Surrey Art Gallery reopens with 'Where We Have Been' show to mark 45th anniversary - Cloverdale Reporter | Canada News Media
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Surrey Art Gallery reopens with 'Where We Have Been' show to mark 45th anniversary – Cloverdale Reporter

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The reopened Surrey Art Gallery will celebrate its 45th anniversary by showcasing art from South of the Fraser.

Pre-booked, self-guided tours of the new exhibition Where We Have Been will begin Saturday, Sept. 19, nearly six months after the gallery was closed due to the COVID-19 pandemic.

The art show marks 45 years of collecting, exhibiting and artmaking in Surrey, with more than 40 works – paintings, photography, sculpture and video installations – from the gallery’s permanent collection at Bear Creek Park.

Some of the gallery’s oldest acquisitions will be shown alongside some of its most recent, says Rhys Edwards, Surrey Art Gallery’s assistant curator.

“The range of voices on display speaks to the diversity of artmaking throughout this region’s history, all the while illustrating how profoundly these artists have visioned the struggles, the beauty, and the complex realities that shape our community,” Edwards said in an event advisory.

Where We Have Been will feature art created by a long list of locals, including Michael Abraham, Jim Adams, Sonny Assu, Sylvia Grace Borda, Karin Bubaš, Sarindar Dhaliwal, Lakshmi Gill, Ravi Gill, Jeremy Herndl, Doreen Jensen, Chris MacClure, Heidi McKenzie, Ulli Maibauer, Arnold Mikelson, Shani Mootoo, Ann Nelson, Fred Owen, Bill Rennie, Don Romanchuk, Adele Samphire, Nicolas Sassoon, Helma Sawatzky, Ranjan Sen, Jan Wade, Stella Weinert, Leslie Wells and Joanna S. Wilson.

Admission is free by online registration at surrey.ca/artgallery, or phone 604-501-5100. Pre-booked gallery visits will be available at select times on Tuesdays, Wednesdays and Thursdays from 5 to 9:30 p.m. and Saturdays from 10 a.m. to 5 p.m.

Three other exhibitions are also featured this fall, including Don Hutchinson and Ying-Yueh Chuang: Passages, which explores “the whimsical possibilities of ceramic with fantastical creatures and lifeforms from two Surrey-based artists.” In the video installation Proscenium, Carol Sawyer “uses the stage as means to play with the audience’s perception of images, illusions and performance,” and artists Dan Tell, James Lash and Sheri Lynn Seitz from the Colour Collective “celebrate the city through vibrant landscape painting and photographs” in Searching for Surrey.

In Whalley, the Surrey UrbanScreen venue will showcase Varvara & Mar: We Are the Clouds during the evening hours, “to transform your movements into clouds, floating serenely across a brilliant blue sky projected in largescale on the west wall of Chuck Bailey Recreation Centre.”

Back at Surrey Arts Centre (13750 88th Ave.), onsite art courses are offered to children, youth and adults ranging from watercolour and clay sculpture to drawing and more, on Tuesday, Wednesday and Thursday evenings and Saturdays during the day, starting Sept. 28.

This fall Surrey Art Gallery will continue to present Art Together, a series of online programs which began in March. They explore art and artists in the community, “spark the imagination, and celebrate the ways that art can impact our lives.”



tom.zillich@surreynowleader.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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