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Spring Arts Preview: Five must-see in art

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Thanks to a robust and always changing visual arts scene you can easily fill a weekend with visits to any number of small, medium and large galleries.

Advice on what to see is a bit of a fool’s errand as the breadth of the offerings is as big as the empty lot where the new VAG is supposed to go.

That in mind, here are a handful of shows that may pique your interest:

Lawrence Paul Yuxweluptun: Sculptures & Paintings
Macaulay & Co. Fine Art 

On until March 25

This is a chance to see one of the most exciting local artists working today. Coast Salish contemporary artist Lawrence Paul Yuxweluptun Lets’lo:tseltun’s paintings and sculptures are wonderful combinations of explosive, vibrant colour, Coast Salish imagery and storytelling.

Yuxweluptun Lets’lo:tseltun’s work is as breathtaking as it is thoughtful as it explores issues over land ownership, residential schools — which he is a survivor of — and the destruction of the environment.

Alanis Obomsawin filming Richard Cardinal: Cry from a Diary of a Metis Child (1986).
Alanis Obomsawin filming Richard Cardinal: Cry from a Diary of a Metis Child (1986). Photo by National Film Board of Canada

Alanis Obomsawin: The Children Have to Hear Another Story

Vancouver Art Gallery

April 7 to Aug. 7

Celebrated around the globe, Abenaki filmmaker and activist Alanis Obomsawin has notched 50 films in the past 50 years. Her body of work includes the documentaries Incident at Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). Over her half-century career Obomsawin has pushed to gain social and political agency and has used public platforms to tell Indigenous stories.

This show is a survey of Obomsawin’s work from the 1960s to the present, and demonstrates her remarkable achievements in education, music, documentary cinema and activism.

Rembrandt van Rijn, Self-Portrait in a Cap, Laughing, dated 1630, is an etching from the collection of doctors Jonathan Meakins and Jacqueline McClaran. Photo by Denis Farley

The Collectors’ Cosmos: The Meakins-McClaran Print Collection

Audain Art Museum (Whistler)

On until May 15

The Collectors’ Cosmos: The Meakins-McClaran Print Collection provides a look at the building of one of the foremost private collections of European prints in Canada. Amassed over four decades, the heart of the collection is a wealth of 16th and 17th century Dutch and Flemish prints.

Doctors Jonathan Meakins and Jacqueline McClaran recently donated a significant portion of these works to the National Gallery of Canada, doubling the NGC’s collection of early Dutch and Flemish prints.

Now the touring version of The Collectors’ Cosmosis is at the Audain Art Museum in Whistler and features over 170 works, including prints by European masters such as Rembrandt van Rijn, Hendrick Goltzius and Jacob van Ruisdael.

The Show, Emily Carr University’s annual show of student works, runs at the ECU campus May 11 to 21. Photo by Emily Carr University

The Show

Emily Carr University of Art & Design

May 11 to 21

The Show is the annual unveiling of works from across all disciplines represented at ECUAD at both the undergraduate and graduate levels. So basically, every discipline in art and design will be on display in the always popular — it’s been running for decades — show.

If you need another reason to attend this glimpse at potential greatness keep in mind that many, many successful artists count ECUAD as an alma mater with the likes of Brian Jungen, Karin Bubaš, Sonny Assu, Geoffrey Farmer, Attila Richard Lukacs and Ola Volo showing in their graduating year.

Kennedi Carter’s work will be part of the As We Rise: Photography from the Black Atlantic, on at The Polygon Gallery until May 24. Photo by Kennedi Carter

As We Rise: Photography from the Black Atlantic

The Polygon Gallery

On until May 14

The international touring exhibition As We Rise: Photography from the Black Atlantic is curated by Elliot Ramsay and features more than 100 images selected from Aperture’s recently published book by the same name, and features photographs from the Wedge Collection — Canada’s largest privately owned collection committed to championing Black artists.

Bold type works include images by iconic civil rights photographer Gordon Parks, Hasselblad Award-winner Malick Sidibé, influential portraitist Carrie Mae Weems, contemporary photographer Texas Isaiah (the first trans photographer to shoot a Vogue cover), among others.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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