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The 10 most covetable pieces for sale at Art Toronto – Toronto Life

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For local art obsessives, Art Toronto is the undisputed event of the year—a buzzy nexus of artists, gallerists and buyers, where collectors and museums drop big money to snap up pieces by established and emerging names. This year, the festival has moved to a digital model that runs until November 8, with a a few socially distanced in-person events held at some of the 100-plus participating galleries. For wannabe collectors bit by the Covid nesting bug, there are tons of striking pieces available, including affordable paintings from up-and-comers and blue-chip sculptures that cost as much as a down payment. Here are 13 works that could be gracing your living room this winter.

A wayward commuter

“Walking Woman in the Subway.” Photograph by Michael Snow, $9,200, Michael Gibson Gallery

The 91-year-old Toronto artist Michael Snow is known for his Walking Woman, a mirrored silhouette that he used to produce and place in conspicuous spots all over the city back in the ’60s. This photograph appeared in Snow’s book Biographie of the Walking Woman, which recorded many public interactions with the silhouette. The image is up for sale for the first time.

A tornado of limbs 

“Best of Us.” Painting by Michael Nicoll Yahgulanaas, $4,800, Gallery Jones

The Haida artist Michael Nicoll Yahgulanaas is an award-winning contemporary painter whose large-scale works are fixtures at the Vancouver airport and UBC. He’s known as the father of “Haida-manga,” creating work influenced by the tradition of Haida iconography and Asian visual culture. This abstract watercolour hypnotizes viewers with its looping swirls and faces.

A moody arabesque 

“As One IV.” Photograph by Brendan Fernandes, $6,000, Monique Meloche Gallery

In this piece, the Nairobi-born Canadian artist Brendan Fernandes examines how museums serve as cultural gatekeepers: for example, when African masks were first exhibited in French museums, they were stripped of their context in traditional ceremonies, depicted instead as primitive and uncivilized. Here, a graceful ballet dancer interacts with an African mask from a French museum, playing off the power struggle between different cultures.

An artistic un-masking 

“Christ Pantocrator No13.” Painting by Moridja Kitenge Banza, $3,000, Galerie Hugues Charbonneau

In this series, Canadian-Congolese artist Moridja Kitenge Banza reproduces Christian iconography—except he replaces Christ’s face with African masks. It links the spread of Catholicism in the Democratic Republic of Congo with masks displayed in Western art museums devoid of context. The mask shown here is used among the Dan and neighbouring cultures to connect the wearer with the spirit world. Normally, it’s kept hidden, only brought out during special rituals.

A day in the life of a Whitehorsian

“Tenuous Balance of Hope and Meaning.” Painting by Joseph Tisiga, $4,800, Bradley Ertaskiran

This painting by Joseph Tisiga is both fantastical and banal at the same time, showing a surrealistic mix of mundane nature juxtaposed with mystic elements. Tisiga’s work explores the complex psychological, social, economic and cultural challenges facing Indigenous people today, all underscored by a “sublime nothingness” he experienced in Whitehorse, where he lived while working at a community youth organization.

A token of forgiveness 

“Apology Flower #1.” Collage and painting by Christian Butterfield, $1,800, Corkin Gallery

Toronto mixed-media artist Christian Butterfield originally began making his pieces as apology gifts to friends, lovers and acquaintances. In this collage, he paints an abstract flower over a seemingly random assortment of clippings and images cut out from issues of Time magazine—his preferred source material.

A pensive moment

“Untitled.” Photograph by Will Munro, $6,000, Paul Petro Contemporary Art

This photograph comes from the estate of Will Munro, a queer icon in Toronto who worked as a visual artist, restaurateur and social activist until he died from cancer in 2010. As an artist, he was known for fashioning pieces made from men’s underwear, and this image, produced in 2004 shows a model sporting a delicately stitched and beaded pair.

A constellation of beads

“Boundaries.” Photograph by Nadia Myre, $12,500, Art Mûr

Nadia Myre is a multidisciplinary artist of Algonquin heritage living in Montreal. In her previous work “Indian Act,” she recreated all 56 pages of that legislation with beadwork, using white beads to represent the words and red ones to represent white space. In this large-scale photograph, she returns to the material and zooms in on the texture and intricate patterns of the beads—which were used as decorative jewellery in Europe and as currency in the Atlantic slave trade—to help the viewer examine their cultural history.

A beautiful refraction

“Holding you as steady as I can.” Installation by Karilee Fuglem, $1,250, Pierre-François Ouellette Art Contemporain

For this piece, multidisciplinary Montreal artist Karilee Fuglem created a device that reflects rays of light wherever it’s installed. She thinks of her work as drawings made with space, air and light. The materials—in this case polyester, steel and thread—are meant to disappear into the space so as to represent the non-visible world. Says Fuglem: “They testify to the wonder that can be glimpsed anywhere—how a random bit of anything can light up and come alive.”

The politics of geometry 

“Positions.” Painting by Nicolas Grenier, $12,500, Bradley Ertaskiran

Montreal-based painter Nicolas Grenier places recognizable diagrammatic shapes in colourful gradients to mimic political affiliation graphs and charts. While viewing the artwork, visitors are provided with an Approval Matrix sheet—via PDF for online visits—to map their positions on the current state of the world and where it’s headed.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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