cost of getting into space has risen sharply. Dennis Tito, the first space tourist, paid $20m in 2001 for a ride to the ISS on a Russian rocket. The price of a seat has now ballooned to more than $90m.

A competitive commercial market could quickly push that price back below $50m, said Mr Autry. Boeing’s rival space capsule suffered a setback earlier this year because of software glitches but is expected to make its first manned test launch next year. Other companies, including Jeff Bezos’s Blue Origin and Sierra Nevada, a Californian company that has built a space vehicle with wings, also hope to cash in.

As competition increases and the process for mounting human flights becomes more streamlined, the price for a trip into orbit could fall below $10m over the next decade, Mr Autry predicted.

All of this remains theoretical, however, until private companies prove they can launch humans into orbit safely, and return them to earth. The thought of entrusting astronauts to a fully commercial rocket company was jarring for many in the US space programme when it was first proposed in 2011, said Janet Kavandi, a former Nasa astronaut and now an executive at Sierra Nevada.

Nasa worked hard to make sure companies such as SpaceX are ready, she added. That meant doing everything from sharing the data from its Columbia shuttle disaster to teaching them everything it had learnt about crew survivability, down to the way seats are attached to the craft. By opting for a capsule, rather than a winged craft such as the Space Shuttle, SpaceX has also reduced the complexity of its launches.

Technical illustration showing some of the details of spaceX's Crew Dragon capsule and Falcon 9 launcher

Many in the private space industry believe demand is pent up to support the new human launch companies in their early years, though few are prepared to guess at the ultimate size of the market.

Countries that have space programmes but don’t have their own launch systems are already waiting to buy seats on private rockets, said Laura Forczyk at Astralytical, a US space consultancy. A boom in space tourism is likely to follow, she added, particularly if prices fall as fast as some expect.

Nasa, which objected to Mr Tito’s private flight nearly two decades ago, has since become a strong backer of space tourism as a way to share some of its own costs and shift more of its budget to reach the moon and, eventually, Mars. Last year it went as far as to publish a detailed price list for use of its facilities on the ISS, including $11,250 a day for private astronauts to access the station’s life support system and toilet.

The next step in commercialising space will need more accommodation for private astronauts, particularly since the ISS is due to be retired sometime this decade. The first private company to launch a module designed to attach to the ISS, Axiom, hopes to launch in 2024, on the way to a fully freestanding space station. The full potential of low earth orbit also depends on the private sector seizing on the chance to carry out materials research and manufacturing in zero-gravity — an idea that has barely been tested.

For Mr Musk, meanwhile, the first private trip some 250 miles up to the ISS is only a small step to a far more ambitious goal. Turning humanity into an interplanetary species is still his overriding ambition in life, said Mr Diamandis. “It means that we now have an entrepreneurial company that will also get us to the moon, and eventually to Mars,” he said.

Let’s block ads! (Why?)

728x90x4

Source link

Continue Reading

Science

NASA hears from Voyager 1, the most distant spacecraft from Earth, after months of quiet

Published

 on

 

CAPE CANAVERAL, Fla. (AP) – NASA has finally heard back from Voyager 1 again in a way that makes sense.

The most distant spacecraft from Earth stopped sending back understandable data last November. Flight controllers traced the blank communication to a bad computer chip and rearranged the spacecraft’s coding to work around the trouble.

NASA’s Jet Propulsion Laboratory in Southern California declared success after receiving good engineering updates late last week. The team is still working to restore transmission of the science data.

300x250x1

It takes 22 1/2 hours to send a signal to Voyager 1, more than 15 billion miles (24 billion kilometers) away in interstellar space. The signal travel time is double that for a round trip.

Contact was never lost, rather it was like making a phone call where you can’t hear the person on the other end, a JPL spokeswoman said Tuesday.

Launched in 1977 to study Jupiter and Saturn, Voyager 1 has been exploring interstellar space – the space between star systems – since 2012. Its twin, Voyager 2, is 12.6 billion miles (20 billion kilometers) away and still working fine.

 

728x90x4

Source link

Continue Reading

Science

SpaceX launches 23 Starlink satellites from Florida (photos)

Published

 on

SpaceX sent yet another batch of its Starlink internet satellites skyward today (April 23).

A Falcon 9 rocket topped with 23 Starlink spacecraft lifted off from Florida’s Cape Canaveral Space Force Station today at 6:17 p.m. EDT (2217 GMT).

The Falcon 9’s first stage came back to Earth for a vertical landing about 8.5 minutes after launch as planned. It touched down on the SpaceX droneship Just Read the Instructions, which was stationed in the Atlantic Ocean.

It was the ninth launch and landing for this particular booster, according to a SpaceX mission description. Five of its previous eight liftoffs were Starlink missions.

300x250x1

The Falcon 9’s upper stage will continue carrying the 23 Starlink satellites toward low Earth orbit (LEO) today, deploying them about 65 minutes after liftoff.

This evening’s launch was the 41st of the year for SpaceX, and the 28th of 2024 dedicated to building out the huge and ever-growing Starlink megaconstellation. There are nearly 5,800 operational Starlink satellites in LEO at the moment, according to astrophysicist and satellite tracker Jonathan McDowell.

The Starlink launch ended up being the first half of a spaceflight doubleheader: A Rocket Lab Electron vehicle launched two satellites, including a NASA solar-sailing technology demonstrator, from New Zealand today at 6:33 p.m. EDT (2233 GMT).

Editor’s note: This story was updated at 6:30 p.m. ET on April 23 with news of successful launch and first-stage landing.

 

728x90x4

Source link

Continue Reading

Science

Exploring ecological networks in a digital world | News | Vancouver Island University | Canada – Vancouver Island University News

Published

 on


Getting to know Samantha Letourneau

By day, Samantha Letourneau is Vancouver Island University’s Canada Learning Bond project lead and Volunteer Tutor Coordinator. She’s also a musician and dancer and for the past two years, she’s been collaborating with Swedish artist Mårten Spångberg, thanks to funding obtained through Crimson Coast Dance, to create a digital art installation that goes live on Friday, April 26. A launch event takes place at Black Rabbit restaurant in the Old City Quarter that night. Samantha is also hosting a creative process workshop on April 27 and 28.

Can you share a bit about your background as an artist and how you got into it?

I have been working in art for a very long time, as a musician and dancer as well as an art administrator and program coordinator. I started music at the age of 11 and dance came later in my life in my early 20s. I always wanted to do dance, but I grew up in a small community in Yellowknife and at that time the only dance classes available were highland dancing, which I was not very interested in. 

In my early 20s while living in Vancouver, I took classes in contemporary dance and was fortunate to land a small part in the Karen Jameison Dance company for a piece called The River. The River was about rivers and connection between the reality of a real and physical outdoor river and the different reality of “the river within.” It was both a piece of art and outreach for the community. It included working with the S’pak’wus Slu’lum Dancers of the Squamish Nation. Somewhat ground-breaking for 1998.

300x250x1

From there I was hooked and wanted to do more in dance. I studied a lot and took many classes. Fast forward to now, I have been involved with productions and performances with Crimson Coast Dance for more than 15 years and greatly appreciate the talent and innovation that Artistic Director Holly Bright has brought to this community. She is amazing and very supportive of artists in Nanaimo.

How did this international exchange come about?

The Nordic/Nanaimo exchange is one of the innovative projects Holly created. At the height of the pandemic, funded by BC Arts Council and Made In BC, Crimson Coast Dance embarked on a project that explored the ways in which Nanaimo artists could participate in online exchanges. 

Two artists in Nanaimo – myself and Genevieve Johnson – were introduced to artists from Europe and supported through this international exchange. My collaborator, Mårten Spångberg, is a Swedish artist living and working in Berlin. An extension of that exchange is funded by Canada Council for the Arts – Digital Now.

What brought Mårten and myself together – and I quote Mårten here – is “questions around climate change, ecology and the influence contemporary society has on its environments. We are not interested in making art about the ecological crises or informing our audience about the urgency that climate change implies, but instead through our research develop work that in itself proposes, practices and engages in alternative ecologies.”

We share an understanding that art is a unique place, in the sense of practice, activation, performance and event, through which alternative ecologies can emerge and be probed and analyzed.

Tell us about the launch event.

We are launching the digital art installation that Mårten and I created on April 26 at The Attic at Black Rabbit Restaurant. The event is free to attend but people must sign up as seating is limited. I produced video art with soundscapes that I recorded mixing field recordings with voice and instrumentation. Marten explores text, imagery and AI.

My focus is on the evolving and ongoing process of how we communicate with each other and to nature within a digital context.

During our collaboration, Mårten and I talked about networks, though not just the expansive digital network of the internet but of nature. We shared thoughts on mycelium, a network of fungal threads or hyphae, that lately has received much attention on the importance of its function for the environment, including human beings.

Building off this concept, ideas of digital and ecological landscapes being connected emerged. From this we worked both collaboratively and individually to produce material for this digital project. Mårten will be there via Zoom as well and we will talk about this two-year process and the work we created together.

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Trending