Sunday Reading: Art Against the Odds - The New Yorker | Canada News Media
Connect with us

Art

Sunday Reading: Art Against the Odds – The New Yorker

Published

 on


Photograph by Alex Majoli / Magnum

In 2003, the novelist Laura Hillenbrand published a piece in The New Yorker about a debilitating illness she suffered while writing her best-selling book “Seabiscuit.” As the piece unfolds, Hillenbrand deftly chronicles her lengthy, arduous battle against chronic-fatigue syndrome. It was during this period of her life, as her physical world constricted, that her work suddenly flourished. “Living in my subjects’ bodies, I forgot about my own,” she observes.

This week, we’re bringing you a trio of pieces about artists, musicians, and writers who have overcome great challenges. In “The Sonata Seminar,” Alex Ross writes about the musical talents of the pianist Leon Fleisher, who lost the use of his right hand for decades due to a neurological condition. And, in “Life Lines,” Daniel Zalewski explores the world of the artist Lonni Sue Johnson, who continues to suffer from amnesia after contracting viral encephalitis, in 2007. We hope that you find these pieces as captivating as we do.

— David Remnick


Photograph by Jacqueline O’Neill

How my life changed.


Leon Fleisher’s exuberant exploration of Schubert.


Photographs by Phillip Toledano

For an artist with amnesia, the world takes place through her pencil.

Let’s block ads! (Why?)



Source link

Continue Reading

Art

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

Published

 on


[unable to retrieve full-text content]

40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



Source link

Continue Reading

Art

John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

Published

 on


[unable to retrieve full-text content]

John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



Source link

Continue Reading

Art

A misspelled memorial to the Brontë sisters gets its dots back at last

Published

 on

 

LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

Source link

Continue Reading

Trending

Exit mobile version