Stanley Février receives the MNBAQ Contemporary Art Award - Canada NewsWire | Canada News Media
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Stanley Février receives the MNBAQ Contemporary Art Award – Canada NewsWire

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“RBC Foundation is pleased to have supported this award, which truly makes a difference to the lives of artists here, since 2013,” noted André Labbé, Regional Vice-president, Québec/Beauce/Centre-du-Québec/Mauricie, RBC. “In addition to celebrating their accomplishments, the award affords the winner an outstanding showcase through an important exhibition in a Québec institution that offers visitors extensive facilitation, and an incisive study and analysis of the artist’s career in a major publication,” he added.

Art is a genuine vector for change

Stanley Février perceives art as an agent for social change. The artist says that his works “reflect on the human condition in the 21st century and the value of life against the backdrop of globalization.” He is “keenly interested in the psychological and physical frailty of human beings.” Current environmental and human dramas are themes present throughout his practice, especially police brutality, mental health, citizen disarmament, mass migrations, and questions related to overconsumption. Faced with these key questions related to the political, racial, human, and cultural challenges that are racking societies the world over, Stanley Février’s work vibrates with an aptness that the jury members wished to acknowledge. The artist’s work spans an array of practices ranging from performance to photography and including sculpture and drawing, and his increasingly astounding reflections on the state of the world. The denunciation of violence that is central to Stanley Février’s practice and his grasp of difficult social issues resonate with the MNBAQ’s vision. The addition to the MNBAQ’s collection of works by Stanley Février will reflect the formal, social and artistic dimensions of the works that it encompasses.

A changing collection

“The MNBAQ has, for several years, adopted concrete measures to enhance the representativeness of its collection from the standpoint of contemporary Québec. Consequently, it has sought to strike a better balance in genres, generations, and artistic practices, and to achieve a broader presence of racialized artists, artists of different cultural origins, the First Nations, Métis and Inuit,” noted Annie Gauthier, Director of Collections and Exhibitions at the MNBAQ. “Stanley Février’s practice attracted the attention of MNBAQ teams long before the jury convened to award the MNBAQ Contemporary Art Award. What is more, we will work extensively with the artist, who tackles topical issues head-on, and thus draw parallels with historic works in the collection,” Ms. Gauthier added enthusiastically.

The jury of the fourth edition of the award comprised Eunice Bélidor, Director of the FOFA Gallery at Concordia University and a member of the MNBAQ’s external acquisition committee; Marie-Hélène Audet, Mediation Service Manager, MNBAQ; Annie Gauthier, Director of Collections and Exhibitions, MNBAQ; and Bernard Lamarche, Head of Collection Development and Curator of Contemporary Art (2000 to the present), MNBAQ. The jury members would also like to congratulate the finalists, Chun Hua Catherine Dong, Chloë Lum and Yannick Desranleau, Marigold Santos, and Walter Scott. The artists’ captivating work sustained the jury’s discussions throughout the process. Each one raised striking questions on the social body, the construction of identity, inclusion, and the artistic environment. It goes without saying that the choice was a daunting task, given the vivid nature of each artist’s work.

Biographical note on Stanley Février

Stanley Février was born in 1976 in Port-au-Prince. He is a multidisciplinary Québec artist who has lived for over 20 years in Longueuil, near Montréal. He first worked as a social worker before gradually turning to art. He became a full-time artist in 2012. The two practices are now indissociable. In 2018, he obtained a master’s degree in visual and media arts from the Faculté des arts at the Université du Québec à Montréal. The artist’s practice encompasses photography, digitization, drawing, installations and assemblages, sculpture, and participatory art and performance. Since 2007, he has presented more than 20 solo exhibitions and participated in 15 group exhibitions in several cities in Québec and in Ottawa, and in the United States (New York), Cuba, France, Germany, Spain, Bulgaria, and China. He has also been present in public spaces outside exhibition venues in Québec, Greece, and Spain. Moreover, since 2012, he has participated in 10 contemporary art festivals in Québec, Mexico, Bulgaria, Serbia, and China.

The MNBAQ Contemporary Art Award is granted every two years to a Québec artist through a remarkable partnership between the MNBAQ and the RBC Foundation. The Musée national des beaux-arts du Québec is a government corporation subsidized by the Québec government.

SOURCE Musée national des beaux-arts du Québec

For further information: 418 643-2150 or 1 866 220-2150 /mnbaq.org

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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