Text description provided by the architects. Renew – The Soul. This time Roarc Renew received a task themed at countryside renewing. We do believe with great certainty that the essential feature of a renewing project compared to a newly-built project is “conforming to the original energy field of the construction”. The soul of every renewing project is to find out the hidden flow and go with it. It is as if the bright moon cannot be seen before clouds move away. Certainly, the first thing is to identify which cloud should move away and how to move it away. This is the methodology Roarc Renew used in building renewing for the past years.
Alias as Lotus Granary. At Wangjiangjing Town, there are two granaries nearby hundreds of acres of lotus marsh and the Taocangcanal. The granaries were built in the 1950s/1960s. They were previously granaries for residents to store grains. Later they were burned and discarded for years. There was also a lotus pond before the granaries. It is speculated that nearby buildings get water from the lotus marsh and pond for firefighting. The granaries sit near the lotus pond, and that’s why they were also called Lotus granary. After the renovation, terrazzo lotus patterns in the granaries echo with structural arches of the granaries. The owner entrusted Roarc Renew to renew the project to make it a landmark of the place on the basis of architectural characteristics and historical background of the granaries.
Energy Field Exists with Functions and Goes beyond Functions. Inside of the Energy Field: Functionally, the future granaries are defined as an art center by the owner. The western granary will act as a commercial gallery, while the eastern granary will act as an art gallery. Since two granaries are made in a unique structure, i.e. a concrete arch-supporting system, they have a complete interior visual system. Arches form a complete field. It is not wise to break such a great energy field. Moreover, the granaries are very old, so any member except its original structures may become a burden. Consequently, we come to the conclusion that all the granaries space should be solely used for exhibition spaces, and auxiliary functions necessary for the art center are supposed to be provided outside. There is no ground for an alteration of the interior structure of the granaries.
Outside of the Energy Field: After the nearby textile warehouse was demolished, the two old granaries stand side by side in parallel. The granaries go in an east-to-west direction, facing canal to its north and a vast stretch of land to the south, while close at hand is a lotus pond. In this context, the best solution to add structures to the original architecture is to take an “accompanying” approach to explore new stories with the old granaries. That’s why the connective corridors were coming into shape. In architectural functions, the corridors not only change the way of entrance and its layout but also create commercial and social space on its own. Acting as the accompanying space for an art museum, the corridors also allow for extending exhibition space externally in a way to protect the internal. Through all these architectural efforts, we are paying our tribute and respect to the history of the old granaries.
Redefinition of Entrance: The main galleries have four entrances. Newly added corridors lead flow to the center. Visitors move from two sides to the center along the appropriately sized corridors and then enter the galleries. The east and west ends serve as freight entrances. In this way, visitors and freights are clearly separated.
Commercial and Social Purposes: As mentioned at the beginning, all renewing projects come down to an economic behavior eventually. Along the corridors, such facilities as restaurants, coffee stores, and souvenir stores will be set to support the operation of the whole art center. The full-height glass will be installed and electromechanical positions will be reserved to make the corridors an indoor space. However, for a variety of reasons, the corridors are presented to the public as a grey space when the design is finished.
Energy Field: Construction Directivity. The main granaries run east-west, showing the direction of the space. Once a sense of direction confirmed in a space, field, namely the standpoint of the construction, reflects itself naturally. With a unique ingenuity, the twin corridors are designed to be parallel not only in horizontal but also in vertical forms by raising their heights to a peak at the central entrance, thus creating filed energy in two directions. The energy field lies the “souls” of this renovation project: on one hand, the horizontal form fits well into the parallel nature of the old granaries; on the other, the ascending trajectory in vertical form directs our focus to the sky. In form, the corridors are designed to be accompanying structures to direct the way to the main entrance in the center. In the spatial arrangement, the twin corridors ascend in a continuum to reach a hollow and quiet space at the central peak, which brings the architectural emotions to a climax. In form, the corridors are designed to be accompanying structures to direct the way to the main entrance in the center. In the spatial arrangement, the twin corridors ascend in a continuum to reach a hollow and quiet space at the central peak, which brings the architectural emotions to a climax.
Energy Field: Poetic Companion. The accompanying corridors reflect Roarc Renew’s love for the granaries. We like to compare construction to human beings, and they were indeed the direct reflections of human beings’ abstract thinking. Geometry has no emotions, but people can find relationship and emotion from the work of geometry. And it is the reason why old professions like architects always lead to innovation. Architecture likes people, and Roarc Renew wants empathy in its works. Landmark buildings were too often used to represent the will of power. However, with hundreds of Mus of lotus pond by side, we wish the two granaries will find more inner peace after 60 years of ever-changing experience.
Drainage. The bricks go up and down to hold and carry the water dropped after diversion and drainage. As the most important decorations of the structure, water is silently incorporated into the language of bricks.
Wheat Ear Wall. In the pattern of a wheatear, we saw the past of the granary. Through the monument-like brick structure, we hear the age-old granary who resumes speaking to the world. Resembling the design of the drainage system, the wheatear pattern is formed by combining bricks with three different moduli. The modern bricks of the corridors connect the old bricks of the granaries, which is a salute to the bygone memories.
Symmetrical Structure. In structure, concrete arches support the brick roof so that the old granaries have a double-curved roof. It brings a dramatic visual effect. Roarc Renew uses arcs orderly in two corridors to make the structure symmetrical to the granaries with a cascading effect.
In the pond flowers bloom like a piece of brocade; within the granary, the flower-decorated floor makes a flourishing scene.If the external structure of the TaoCang Art Center shows the ability in arousing emotions, its internal design proves the power of storytelling by interpreting the origins of its name – a granary where lotuses bloom. While lotus suggests the unique features of this landscape. The villagers of Wangjiangjing Town have grown lotus for generations. For them, the flowers, roots, leaves, and stalks of the lotus mean all their life in four seasons changing from spring, summer, autumn to winter. While grains feed the people, lotus makes their lives prosperous.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
