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Success: Art, activism intersect in the work of Ra'anaa Ekudiayo – Sudbury.com

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When you speak to Ra’anaa Yaminah Ekudiayo (formerly Brown), you get excited about whatever she is discussing. It’s impossible not to, she is passionate about everything she is doing. And for Ekudiayo, those passions are art, and activism.

One she had to find her own path to; the other, she feels, was forced upon her.

“I feel like activism, especially people of colour and other marginalized folks, is definitely something we’re thrown into,” said Ekudiayo. “Because you get to a point in life where you kind of have to be your own activist, or you’re going to be severely depressed. And I mean, we’re still severely depressed, even though we’re fighting for ourselves.”

Ekudiayo was born in southern Ontario and came to Sudbury in 2014 for schooling, completing a master’s degree from the McEwen School of Architecture before pursuing her PhD at Concordia University in Montreal, where she is now living.

But it was here in Sudbury that both her art and her activism truly ignited.

While Ekudiayo, who is transitioning away from her last name ‘Brown’ in order to avoid its colonial implications, had always a love of art, and painting specifically, she didn’t know she could be an artist until she met a group of artists during her studies. 

They encouraged her not just to curate shows, as she did in 2020 with the Up Here festival, but to create her own work. Not only did Ekudiayo begin to help organize art shows like the McEwen Nuit Blanche, she has now moved to working with artists’ collective Solaris (alongside artists Sonia Ekiyor-Katimi, Isak Vaillancourt) for a show at Sudbury’s Amberhill Gallery and is now with non-profit Steps Public Art as a CreateSpace artist-in-residence.

Part of the awakening from curator into artist is realizing art comes in many forms. 

“I really started to get enamored with this idea of art being this immersive experience, like you’re inside the art, you’re inhabiting the art, you’re part of the art, you’re you’re part of the story that you’re telling,” she said. “I think I’ve definitely gotten to this point now where I’m like, ‘I can create art for me, and not everyone’s gonna like it, but to me, it’s art’.”

What she also found in Sudbury was a community. But it was a community she discovered out of tragedy. 

Ekudiayo is Black, born of parents with Jamaican and Caribbean ancestry, and coming to Sudbury she didn’t immediately find many other people of colour, let alone other Black people. But after the deaths of George Floyd, Ahmaud Arbery, Breonna Taylor, and Regis Korchinski-Paquette, Black Lives Matter formed, co-founded by Ekudiayo, a group for which she now serves as president. 

It was activism thrust upon her, but also, she said, a chance to meet the rest of her community of colour in Sudbury. Through her work with BLM Sudbury, from Black Arts Festivals to protest rallies, she has solidified her understanding of herself and her place in the world.

She couldn’t find a Black supervisor for her master’s degree, written on a highly racialized topic — the effects of architecture on segregation in the Southside of Chicago — so she became her own expert in the area.

But now, she hopes to channel that into teaching, which she will begin doing at the McEwen School of Architecture in January of 2023. Because of her ADHD diagnosis, Ekudiayo places on being mindful of students learning at different levels and speeds, but she also hopes to open to all what she considers colonial learning environments. 

“That is something that I really want to start bringing to academia as I continue to grow within the profession,” she said. “It’s important to remember it’s okay for us (marginalized groups) to not fit in within these systems, because they weren’t designed for us. And I think creating new spaces is something that is so beautiful, creating different systems that we can thrive, in systems that we can function within. It’s important to know that we can put these things in place for ourselves, and we can take care of ourselves.”

Ekudiayo said she hopes that as new BIPOC students come into academia, that they will do something it took her a long time to do: not shy away from the spotlight. 

“I hope that they know that they can take up space, and they should take up space and have access to take up space,” she said. “Because that was one of the hardest things for me as a black woman, always thinking ‘I shouldn’t say much, I shouldn’t take my space, I’m just going to participate in these colonial bodies that already exist and participate in these institutions.”

But that all changed for Ekudiayo, and she said that is the key to her success. “It’s okay to go out and create your own thing. It’s important to find your community to connect with other individuals, and it’s okay to realize that you don’t fit in within these systems and create a new one for yourself.” 

Jenny Lamothe is a reporter at Sudbury.com. Success is made possible by our Community Leaders Program.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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Sudbury art, music festival celebrating milestone

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Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.

The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.

Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”

With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.

The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.

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