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The art of living – Winnipeg Free Press

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Lynley Rose turned to art to overcome trauma from her past. Now she hopes to inspire others to use art to find themselves and share their voices in her new art exhibition at Cre8ery called Come Alive and Chase the Sky.

The friendly, talkative 52-year-old began painting at “the young age of 42,” and says art saved her life.

Given her cheerful demeanour — it’s a safe bet she’s smiling warmly behind her brightly coloured face mask — the turbulent details of her life are something of a surprise.

She was adopted as a baby and became a single mom at 19; she also experienced sexual violence and indulged in harmful use of substances as a young adult.

Now, however, Rose is a passionate artist and adoring grandmother who is determined to live her best life, one without regret.

Her adoption into a rural-Manitoba family is how she came up with her professional pseudonym.

“My given (birth) name was Rose,” she says. “Just in the last couple months I decided to honour that little girl that’s adopted.”

Though she grew up in a loving family, she candidly shares that she got “mixed up in the wrong crowd” as a teenager.

“My boyfriend was eight years older and he used to, well, I don’t know how to say it… beat the living daylights out of me.”

Several years later, she gave birth to a son.

“I was a single mom at 19 and worked sometimes three jobs,” she says. “I missed out on a lot.”

After her son grew up, Rose found herself once again in a difficult place in her life.

“I was going through a really tough time,” she says. “I went to British Columbia to visit friends for two weeks and I ended up staying seven.”

During that time, Rose was inspired to paint for the first time, taking inspiration from the front cover of a book she had in her purse at the time.

“After that I just started painting up a storm.”

She would paint at night after her now-former husband fell asleep. Since she has no formal art training — “I still don’t know colour theory,” she says — she started out dabbling in abstracts, where she felt her lack of training would be less noticeable. Eventually she moved on to experiment in other styles, including mixed-media work and oil-based landscapes, especially the mountains of B.C.

Her early work focuses on the figure of a young girl hiding behind her hair.

“Those first pieces that I painted 10 years ago were really from a dark place,” she says. “But art therapy really saved me.”

She was initially hesitant to share her art.

“I’m not on Facebook. I don’t have a website. I’ve always been kind of private and afraid to show my work.”

But now, thanks to a recent discovery, she was able to overcome her fear.

“I lost my dad last year and my mom 30 years ago,” she says. “She left this Earth too young. And when my dad passed, I found some drawings that she had done. I didn’t even know that she liked to draw.”

Discovering her mom’s passion for drawing empowered Rose to share her own work. She hopes her story will inspire others to do the same.

“I really believe that creative activities help relieve stress,” she says. “So whether it’s painting or journaling or drawing or writing, you just need to get it out.”

She has advice for people with no training.

“It’s special to you, and that’s what counts,” she says. “We all have issues. We all have skeletons in our closet. We’re all afraid.”

In fact, owing to fears over COVID-19, she initially cancelled her exhibition scheduled earlier this year.

“I was too afraid. I was frozen. I couldn’t leave the house,” she says.

With the support of her friends and her love of painting, she was able to overcome her anxiety.

She’s also excited about the future.

“I get to have a do-over,” she says. “My daughter-in-law is going back to work and I get to be a full-time babysitter for my grandson River.”

Rose says it feels like a gift from God to be able to take care of her grandson in a way she wasn’t able to with her own son. And as her family moves toward a new future, Rose always keeps the past in mind.

“My dad said, ‘Before you die, I hope you live your life.’

“I said to him, ‘I’ve lived many lives, dad. I’ve gone through a lot.’”

“He said, ‘No. You’ve never really, really lived. I need you to really, really live.’

“So, I turned 50 and am trying not to have regret.”

She has been sober from alcohol for four years and from pills for 20. She credits cognitive behavioural therapy, her faith and her art with helping her overcome the difficult times.

“I feel so lucky. I really, really do. I’m just happy,” she says. “Painting makes me so happy.”

Frances.Koncan@freepress.mb.ca

Twitter: @franceskoncan

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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