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Suffolk county council announces 100% cut to arts funding – The Guardian

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Arts organisations have called on Suffolk county council (SCC) to reconsider a proposed 100% cut to its culture budget.

As part of its plans to make £64.7m in savings over two years, the council announced on Wednesday that it will stop core funding of £500,000 to art and museum sector organisations from April 2025. A shared statement from local organisations affected by the decision said the cut would make an “extremely modest difference” to the council’s overall finances but have a “huge impact” on communities across the county.

DanceEast, Eastern Angles theatre company, First Light festival, the New Wolsey theatre, Primadonna festival, Theatre Royal Bury St Edmunds and Suffolk Artlink said the cut in arts investment represented a saving of “just 0.057% of the council’s 23-24 revenue budget”. Their statement, released on Thursday, continued: “The ‘cost’ to our county will be so much more significant. Collectively, our organisations support 24,493 children and young people and 76,516 vulnerable people through our community engagement work. We also provide permanent employment for 154 staff, and project or contract employment for a further 499 staff. Suffolk-wide, the culture sector plays an important part in providing employment for local people, with almost 6,985 jobs being supported by the sector.”

The New Wolsey’s chief executive and artistic director, Douglas Rintoul, said that it was already a difficult time for cultural organisations which are recovering from the impact of the pandemic and the cost-of-living crisis. Rintoul added: “These proposed cuts could jeopardise the artistic and creative vibrancy of the area and threaten economic growth. The cultural and creative industries generate over £272m for the region and contribute immeasurably to the visitor economy, community wellbeing, sense of identity and enjoyment of life at its every stage.” Despite continued support from Arts Council England and Ipswich borough council, the proposed cuts “could force the theatre into making difficult decisions about the extent of its ongoing services” to the local community.

Both Ipswich’s New Wolsey and the Eastern Angles theatre company have received council funding for four decades. “I know local authority budgets are under extreme pressure from the drastic underfunding from the government, and council leaders across the UK are having to make tough decisions,” said Jake Smith, artistic director and CEO of Eastern Angles. “However, it is important to reframe investment in arts and culture as exactly that: an investment. It delivers not only an economic return but also contributes to the social health and wellbeing of our community.”

To assist with the transition, SCC said that £528,000 of Covid recovery money will be made available to arts organisations for the year 2024-25. “We are a well-run council and over the last five years, we have saved £66m by working smarter and leaner. But we now need to go even further,” said Richard Rout, SCC’s deputy leader and one of 53 Conservatives on the 75-strong council. “We are putting adult and children’s care at the heart of our plans,” added Rout. “We have spent months scrutinising all the council’s spending. There is competition for every pound across all our services, and I understand that each service means something to someone.”

“Smaller theatres are the heart of our communities,” tweeted Green councillor Robert Lindsay, expressing concern at the cut. Emma Buckmaster, Green party prospective parliamentary candidate for Bury St Edmunds and Stowmarket, said it was “a shocking proposal … that will do lasting damage to the arts in Suffolk”.

Full details of the council’s financial plans – which include a 4.99% increase in council tax – will be presented to its scrutiny committee on 11 January.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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