Art
The art of curling has changed. The robots are passing Canada by – Toronto Star
Krista McCarville’s Northern Ontario rink, just like every other one competing at the Canadian Olympic curling trials in Saskatoon, is hoping to represent Canada at the Beijing Olympics. But how her team got there is a little unusual.
They spend most of the time they have to curl in training, not in competition as is the norm in Canada. And because of all that training back in Thunder Bay, she only has to read the ice once during these high-pressure games at the SaskTel Centre.
McCarville, Kendra Lilly, Ashley Sippala and Sarah Potts have spent years tamping down their natural curling styles to ensure they slide on the same line of delivery, release the stone the same way and apply the same rotation.
This is how they’ve made it to this stage, alongside Canada’s very best, while competing only about a fifth as often as the top teams, says their coach, Rick Lang.
Using focused team training to create and maintain the exact same curling technique, or as close to it as humanly possible, is something that’s increasingly being done in other countries — including the ones that are beating Canada on the world stage.
But it’s still rare among teams here, says Lang, the two-time world champion who was a long-time national team coach for Curling Canada. It’s controversial, too. In fact, when Lang talks about this he’s sometimes accused of wanting to turn curlers into robots.
“I’m not talking about making robots out of them,” Lang says. “Sometimes I’m interpreted that way. I call them artists. We have a lot of teams in Canada that are artists. They make shots, but they kind of do it in their own way.
“But the game has changed to the point now where the technical level is so high and precise that if you don’t do this you’re going to get beat.”
That’s already happening more often than Canadian curlers would like, especially on the most important global stages: the Olympics and the worlds.
Canada left the 2018 Olympics without a men’s or women’s curling medal for the first time since the sport was included in 1998. (Canada did win gold in the debut of the mixed doubles event.) They also missed the podium at the world championships this year.
McCarville and her teammates, who made a decision years ago to put their jobs — she’s an elementary school teacher — and families first, are considered underdogs at the Olympic trials, which run until Nov. 28. But the fact that they’re there and as good as they are, with so little competition, is the result of years of training to increase their curling symmetry, she says.
“I can put the broom down for myself and the exact same ice for Ashley, Sarah, Kendra,” says McCarville. “It makes my life a thousand times easier.”
Kerri Einarson’s Manitoba rink approaches things in a more typically Canadian way. They often practise individually because of work and family commitments; they compete a lot, which keeps their points ranking high and sponsors happy; and they gather to train a day or two before big events such as the trials.
“We each have our own individual style, which makes it a little more difficult for me,” Einarson says. “But as long as they’re consistent with it, I can just remember who I have to give a little more ice to, who I don’t. Not everyone’s going to be structured the exact same and throw the exact same thing.”
But that is what’s happening on top teams in other nations, says Curling Canada’s high performance director Gerry Peckham.
Countries in Asia and Europe that don’t have the same history and depth of talent are selecting curlers — rather than having teams earn their way to the top, as Canada does — and training them full-time in high-performance hubs with Olympic podium performances specifically in mind.
“When you bear witness to the technical excellence of the Asian teams, you marvel at it,” Peckham says. “They’re just so precise and so biomechanically sound.”
In many sports the training-to-competition ratio is around 90 per cent to 10 per cent, but few curling teams in Canada would even hit the 50/50 mark, Lang says: “The culture in Canada is that you get better by playing a lot.”
That culture needs to change if Canada wants to keep up with the increasingly competitive global curling environment, he says.
Of course, as Lang knows well from his time at Curling Canada, the elite system itself drives teams to compete a lot.
There is so much depth in Canadian curling that the best have to chase points in competitions to get into the big, televised events, which are crucial to attracting and maintaining sponsors. They also have to compete a lot to beat each other, as they’re doing in Saskatoon, just for the chance to get to the Olympics.
And then there’s the money.
“The reality in Canada is that none of our athletes make sufficient money through the sport of curling to make their world go around,” Peckham says. “Especially when their world includes spouses, family members and upcoming university programs for kids.”
So unlike the full-time curlers in some other countries, Canada’s best all have day jobs. That means that even if a team is based in the same city, and some have members in other provinces, their work schedules and family lives can make it hard to consistently train at the same time with a coach.
And without that piece of the puzzle there’s little hope of getting to the kind of team symmetry that Lang and Peckham are seeing elsewhere — and worrying about.
“There’s no question that other countries have caught up to Canada in terms of performance, and in many cases surpassed us,” Lang says.
“One has to ask why and how that is happening.”
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Art
40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com
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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate Cracked.com
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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca
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John Little, whose paintings showed the raw side of Montreal, dies at 96 CBC.ca
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A misspelled memorial to the Brontë sisters gets its dots back at last
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
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